森の入口

[Mix-Intent: Isolate Stems, Maximize Separation, Preserve Cathedral Reverb Space] [Mix-Goal: Clean, high-clarity modern studio mix balancing folk energy with ethereal choir; anxious yet hopeful drive] [Frequency: Balanced spectrum; tight low-end for guitar (80-300Hz), acoustic guitar body (150-400Hz), tin whistle clarity (1-4kHz), vocal presence (2-5kHz), choir air (8-12kHz)] [Low-End: Tight, controlled; no mud below 80Hz; distortion guitar defined but not overwhelming] [Drums: Minimal; if present, crisp folk-style percussion with natural room] [Guitar: Medium distortion wall, wide stereo; mids present but leaving space for folk instruments; acoustic guitar centered-right, bright and dynamic] [Tin Whistle: Slightly left; clear and bright 1-4kHz; natural breathiness; shorter reverb than choir; melody prominent] [Acoustic Guitar: Centered-right; warm body but not boomy; pick attack preserved; sits in front of distortion] [Choir: Wide stereo; individual voices slightly distinguishable; cathedral reverb shorter than Track01 to match tempo] [Vocals: Female lead centered, forward, energetic yet intimate; clear 2-5kHz presence; gentle de-ess] [Stereo: Wide choir and distortion wall; tin whistle slightly left; acoustic guitar slightly right; vocal centered] [Compression: Moderate on master; no pumping; allow folk rhythmic pulse to breathe] [Clarity: Reduce haze in low-mids (200-400Hz); maintain separation between acoustic guitar, distortion, and tin whistle] [Noise: Minimize mud; preserve footstep SFX dry and close-mic] [Reverb: Cathedral reverb on choir; shorter reverb on tin whistle for folk intimacy; dry footstep SFX intro] [Special: Intro footstep SFX must remain dry — clean transition into tin whistle solo] [Intro] [SFX: Footsteps on dry leaves] [Tin Whistle Solo] [Distortion Guitar enters] [Verse 1] tsoo-chee noh nee-oh ee gah sue-roo shee-meht tah kah-zeh oh sue koo-rai key-ghee noh ai-dah koh-wah koo teh-moh foo-mee dah-sue [Verse 2] hoh-soy eh-dah kah-key wah-keh shee-rah nai mee-chee oh yoo-koo toh-ree noh koh-eh moh toh-oy soh-rah gah seh-mah koo naht-tah [Chorus] oh-koo eh toh mee-chee gah yoh-boo koh-wah koo teh-moh koh-eh teh-koo yah-mee toh key-ghee noh hah-zah-mah ah-shee oh toh-meh wah shee-nai eh-dah oh kah-key wah-keh teh-moh mah-yoy oh foo-ree key-roo tsoo-chee nee hee-bee koo koh-eh gah ah-tah rah-shee koh-doh yoh [Instrumental] [Tin Whistle and Acoustic Guitar] [Verse 1] foo-ree kah-eh reh-bah mah-chee gah kah-sue-mee noh moo-koh kee-eh ah-shee moh-toh gah yoo-rai deh ee-key oh foo-kah-koo suht-tah [Verse 2] moh moh-doh reh-noo toh shee-roo soh-reh deh-moh ah-shee wah yoo-koo shee-meh roo tsoo-chee oh foo-n deh oh-koo eh toh ah-yoo mee dah-sue [Chorus] moh-doh reh-nai mee-chee yoo-koo tah-chee doh-mah reh wah shee-nai foo-kai moh-ree noh oh-koo eh tah-dah ah-roo ee teh yoo-keh roo mah-chee gah toh-oh koo kee-eh teh kah-koo goh oh foo-mee shee-meh teh tsoo-chee nee mee-chee roo koh-eh gah foo-kai koh-doh gah nah-roo [Bridge] key noh neh nee tsoo-mah zoo ee teh doh-roh nee hee-zah oh tsoo ee tah hai ah-gah roo tah sah-key nee kah-sue kah-nah kah-zeh gah foo-koo [Verse 3] oh-chee tah hah gah hoh-oh nah-deh moh-ree noh nee-oh ee gah mee-chee roo koh-wah sah wah kee-eh nai gah ah-shee wah toh-mah rah-nai [Chorus] oh-koo eh toh mee-chee gah yoh-boo moh mah-yoy wah shee-nai foo-kai moh-ree gah dai-koo koh-doh nee mee oh yoo-dah neh roo neh gah kah-rah moo ah-shee moh-toh nee dai-chee noh koh-eh gah hee-bee koo foo-mee shee-meh roo eep-poh gah moh-ree noh oh-koo eh toh tsoo-zoo koo