STYLE_METADATA: ```yaml sound_identity: concept: - raw, intimate, forward-driving Japanese alternative rock - compact 300-capacity live-house scale - vocal and bass are the central axis - guitars provide width, friction, sharpness, and momentum - drums provide physical impact without becoming metal - preserve clear instrument separation texture: rawness: 7 control: 3 rules: - preserve pick attack, drum transients, breath, and human timing - allow slight amp roughness and stage bleed - avoid glossy, over-clean, or over-compressed sound - no arena ambience or cinematic depth audience: - no cheering - no applause - no clapping - no shouting - no crowd singing - intro starts directly with the band intro: - immediate thick rhythm guitar - stronger low-mid body than studio version - sharp pick attack and clear chord edges - deep lows tightly controlled - thick but not muddy - heavy but never metal - slightly reduce guitar body when vocal enters vocal: - centered, close-miked, intimate - restrained natural singing as the default - whispering and murmuring remain important - stronger singing only at intentional release points - preserve breath and intensity changes - minimal compression - very short room reflection - no theatrical vibrato guitars: tone: - focused mids - thick low mids - sharp upper-mid pick attack - controlled high gain - coarse amp texture - clear distorted chord definition - no fizzy digital distortion stereo: left: - dry, brighter, harder, immediate right: - fuller, darker, harmonically richer, slightly deeper rules: - left and right must not be identical - preserve small timing and picking differences - avoid flat guitar-wall density - leave space for bass and snare - brief natural feedback allowed bass: - distorted pick bass - persistent eighth-note drive - thick low-mid definition - strong pick articulation - tightly controlled sub-bass - audible distortion without losing pitch - never disappear beneath guitars - remain distinct from kick drums: - continuous driving rock beat - energetic fills and natural human accents - maintain momentum through verses kick: - compact, firm, fast - no metal click snare: - thick center - strong raw transient - short decay cymbals: - moderately bright - controlled - no continuous wash supporting_layers: - subtle cold pads only when needed - remain behind the core band - support harmony and transitions - never mask vocal, bass, or guitar attack mix: philosophy: - physical live-house density with high readability - sharpness and thickness must coexist - intensity comes from performance, not limiting center: - vocal - bass - kick - snare room: - compact indoor live house - approximately 300-capacity scale - short wall reflections - subtle PA reinforcement - slight microphone spill ### LYRICS_START [Intro] [No Vocal] [No Vocal] [No Vocal] [Drums start solo: steady 8-beat] [Enter Heavy distorted bass] [Enter Telecaster guitar] [High-pitched unstable feedback] [Verse 1] Falling headfirst, plummeting down. Lost in zero gravity. Show me the reason to exist. [Verse 2] A black sun stains the sky. The light is severed. Everything spirals toward collapse. [Pre-chorus] I’m swimming through a pool of glass. My skin shreds with every stroke. [Chorus] Kill me baby. Break me apart. 'Cause I’m heading for the shore. Kill me baby. Break me apart. 'Cause I’m heading for the shore. [Verse 3] I’m a painter dying without a sketch for tomorrow. No hope left, the light remains sealed. [Verse 4] Setting a black sun afloat in the sky. Starving, suffering. Everything spirals toward collapse. [Pre-chorus 2] I’m swimming through a pool of glass. Blood overflows with every stroke. [Bridge] I’m almost there. You’d better shoot me down now... [Chorus] Kill me baby. Break me apart. 'Cause I’m heading for the shore. Kill me baby. Break me apart. 'Cause I’m heading for the shore. [Chorus] Kill me baby. Break me apart. 'Cause I’m heading for the shore. Kill me baby. Break me apart. 'Cause I’m heading for the shore. [Outro] [Sudden stop] Kill me baby... Kill me baby... [End]
