✨✨✨✨✨✨✨✨✨✨✨✨✨ The Lyricist (Poet): Yûnus Emre (13th Century Mystic Poet / Sufi Ozan) The Creative Directors & Executive Producers: BlueWhale & Halûk Derinöz The Arrangers & Prompt Engineers: ChatGPT & Gemini (AI) Can dostlar The Orchestra & Session Musicians: SUNO All Music: Copyright © 2026 Haluk Derinöz Copyright © 2026 BlueWhale All Rights Reserved ✨✨✨✨✨✨✨✨✨✨✨✨✨ 🌹English Lyrics Below ✨✨✨✨✨✨✨✨✨✨✨✨✨ Bu eser; BlueWhale ve Haluk Derinöz’ün ortak imzasını taşıyan "13. Yüzyıldan 20. Yüzyıla Bektaşi Şairleri" projesinin bir parçasıdır. Projemiz; Anadolu mayasını oluşturan, 72 milleti bir gören evrensel insanlık öğretilerini ve kalbin hakikatini modern müzikal formlarla dünyaya anlatmayı amaçlayan uçsuz bucaksız bir deryâdır. This piece is part of the project "Bektashi Poets from the 13th to the 20th Century," bearing the joint signature of BlueWhale and Haluk Derinöz. Our project is a boundless ocean aiming to convey the universal teachings of humanity—which embrace all nations as one—and the ultimate truth of the heart to the world through modern musical forms. 🌷🌹🕯️ [INTRO] A heavy, mysterious 9/8 aksak pulse begins with traditional organic Qawwali tabla hand drums and sparse, hypnotic handclaps. A sorrowful, deep fagot enters from the dark background, followed by a delicate, weeping oboe that whispers a mystical Anatolian melody in absolute silence. [VERSE 1] Beşâret olsun canlara hoş sohbet kuruldu gene Gönüller aynaya döndü gussalar sürüldü gene [INTERLUDE] The oboe sheds microtonal tears over the steady 2+3+2+2 aksak beat, while the felt piano strikes low, warm chords, emphasizing the thick analog mid-tones. [VERSE 2] Kimi yürür yâne yâne, kimi içer kâne kâne Âşıklar girdi meydâne aşk câmı sürüldü gene [VERSE 3] Hep âşıklar derde düştü yandı ciğerleri pişti Gönüller yüzünü açtı ölüler dirildi gene [CHORUS] Ezel âlem-i ervahta Hakka belî diyen canlar Şimdiden ikrâr eyleyip bir yere derildi gene [BRIDGE] The drums standstill into a profound spiritual vacuum. The fagot takes the lead with a low, gravelly counterline, creating a massive architectural negative space that completely freezes the room. [VERSE 4] Muhammed dünyâdan gitti yurdunu evliyâ tuttu Gitti ise kendi gitti sohbeti sürüldü gene [FINAL CHORUS] Kimi Taptuk, kimi Yûnus her birisi deryâ, deniz Yûnus’a bu cur' âdan zerrece sunuldu gene zerrece sunuldu gene zerrece sunuldu gene [OUTRO] The deep gravelly baritone voice fades into a whisper. The oboe and fagot play one final, unresolved microtonal duet as the rhythmic tabla slowly dissolves into absolute, eternal sükût. [HARD MUTE] ✨✨✨✨✨✨✨✨✨✨✨✨✨ 🌹English ✨✨✨✨✨✨✨✨✨✨✨✨✨ BEKTASHI POETS (The Spiritual Awakening) 1. Glad tidings to all sacred souls, for the divine conversation is established once again. Hearts have transformed into flawless mirrors, and all worldly sorrows are banished once more. 2. Some walk burning with love, some drink deeply from this spiritual wine. The true lovers have entered the sacred arena, and the cup of absolute love is passed around once again. 3. All lovers fell into this divine yearning; their hearts burned and matured in the flame. Souls unmasked their hidden essence, and the spiritually dead are brought back to life once more. 4. The souls who said "Yes" to the Divine Truth back in the eternal realm of spirits ("alem-i ervah"), have now taken their sacred oath and gathered in one eternal center once again. 5. The Prophet Muhammad has departed from this material world, yet the Saints ("Evliya") have firmly held his sacred ground. Though he left in physical form, his divine conversation echoes once again. 6. Some appear as Taptuk, some as Yunus, each of them a boundless ocean and deep sea. And to Yunus, from this sacred draught, a tiny drop is offered with ultimate grace once again. ✨✨✨✨✨✨✨✨✨✨✨✨✨