[Intro, atmospheric female vocal] Don't turn the lights on yet. I know it's almost morning... But morning means we have to decide. [Deep Ambient Pad] [Filtered Piano] [Sub Pulse] [Verse 1, intimate female vocal] Your jacket's hanging by the door Like you've been here a thousand nights before Two empty glasses on the floor We keep saying less and feeling more The city moves behind the blinds Headlights drawing lines across your eyes You ask me what we're doing here I laugh because the answer isn't clear We never gave this thing a name Maybe that's why nothing ever changed Every time we get too close One of us becomes a ghost But tonight you're holding on Like you know I'll soon be gone. [Pre-Chorus, rhythm building] Don't say forever Don't say goodbye Give me the space Between wrong and right We have a few more hours Before the blue hits the sky— So stay alive. [Chorus, powerful female vocal] LET'S OUTRUN THE MORNING KEEP THE NIGHT ALIVE DRIVE UNTIL THE SUNRISE CAN'T FIND YOU AND I NO DESTINATION NO REASON WHY IF DAYLIGHT WANTS US— MAKE IT CHASE US TONIGHT. LET'S OUTRUN THE MORNING DON'T LOOK BEHIND WE CAN BE FOREVER FOR ONE MORE NIGHT IF EVERYTHING CHANGES WHEN WE SEE THE LIGHT— THEN KEEP ME IN THE DARK UNTIL THE MORNING ARRIVES. [Post-Chorus, Instrumental] [No Vocals] [Deep House Bassline] [Jersey Club Kick Pattern] [Minimal Synth Plucks] [Atmospheric Piano] [Sub Bass] [Verse 2, rhythmic female vocal] Four-oh-seven on the dashboard Empty highway, pedal to the floor Your hand moving closer to mine Neither one of us crossing the line Radio low, windows down We're the only heartbeat left in town Every green light feels like fate Every red one makes us wait Maybe we were never built to last Maybe that's what makes us move so fast Maybe some things burn so bright Because they're only made for night I don't need another guarantee I just need you here with me Till the black above our heads Starts turning red. [Pre-Chorus, stronger] Don't say forever Don't say goodbye Give me the space Between wrong and right We're running out of darkness But I'm not running out of time— Not tonight. [Chorus] LET'S OUTRUN THE MORNING KEEP THE NIGHT ALIVE DRIVE UNTIL THE SUNRISE CAN'T FIND YOU AND I NO DESTINATION NO REASON WHY IF DAYLIGHT WANTS US— MAKE IT CHASE US TONIGHT. LET'S OUTRUN THE MORNING DON'T LOOK BEHIND WE CAN BE FOREVER FOR ONE MORE NIGHT IF EVERYTHING CHANGES WHEN WE SEE THE LIGHT— THEN KEEP ME IN THE DARK UNTIL THE MORNING ARRIVES. [Instrumental Transition] [No Vocals] [Minimal Techno Pulse] [Deep Rolling Sub Bass] [Percussive Synth Sequence] [Filtered Jersey Rhythm] [Bridge, melodic R&B, intimate] Maybe when the sun comes up you'll leave. Maybe I will. Maybe we'll finally say what we've been avoiding. But right now... your hand is in mine. The road is empty. And for once— that's enough. [Beat Switch] [Jersey Club Rhythm] [Chopped Percussion, No Vocal Samples] [Dark Synth Pulse] [Deep Bass] [Build-Up] [Progressive Trance Arpeggio] [Piano Chords Rising] [Snare Acceleration] [Cinematic Strings] [Sub Bass Swell] [DROP, Instrumental] [No Vocals] [No Vocal Chops] [Euphoric Progressive Trance Lead] [Deep House Bass] [Four-On-The-Floor Kick] [Jersey Percussion Accents] [Wide Atmospheric Synths] [Verse 3, half-time melodic vocal] Five twenty-nine... First light on your skin. We didn't outrun anything. But somehow it doesn't feel like we lost. I spent the whole night afraid of the morning— Now I'm watching it with you. [Final Build-Up] [Heartbeat Kick] [Trance Arpeggio Rising] [Cinematic Strings] [Deep Bass Pulse] [FINAL DROP, Instrumental] [No Vocals] [No Vocal Chops] [Progressive Trance Melody] [Deep House Groove] [Jersey Club Percussion] [Minimal Techno Sequence] [Grand Piano Chords] [Cinematic Strings] [Final Chorus, huge female vocal] WE DON'T HAVE TO OUTRUN MORNING LET THE SUN COME ALIVE LET IT FIND US TOGETHER ON THE OTHER SIDE NO MORE DESTINATION NO MORE ASKING WHY MAYBE DAYLIGHT DOESN'T HAVE TO END TONIGHT WE TRIED TO OUTRUN MORNING NOW I'M CHANGING MY MIND IF THIS WAS ONLY ONE NIGHT IT WAS ONE HELL OF A RIDE AND IF EVERYTHING CHANGES WHEN WE STEP INTO LIGHT— I'M NOT AFRAID OF MORNING WITH YOUR HAND IN MINE. [Outro, piano + distant synth] Six-oh-three. Sunrise. [Pause] We're still here.
