Title: Clean it or it claims you (by AndiBecker Proms) SKREEE—! A-A-A-AAAA! Floor’s a landfill, bed’s a cage Stale air stuck in a dirty stage Cups and crust, old night’s remains Rotting comfort, rusted brain Bottles lined like trophies—why? Borrowed space where standards die You use the room—then leave the scar Like wrecking worlds to feel in charge CLEAN IT UP! DON’T TRASH YOUR LIFE! CLEAN IT UP! CUT LIKE A KNIFE! THIS MESS AIN’T POWER— IT’S A CHAIN! CLEAN IT UP— TAKE BACK YOUR NAME! Clothes in mountains, plates in stacks Every “later” stabs you back Ants move in, rats feel brave When you quit, you dig a grave (NO!) You don’t live here—you just burn And everybody pays your turn NO MORE PEE IN THE BOTTLE! (NO!) NO MORE TRASH IN THE GARDEN! (NO!) NO MORE “NOT MY PROBLEM!” (NO!) ’CAUSE IT BECOMES YOU— HARDENED! (Instrumental) You’re not the mess you made tonight You’re not the rot, you’re not the spite One small move—one clear breath— Choose order… choose life… choose rest CLEAN IT UP! DON’T TRASH YOUR LIFE! CLEAN IT UP! CUT LIKE A KNIFE! THIS MESS AIN’T POWER— IT’S A CHAIN! CLEAN IT UP— TAKE BACK YOUR NAME! CLEAN IT UP— TAKE BACK YOUR NAME! AAAA—SKREEE—! CLEAN! IT! UP! CLEAN! IT! UP! (CUT!) Music & Lyrics: Andreas "Andi" Becker (AndiBecker Proms) © 2025 Andreas "Andi" Becker Produced using ABSound Orchestra & Choir & Soloists (AI-assisted production) https://suno.com/s/nlbKbFP86jwd7SLT BACKGROUND STORY – “CLEAN IT OR IT CLAIMS YOU” “Clean It Or It Claims You” was written as a wake-up call disguised as a thrash-metal punch to the chest. The images behind it are not abstract: a room turned into a landfill, food left to rot, sticky cups and plates, piles of clothes, floors that never get cleaned, and the kind of stale smell that gets trapped in bedding and walls. It is the everyday reality of “I’ll do it later” repeated until later becomes months. In the song’s story, the space is not just messy—it is abandoned while still being used, and that is the key difference. It is not an accident. It is a pattern. The track treats neglect as a form of destruction. When a teenager (or any person) uses a place—bedroom, dorm, rented room, shared house—without caring for it, the damage is not only physical. It spreads outward. Someone else has to breathe that air, live around that chaos, clean up the leftovers, pay the bill, fight pests, repair what is ruined. Disorder becomes a tax on everyone nearby, especially on those who work hard to keep life stable and dignified. The song is written from the viewpoint of people who are tired of quietly tolerating it, and from the viewpoint of the person inside the mess who is slowly losing control without admitting it. The phrase “CLEAN IT OR IT CLAIMS YOU” is intentionally blunt because the song’s message is simple: a mess is never neutral. It grows. It becomes normal. It erodes self-respect. It trains the brain to accept decay as comfort. In the lyrics, the room starts to feel like a cage—not because anyone locked the door, but because habits did. Rotting leftovers, old cups, bottles used the wrong way, and the smell absorbed into the bed are used as symbols of a deeper collapse: when a person stops maintaining the small things, the big things begin to collapse as well—health, relationships, trust, and the ability to plan tomorrow. Musically, the track is designed like a confrontation. The female vocalist is not “pretty angry”; she is a siren. Her screams are a cry for life—raw, abrasive, almost painful—because denial only breaks when the truth is louder than the excuses. The tight thrash verses represent the relentless accumulation of “later.” The breakdown is the moment the lies stop working: the sound slows down, becomes heavier, and forces the listener to sit inside the filth long enough to feel it. Then the guitar and bass solos arrive like two different voices: the guitar is the panic and chaos, the bass is the consequence and weight that never goes away. The bridge briefly opens a door: you are not the mess you made. That line matters. The song is not about insulting a person; it is about naming a behavior that is destroying them and everyone around them. The final chorus repeats like a boundary being set—because sometimes love looks like clarity, and sometimes the kindest thing you can say is: stop. Clean. Take responsibility. Take your name back. This is why the song ends hard. Not to shame, but to snap the listener awake: clean it—before it claims you. CERTIFICATE OF AUTHORSHIP & COPYRIGHT (Music Work – Suno Pro Version) Work Title: Clean it or it claims you Alternate Title / Version: Suno Pro Version Author / Composer / Lyricist: Andreas “Andi” Becker Artist / Project Name: AndiBecker Proms Production Credit: Produced using ABSound Orchestra & Choir & Soloists (AI-assisted production with Suno Pro) Year of Creation: 2025 Territory: Worldwide 1. Statement of Authorship I, Andreas “Andi” Becker, hereby declare that: I am the original human author of the core creative elements of this work, including (as applicable) the lyrics, musical themes, melodies, harmonic structure, song concept, and arrangement direction. The AI system used (Suno Pro, via ABSound Orchestra & Choir & Soloists) was employed as a production and rendering tool under my creative control and according to my instructions. The lyrics are original, Bible-inspired text, using only paraphrased biblical ideas and/or wording that is in the public domain; no proprietary modern Bible translation has been copied. No part of this work was knowingly copied from any third-party copyrighted composition, sound recording, or text. 2. Copyright Notice For the human-created elements described above, I assert the following copyright notice: © 2025 Andreas “Andi” Becker – All Rights Reserved. This includes, in particular: The lyrics and text content of the song; The musical composition (melody, harmony, structure, and arrangement concept); The overall artistic direction, concept, and selection/sequence of musical elements. The sound recording as rendered by the AI tool is created under my direction and is included in this assertion to the extent permitted by applicable law and the terms of use of the AI service. 3. Use of AI Tools This work was produced with the assistance of an AI-based music generation tool (Suno Pro) under the creative direction and control of Andreas “Andi” Becker. The mention of AI assistance does not limit or waive any rights in the human-created components of the work. All use, distribution, or adaptation of this work must respect applicable copyright law and the licensing terms granted by Andreas “Andi” Becker. 4. Rights & Licensing All rights not expressly licensed remain reserved by the copyright holder. For licensing, synchronization, adaptation, or commercial use inquiries, please contact: Name: Andreas “Andi” Becker Artist / Project: AndiBecker Proms Email: [email protected] Phone: +66 81 606 3378 Location: Phuket, Thailand 5. Declaration I hereby certify that the information in this certificate is true and correct to the best of my knowledge and that I am entitled to assert the above rights. Place of Issue: Phuket, Thailand Date of Issue: 15 December 2025 Signature: Andreas “Andi” Becker
