感動したって言うけれど 実は、後付の伏線 淡く切ないって言うけれど それも、語呂だけを優先 ざわつくような言葉は いつも、借りてきて当然 手を差し伸べる言葉は そりゃあ、まあ ウソも方便 キミは ずっと騙されてりゃいいのさ ボクに ずっと騙されてりゃいいのさ キミは ずっと騙されてりゃいいのさ ボクに ずっと騙されてりゃいいのさ 結局、馬脚を現してさ 聴き流しのLikeとか お情けのコメントに 変わっていくのだろう それでもキミの一秒を ボクに使ったのは偶然？ 嘘でもいいんだ その嘘で ボクはまた歌を作れる ボクは ずっと騙されてりゃいいのさ キミに ずっと騙されてりゃいいのさ ボクは ずっと騙されてりゃいいのさ キミに ずっと騙されてりゃいいのさ キミは ずっと騙されてりゃいいのさ ボクは ずっと騙されてりゃいいのさ ボクに ずっと騙されてりゃいいのさ キミに ずっと騙されてりゃいいのさ 騙してよ 騙してよ 騙すから 騙してよ --- - Just Keep Letting Yourself Be Fooled - You say it moved you deep inside Truth is, I just made it look planned in hindsight You say it feels so soft and bittersweet Truth is, I just picked the words that sounded neat All those words that make your heart stir Of course, I borrowed them from somewhere And all those words that reach out a hand Well, you know — sometimes a lie comes in handy You can just keep letting yourself be fooled By me, just keep letting yourself be fooled You can just keep letting yourself be fooled By me, just keep letting yourself be fooled Soon enough, the seams begin to show A Like from someone barely listening A comment left just to be kind I guess that’s what they’ll all turn into Still, that one second that was yours You spent it on me — was that just chance? Even if it’s a lie, that lie is enough For me to write another song I can just keep letting myself be fooled By you, just keep letting myself be fooled I can just keep letting myself be fooled By you, just keep letting myself be fooled You can just keep letting yourself be fooled I can just keep letting myself be fooled By me, just keep letting yourself be fooled By you, just keep letting myself be fooled Lie to me Lie to me I’ll lie to you So lie to me --- - Styles Japanese dance rock, 126 BPM, 4/4, energetic but bittersweet. Tight four-on-the-floor drums, dry angular clean guitars, rhythmic muted guitar cutting, melodic syncopated bass, subtle synth accents. Catchy, intelligent, slightly ironic J-rock with a strong groove rather than heavy distortion. Male Japanese vocal, youthful-adult, conversational and slightly dry in the verses, hiding sincerity behind casual confidence. Verses are lyric-forward and rhythmically articulate. Chorus is simple, open and instantly memorable, built around the repeated hook “騙されてりゃいいのさ”. Verse 1 feels playful and self-assured. Verse 2 keeps the same dance pulse but gradually reveals vulnerability and warmth. Final chorus should make the same melody feel emotionally different without becoming dramatic. Crisp live-band feel, prominent bass groove, sharp guitar interplay, punchy snare, restrained synths. Bright surface, bittersweet undertone, stylish Japanese indie dance-rock. - Exclude Styles heavy metal, hard rock, pop punk, emo, dramatic anime rock, orchestral rock, power ballad, acoustic ballad, blues rock, funk jam, full disco, EDM festival drop, trap, hip-hop, excessive synthwave, shoegaze, wall of sound, heavy guitar distortion, screaming vocals, aggressive vocals, theatrical vocals, overly emotional belting, cute idol vocals, sentimental piano intro
