Might As Well Relax | Cover | Voiced of Choccy Cat

alternative pop-rock, electro-pop, indie-rock

+ Show full styles

[VERSE 1]

So I'm depressed, honestly but I'm just human
And what does it even mean to be one?

[MELODIC SECTION — FEMALE VOCAL / OPEN / LEGATO]
[Clearly switch from spoken delivery into melodic singing]
[Longer sustained notes]
[Gentle melodic phrasing]
[More emotional but still restrained]
[Keep the melody simple and memorable]

Everybody asking, “What’s the point?”
If nothing really matters
And any day the world will burn or implode
So I might as well just relax

[PRE-CHORUS — FEMALE VOCAL / RHYTHMIC / BUILDING]
[Female vocal becomes increasingly urgent]
[Short, punchy phrases]
[Build volume and intensity with every line]
[Almost spoken on the first two lines]
[Final line slightly sustained]

High-stakes pointlessness
Underrated uselessness
The future’s got no hope

[CHORUS

If the process is the means to the end
And the ends are just a meme to laugh at
Oh don’t get me started on those memes

[MELODIC TAG — FEMALE VOCAL / CASUAL / LIGHT]
[Suddenly relax the intensity]
[Light, almost amused melodic delivery]
[Stretch the final word slightly]

What a joke, might as well go for a smoke

[BRIDGE — FEMALE VOCAL / CLOSE-MIC / UNHINGED STORYTELLING]
[Return to intimate conversational singing]
[Start restrained and almost sincere]
[Gradually become more animated and amused]
[Build tension before the final word]

Maybe that’s the miracle
Whoever fails the best
Leaves behind a fucking...

[LONG DRAMATIC PAUSE]

spppectacle

[BRIDGE CONTINUATION — FEMALE VOCAL / FAST RHYTHMIC SPOKEN-SINGING]
[Quicker cadence]
[Almost rambling]
[Increasingly amused and incredulous]
[Build momentum through each line]
[Final question delivered with disbelief]

A delirious experience for whoever sees this
they'd have to ask
"How the hell did they get this far?"

[BREAKDOWN — FEMALE VOCAL / SHOUTED / CHAOTIC]
[Drastically change vocal energy]
[Female singer nearly shouting]
[Short, aggressive phrases]
[Raw punk-like delivery]
[Leave a dramatic gap before the final line]

Just a bunch of animals
Trying to look important

[BRIEF PAUSE]

[SHOUTED FEMALE VOCAL — FULL FORCE]

WHAT A JOKE

[ELECTRIC GUITAR SOLO — 8 BARS]
[NO VOCALS]
[Wicked, fiery electric guitar solo]
[Fast melodic runs, aggressive bends, soaring sustained notes]
[Build from controlled phrasing into a wild final lick]

[FINAL CHORUS — FEMALE VOCAL / QUICKER CADENCE / BUILDING URGENCY]
[Increase the tempo and vocal cadence slightly compared to the previous chorus]
[Female vocal becomes more energetic and rhythmically precise]
[Shorter gaps between phrases]
[Keep the melody catchy, but push the words forward]
[Start controlled, then progressively accelerate]
[By the final four lines, use an urgent rhythmic melodic delivery]
[Do not drag out individual words]
[Build continuously toward the final line]

So let’s bed-rot now
The world might end tomorrow
Or a thousand years from now
Might as well just relax

[QUICKER / MORE RHYTHMIC]
[Increase cadence]
[Almost half-sung, half-spoken]
[Keep the vocal locked tightly to the beat]

But one day at a time
One step, one stone
Turn it over, find another
Even when you’re fucking blown

[FAST MELODIC BUILD — FEMALE VOCAL]
[Noticeably faster phrasing]
[Push forward with very little space between lines]
[Increasing intensity and urgency]
[Final two lines delivered almost breathlessly]

If there was hope in the hopeless
There’s existential potential
So get your shit together
And get out the door

[OUTRO — FEMALE VOCAL / CLOSE-MIC / DEADPAN]
[Suddenly pull the energy back]
[Almost spoken]
[Dry, exhausted, slightly amused]
[Leave noticeable pauses between lines]

The world will end
Sooner or later
But we’re still here
So—

[LONG PAUSE]

[SHOUTED FEMALE VOCAL / FULL FORCE / UNHINGED]

WHAT THE FUCK ARE WE WAITING FOR?

[ELECTRIC GUITAR SOLO — 8 BARS]
[NO VOCALS]
[Wicked, fiery electric guitar solo]
[Fast melodic runs, aggressive bends, soaring sustained notes]
[End with one huge sustained note]

3928/7500

[VERSE 1] So I'm depressed, honestly but I'm just human And what does it even mean to be one? [MELODIC SECTION — FEMALE VOCAL / OPEN / LEGATO] [Clearly switch from spoken delivery into melodic singing] [Longer sustained notes] [Gentle melodic phrasing] [More emotional but still restrained] [Keep the melody simple and memorable] Everybody asking, “What’s the point?” If nothing really matters And any day the world will burn or implode So I might as well just relax [PRE-CHORUS — FEMALE VOCAL / RHYTHMIC / BUILDING] [Female vocal becomes increasingly urgent] [Short, punchy phrases] [Build volume and intensity with every line] [Almost spoken on the first two lines] [Final line slightly sustained] High-stakes pointlessness Underrated uselessness The future’s got no hope [CHORUS If the process is the means to the end And the ends are just a meme to laugh at Oh don’t get me started on those memes [MELODIC TAG — FEMALE VOCAL / CASUAL / LIGHT] [Suddenly relax the intensity] [Light, almost amused melodic delivery] [Stretch the final word slightly] What a joke, might as well go for a smoke [BRIDGE — FEMALE VOCAL / CLOSE-MIC / UNHINGED STORYTELLING] [Return to intimate conversational singing] [Start restrained and almost sincere] [Gradually become more animated and amused] [Build tension before the final word] Maybe that’s the miracle Whoever fails the best Leaves behind a fucking... [LONG DRAMATIC PAUSE] spppectacle [BRIDGE CONTINUATION — FEMALE VOCAL / FAST RHYTHMIC SPOKEN-SINGING] [Quicker cadence] [Almost rambling] [Increasingly amused and incredulous] [Build momentum through each line] [Final question delivered with disbelief] A delirious experience for whoever sees this they'd have to ask "How the hell did they get this far?" [BREAKDOWN — FEMALE VOCAL / SHOUTED / CHAOTIC] [Drastically change vocal energy] [Female singer nearly shouting] [Short, aggressive phrases] [Raw punk-like delivery] [Leave a dramatic gap before the final line] Just a bunch of animals Trying to look important [BRIEF PAUSE] [SHOUTED FEMALE VOCAL — FULL FORCE] WHAT A JOKE [ELECTRIC GUITAR SOLO — 8 BARS] [NO VOCALS] [Wicked, fiery electric guitar solo] [Fast melodic runs, aggressive bends, soaring sustained notes] [Build from controlled phrasing into a wild final lick] [FINAL CHORUS — FEMALE VOCAL / QUICKER CADENCE / BUILDING URGENCY] [Increase the tempo and vocal cadence slightly compared to the previous chorus] [Female vocal becomes more energetic and rhythmically precise] [Shorter gaps between phrases] [Keep the melody catchy, but push the words forward] [Start controlled, then progressively accelerate] [By the final four lines, use an urgent rhythmic melodic delivery] [Do not drag out individual words] [Build continuously toward the final line] So let’s bed-rot now The world might end tomorrow Or a thousand years from now Might as well just relax [QUICKER / MORE RHYTHMIC] [Increase cadence] [Almost half-sung, half-spoken] [Keep the vocal locked tightly to the beat] But one day at a time One step, one stone Turn it over, find another Even when you’re fucking blown [FAST MELODIC BUILD — FEMALE VOCAL] [Noticeably faster phrasing] [Push forward with very little space between lines] [Increasing intensity and urgency] [Final two lines delivered almost breathlessly] If there was hope in the hopeless There’s existential potential So get your shit together And get out the door [OUTRO — FEMALE VOCAL / CLOSE-MIC / DEADPAN] [Suddenly pull the energy back] [Almost spoken] [Dry, exhausted, slightly amused] [Leave noticeable pauses between lines] The world will end Sooner or later But we’re still here So— [LONG PAUSE] [SHOUTED FEMALE VOCAL / FULL FORCE / UNHINGED] WHAT THE FUCK ARE WE WAITING FOR? [ELECTRIC GUITAR SOLO — 8 BARS] [NO VOCALS] [Wicked, fiery electric guitar solo] [Fast melodic runs, aggressive bends, soaring sustained notes] [End with one huge sustained note]

0/500