
Rakija correcting and connecting people - new
[Use enharmonic synemmenon dromos hitzaz mode with çıkıcı-İnici seyir for all harmonic elements. Bassline follows strictly by doubling lead instruments in perfect fourths.] [Male voice A - Милош, male, serbian construction worker: gruff maqam bass-baritone with prominent buhha and squillo, microtonal bends, melismatic, zero rapping, slow, deliberate shirabyoshi phrasing.] [Male voice B: Felix - male: german construction foreman: german lied light lyric tenor. Delivery: smooth legato, measured, clear diction. Sings fluently in all languages cited.] [Male voice C: Pigeon - male: narrator: snarky buffo bass. Delivery: smooth legato, measured, clear diction. Sings fluently in all languages cited.] [choral elements: construction workers choir: drunken kakegoe shouts.] [Lyrics in serbian, french, english and german] [Dynamics swell - full ensemble *including drums* joins immediately on beat 1] [Vorspiel starts with full intensity - 2 bars, full crescendo] [All vorspiels are the same copy/pasted from the opener, ghammaz section is the only one that changes the pattern.] [Vorspiel - 2 bars] [Verse 1] [Pigeon, further "P":] Dear impatient audience, What are we expecting now? Sugary words, Sentimental chords? Далеко било! How would any of these men Veer into multi-coloured cespools Of the twisted rainbow? This is not in their nature, Their spirit doesn't allow Bending in these directions. [Vorspiel - 2 bars] [Verse 2] [P:] Their vectors are set And their gazes directed Towards more heroic prospects. It takes more balls Than brainwashed fools Steeped in romantic pools To do what they did Than these could even Imagine With all the might deployed Of pigeon brains. Yes, I said it. What are ye gonna do About it? Shut up and listen Instead! It gets interesting. Here Милош's coming To Felix's office. Again... [Vorspiel - 2 bars] [Verse 3] [Miloš, further "M", hesitating:] Guten Abend... По-маже Бог... [Felix, further "F":] Бог помого! Why so formal. Sit down, бре! [M, still hesitating:] I brought you something. Ракија. [F:] Mein Gott!!! Again! [M:] But this time, it's special. It's in this чокањче. It's sent by my folks. It's been sitting in a wooden barrel For minimum ten years. Look at the colour. It's golden brown. We say this is like medicine. Drink up! Desinfection from inside first! [P:] They make the sign of the cross, Then they drink, Felix doth grimace, Милош does not, He just winks. [F:] Aaaaah! It burns! [M:] It has to! You know whether it's good By the way it burns. [Vorspiel - 2 bars] [Verse 4] [F:] You want to sing a song? [M:] Jawohl !!! If you pay for the music! [F:] How do I do that? [M:] Take a copious banknote And lick it. Then stick it On my forehead. Like this! You could accompany me With the accordion! [F:] Jawohl !!! [Instrumental bridge - Ghammaz section with taqsim - 2 bars] [P:] And so they lick And stick Banknotes On each other's forehead. Since when are we In kafana? Mein Gott! Unglaublich! [M:] [sings with dert, his singing is crap] Ја нисам онај што памти И оно што је бољело. Ја немам срце које се свети Оној коју је вољело. Осветник нисам, срећооооо... (Не плаши се мене ти !!!) Да те волим, То ми пише, У очима, љууубавиииии... [Ghammaz Section - non-lexical vocalizations] * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... [Vorspiel - 2 bars] [start fade out, slow down] [Vorspiel - 2 bars, fadeout] [Verse 5] [P:] There is no vengeance, No avenging angels Sit here anymore As Balkan and deutsch Desperately clutch And slowly nudge Without smudge. As for me, I've reached my limit. They sure sing well, Yet I can't bear Anymore. I'll be leaving 'em alone. [Outro] * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... [end]

