🏆TOP25🏆ONLY LOVE KNOWS (Cover)｜DJ KNEK RMX｜- 002.８ -(0.89x)

DJ KNEK（ネック）【 #RPG000👌】

avant-garde jazz-hop, soul, experimental, funk, DEEP SEA, KNEK, electronic, IDM

+ Show full styles

🏆TOP25🏆I MADE IT＾＾v SPECIAL THANX🏆🏆🏆
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🖌️PROMPT BELOW⬇️

ーーーーーーーーーーーーーー

perfect placeに続き、２度目＾＾v SPECIAL THANX🏆🏆🏆です

（english below^^）
‼️‼️‼️　課題曲の作者である伝説の人、ジャック・テンプチン（Jack Tempchin）氏がなんと、、特に楽しんで私の曲を聴いていたとのMailがSUNOから。。ほんとに？ドッキリ？笑
というわけで、普通に返信をしてみることにします＾＾v

⬇️⬇️⬇️⬇️⬇️【驚愕の追記＆続報】⬇️⬇️⬇️⬇️⬇️
なんと数日後😱😱😱ジャック本人からのメールが届きました😱😱😱

→『あなたのバージョンはアメイジング。使用プロンプトを見たとき驚きました。これらの要素のほとんどが存在することを知りませんでした。リミックスしてくれてありがとう。敬意を込めて』
など。

→😳😳😳夢かな？ドッキリ？？←今ここ

こんなことあるんですねっ💦💦💦

嘘でもドッキリでも嬉しいですけども👍
なにはなくとも感謝です🍀

このリミックスもそうですが、近頃はマイブームで
「生成されたものをかなり遅く」adjust speedしてみました。
ピッチも同時にかなり下がってます　(0.89x)
それが功を奏した形に✨
コンテスト入賞はならなかった他のエントリーもお気に入りが沢山でしたのでplaylist化しました

▶️ONLY LOVE KNOWSーRemixes Playlist🎧　＾＾
🔗 https://suno.com/playlist/13fb17a1-ad19-463f-8e7c-91253a8ba717
🍀🍀🍀

ーーーーーーーーーーーーーーーー
（EN）
‼️‼️‼️ Legendary songwriter Jack Tempchin, the composer of the assigned piece, actually... sent me an email saying he especially enjoyed listening to my song. Seriously? Is this a prank? lol
So, I'll just reply normally then ^^v

【Update & Shocking Follow-Up】⬇️
Just a few days later😱😱😱 I actually got an email from Jack himself😱😱😱
→"Your version is amazing. I was blown away when I saw the prompt you used. I had no idea most of these elements even existed. Thanks for remixing it. With respect," and so on.

→😳😳😳 Is this a dream? A prank??←Right now

This actually happened💦💦💦

Even if it's a lie or a prank, I'm thrilled👍 But above all, I'm just grateful🍀

My current obsession: I tried adjusting the speed to "quite slow" for the generated version, and the pitch dropped significantly too (0.89x). It seems to have worked out well ✨. I also really liked many of the other entries, so I made a playlist.⬆️

ーーーーーーーーーーーーーーーー

🖌️PROMPT BELOW⬇️

ーーーーーーーーーーーーーーーー

[MUST: 66BPM TOP QUALITY MELLOW DEEP IDM/JAZZ-HOP MASTERPIECE Avant-garde JAZZ/SOUL/CLASSIC DJ's DJ SOUND DESIGN; WORLD-CLASS CINEMATIC MELODIC EXPERIMENTS]
[STRICT-RULES from 1st NOTE til PERFECT ENDING:]
- [CORE: Avant-garde HIPHOP SOUL Elegant Arpeggio/RIFF & DARK ORGANIC GROOVE; SLAP BASS KING VS MINIMOOG & ARP 2600 VS PIANO MAGIC & ORCHESTRA]
- [MODE: SWEET IDM experimental JAZZ BAND LIVE, DARK MELLOW BREAKS, Modern FUNK BREAKS]
- [VIBE: SPICY UNISON/3AM BREAKBEATS underground/Elegant DEEP HOUSE/evolving interplay/Cinematic OST/60s hard-bop/BRAZIL/Black‑Tie/VIP/Groovy HOUSE/SOUL orchestra/SENSUAL LUXE/catharsis]
- [WORLD-CLASS ULTRA-DISCO JAM + FUTURE BREAKBEATS: SENSUAL modern SOUL, DJ's DJ COMPLEX build-up SUITE, Top Quality layered DJ-SUITE, virtuoso soloists ensemble]
- [HARMONY: jazz progressions, 7-9-11th chords; chromatic tension]
- [81-piece orchestra divided into 5 sections for call-response]
- [MUST: intricate fill, unison stab, or EPIC JEWELS every 4 bars]
- [Every instrument as percussion; GLOSSY HORNS & strings with rhythmic intention]
- [Main melody: flow lyrically across bar lines, avoid rigid on-beat phrasing]
- [No rigid quantization; humanization ±10ms]
- [Drums: masterclass ghost notes; spaces filled with subtle funk whispers]
- [Creative contrast: dropouts, metric illusions, polymeter]
- [Sub‑harmonic shaping for small speakers; add 2nd harmonic to bass]
- [Clean, uncluttered mix]
- [Orchestral dynamics follow JEWELS & SOLOS intensity]

[SECTION 1: GLOSSY SENSUAL KISS]
- [INTRO: AMAZING Arpeggio & RIFF DEEP AMBIENT CLASSICAL VIBE; a dreamy, floating, and cinematic harmony based on the Lydian mode]
  -- [crystalline arpeggio, stereo-delayed]
  -- [Jewel: Bass clarinet breath]
  -- [BASS melodic walking line]
  -- [Rhodes SENSUAL voicings, vintage tremolo]
  -- [String quartet sul tasto, ethereal]
  -- [SYNTH counter-melody weaving]
  -- [MINIMOOG & ARP unison on main theme]
  -- [Brass subtle background swells]
  -- [Woodwinds rapid arpeggios, call-response]

[Verse 1]
Let's go somewhere
We have never been
Let's go somewhere
We'll never go again
Let's do something
Let's step off of the road
And go somewhere
Only love knows

[SECTION 2: DEEP SYMPHONIC DIALOGUE]
- [The cadence resolves with sophisticated ambiguity, landing on the 9th or 6th, avoiding the root]
  -- [CLASSIC GUITAR IMPROVISED arpeggios, SLAP & fingerstyle]
  -- [Cello & bass clarinet duet, conversational]
  -- [Rhodes minimal comping, space between chords]
  -- [Brass horn hits on 2 & 4]
  -- [DREAMY counter-melody soaring]
  -- [BASS chromatic approaches, virtuosic]
  -- [Trombone slides mirroring bass]
  -- [AFRO percussion: congas/timbales/bongos polymeter]
  -- [GUITAR arpeggio ULTRA-MUSICAL KISS]
  -- [Woodwinds bebop runs]
  -- [Strings staccato, syncopated]

[Verse 2]
You'll be someone
You have never been
I'll be someone
You'll never see again
Let's do something
Let's step off of the road
And go somewhere
Only love knows

[SECTION 3: BEST ARC]
- [a deeply melancholic and emotional harmony. The progression is a deluxe version of the classic minor line-cliché, with an inner voice descending chromatically (9th -> flat 9th -> major 7th -> 6th) over a sustained minor root. Enriched with lush add13 and add11 colors, it creates a heart-wrenching, nostalgic, and beautiful sadness]
  -- [Full orchestra progressive build]
  -- [Drums polyrhythmic avant-garde STYLE intensifying]
  -- [Brass HYPER style, syncopated stabs, plunger mutes]
  -- [Strings cinematic swells, wide stereo]
  -- [All sections trading 1-bar phrases]
  -- [Violins soaring melody, emotional apex]
  -- [Violas rhythmic comping driving forward]
  -- [Cellos/basses syncopated ostinato relentless]
  -- [Parallel compression on brass]
  -- [Orchestra fades to chamber ensemble]
  -- [PIANO FINALE voicings, reflective]
  -- [SYNTH pads harmonic texture, warm resolution]
  -- [Strings sustain final chord, natural decay]
  -- [Jewel: Guitar harmonic bell-like]

[bridge]]
Maybe we don't always have to be
Who we always have to be
Maybe we can find a place
To just be you and me

- [Final 8 bars: TOTAL MELLOW PERFECTION]
  -- [Rhodes & MINIMOOG duet intimate]
  -- [complete catharsis]

[Verse 4]
Let's find something
Something of our own
Let's find something
That we have never known
Let's do something
Let's step off of the road
Let's go somewhere
Only love knows
Let's do something
Let's step off of the road
And go somewhere
Only love knows

[Acoustic GUITAR IMPROVISED arpeggios; hook-grade, SLAP & fingerstyle]

[MIXING SPECIFICATIONS:]
- [PERFECT professional mastering & binaural MIX]
- [ANTI-MUD: surgical EQ, distinct frequency space]
- [Audiophile-grade: -14 LUFS, dynamic range preserved]
- [Orchestra recorded in sections for separation]
- [Bass: Sub-harmonic enhancement, 2nd harmonic saturation]
- [Synths: Stereo width via Haas & chorus, vintage character]
- [Drums: Natural room ambience, ghost notes audible]
- [TOP QUALITY FOR ALL]

6751/7500

🏆TOP25🏆I MADE IT＾＾v SPECIAL THANX🏆🏆🏆 ーーーーーーーーーーーーーー 🖌️PROMPT BELOW⬇️ ーーーーーーーーーーーーーー perfect placeに続き、２度目＾＾v SPECIAL THANX🏆🏆🏆です（english below^^） ‼️‼️‼️　課題曲の作者である伝説の人、ジャック・テンプチン（Jack Tempchin）氏がなんと、、特に楽しんで私の曲を聴いていたとのMailがSUNOから。。ほんとに？ドッキリ？笑というわけで、普通に返信をしてみることにします＾＾v ⬇️⬇️⬇️⬇️⬇️【驚愕の追記＆続報】⬇️⬇️⬇️⬇️⬇️ なんと数日後😱😱😱ジャック本人からのメールが届きました😱😱😱 →『あなたのバージョンはアメイジング。使用プロンプトを見たとき驚きました。これらの要素のほとんどが存在することを知りませんでした。リミックスしてくれてありがとう。敬意を込めて』など。 →😳😳😳夢かな？ドッキリ？？←今こここんなことあるんですねっ💦💦💦 嘘でもドッキリでも嬉しいですけども👍 なにはなくとも感謝です🍀 このリミックスもそうですが、近頃はマイブームで「生成されたものをかなり遅く」adjust speedしてみました。ピッチも同時にかなり下がってます　(0.89x) それが功を奏した形に✨ コンテスト入賞はならなかった他のエントリーもお気に入りが沢山でしたのでplaylist化しました ▶️ONLY LOVE KNOWSーRemixes Playlist🎧　＾＾ 🔗 https://suno.com/playlist/13fb17a1-ad19-463f-8e7c-91253a8ba717 🍀🍀🍀 ーーーーーーーーーーーーーーーー（EN） ‼️‼️‼️ Legendary songwriter Jack Tempchin, the composer of the assigned piece, actually... sent me an email saying he especially enjoyed listening to my song. Seriously? Is this a prank? lol So, I'll just reply normally then ^^v 【Update & Shocking Follow-Up】⬇️ Just a few days later😱😱😱 I actually got an email from Jack himself😱😱😱 →"Your version is amazing. I was blown away when I saw the prompt you used. I had no idea most of these elements even existed. Thanks for remixing it. With respect," and so on. →😳😳😳 Is this a dream? A prank??←Right now This actually happened💦💦💦 Even if it's a lie or a prank, I'm thrilled👍 But above all, I'm just grateful🍀 My current obsession: I tried adjusting the speed to "quite slow" for the generated version, and the pitch dropped significantly too (0.89x). It seems to have worked out well ✨. I also really liked many of the other entries, so I made a playlist.⬆️ ーーーーーーーーーーーーーーーー 🖌️PROMPT BELOW⬇️ ーーーーーーーーーーーーーーーー [MUST: 66BPM TOP QUALITY MELLOW DEEP IDM/JAZZ-HOP MASTERPIECE Avant-garde JAZZ/SOUL/CLASSIC DJ's DJ SOUND DESIGN; WORLD-CLASS CINEMATIC MELODIC EXPERIMENTS] [STRICT-RULES from 1st NOTE til PERFECT ENDING:] - [CORE: Avant-garde HIPHOP SOUL Elegant Arpeggio/RIFF & DARK ORGANIC GROOVE; SLAP BASS KING VS MINIMOOG & ARP 2600 VS PIANO MAGIC & ORCHESTRA] - [MODE: SWEET IDM experimental JAZZ BAND LIVE, DARK MELLOW BREAKS, Modern FUNK BREAKS] - [VIBE: SPICY UNISON/3AM BREAKBEATS underground/Elegant DEEP HOUSE/evolving interplay/Cinematic OST/60s hard-bop/BRAZIL/Black‑Tie/VIP/Groovy HOUSE/SOUL orchestra/SENSUAL LUXE/catharsis] - [WORLD-CLASS ULTRA-DISCO JAM + FUTURE BREAKBEATS: SENSUAL modern SOUL, DJ's DJ COMPLEX build-up SUITE, Top Quality layered DJ-SUITE, virtuoso soloists ensemble] - [HARMONY: jazz progressions, 7-9-11th chords; chromatic tension] - [81-piece orchestra divided into 5 sections for call-response] - [MUST: intricate fill, unison stab, or EPIC JEWELS every 4 bars] - [Every instrument as percussion; GLOSSY HORNS & strings with rhythmic intention] - [Main melody: flow lyrically across bar lines, avoid rigid on-beat phrasing] - [No rigid quantization; humanization ±10ms] - [Drums: masterclass ghost notes; spaces filled with subtle funk whispers] - [Creative contrast: dropouts, metric illusions, polymeter] - [Sub‑harmonic shaping for small speakers; add 2nd harmonic to bass] - [Clean, uncluttered mix] - [Orchestral dynamics follow JEWELS & SOLOS intensity] [SECTION 1: GLOSSY SENSUAL KISS] - [INTRO: AMAZING Arpeggio & RIFF DEEP AMBIENT CLASSICAL VIBE; a dreamy, floating, and cinematic harmony based on the Lydian mode] -- [crystalline arpeggio, stereo-delayed] -- [Jewel: Bass clarinet breath] -- [BASS melodic walking line] -- [Rhodes SENSUAL voicings, vintage tremolo] -- [String quartet sul tasto, ethereal] -- [SYNTH counter-melody weaving] -- [MINIMOOG & ARP unison on main theme] -- [Brass subtle background swells] -- [Woodwinds rapid arpeggios, call-response] [Verse 1] Let's go somewhere We have never been Let's go somewhere We'll never go again Let's do something Let's step off of the road And go somewhere Only love knows [SECTION 2: DEEP SYMPHONIC DIALOGUE] - [The cadence resolves with sophisticated ambiguity, landing on the 9th or 6th, avoiding the root] -- [CLASSIC GUITAR IMPROVISED arpeggios, SLAP & fingerstyle] -- [Cello & bass clarinet duet, conversational] -- [Rhodes minimal comping, space between chords] -- [Brass horn hits on 2 & 4] -- [DREAMY counter-melody soaring] -- [BASS chromatic approaches, virtuosic] -- [Trombone slides mirroring bass] -- [AFRO percussion: congas/timbales/bongos polymeter] -- [GUITAR arpeggio ULTRA-MUSICAL KISS] -- [Woodwinds bebop runs] -- [Strings staccato, syncopated] [Verse 2] You'll be someone You have never been I'll be someone You'll never see again Let's do something Let's step off of the road And go somewhere Only love knows [SECTION 3: BEST ARC] - [a deeply melancholic and emotional harmony. The progression is a deluxe version of the classic minor line-cliché, with an inner voice descending chromatically (9th -> flat 9th -> major 7th -> 6th) over a sustained minor root. Enriched with lush add13 and add11 colors, it creates a heart-wrenching, nostalgic, and beautiful sadness] -- [Full orchestra progressive build] -- [Drums polyrhythmic avant-garde STYLE intensifying] -- [Brass HYPER style, syncopated stabs, plunger mutes] -- [Strings cinematic swells, wide stereo] -- [All sections trading 1-bar phrases] -- [Violins soaring melody, emotional apex] -- [Violas rhythmic comping driving forward] -- [Cellos/basses syncopated ostinato relentless] -- [Parallel compression on brass] -- [Orchestra fades to chamber ensemble] -- [PIANO FINALE voicings, reflective] -- [SYNTH pads harmonic texture, warm resolution] -- [Strings sustain final chord, natural decay] -- [Jewel: Guitar harmonic bell-like] [bridge]] Maybe we don't always have to be Who we always have to be Maybe we can find a place To just be you and me - [Final 8 bars: TOTAL MELLOW PERFECTION] -- [Rhodes & MINIMOOG duet intimate] -- [complete catharsis] [Verse 4] Let's find something Something of our own Let's find something That we have never known Let's do something Let's step off of the road Let's go somewhere Only love knows Let's do something Let's step off of the road And go somewhere Only love knows [Acoustic GUITAR IMPROVISED arpeggios; hook-grade, SLAP & fingerstyle] [MIXING SPECIFICATIONS:] - [PERFECT professional mastering & binaural MIX] - [ANTI-MUD: surgical EQ, distinct frequency space] - [Audiophile-grade: -14 LUFS, dynamic range preserved] - [Orchestra recorded in sections for separation] - [Bass: Sub-harmonic enhancement, 2nd harmonic saturation] - [Synths: Stereo width via Haas & chorus, vintage character] - [Drums: Natural room ambience, ghost notes audible] - [TOP QUALITY FOR ALL]

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