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猫乙女 【Type-Ballad 2026】

Katsunn @猫乙女 / NEKO OTOME
Sorrow-Colored RPG Band Sound Project | Japanese 90s rock ballad-anthem turned into heroic alt rock: lonely, intimate verses → rising pre-chorus → massive soaring chorus, Start with a clean, emotional guitar lead that becomes the recurring “echo of promise” motif, Twin rhythm guitars form a wide wall (L100/R100, left slightly stronger), mono-safe and tight; lead guitar sings with dotted-8th delay but kept smooth (no ice-pick), Bass is tight and gritty with defined low-end and clear 700Hz–1kHz presence, locked to the clicky kick, Drums are close, dry, punchy: short snare, clear hats, fast fills only as transitions, Subtle neon synth pads/plucks sit behind guitars (no EDM drop, no genre shift), Vocals are optional and wordless only: soft female humming / “la-la” used as emotional texture in pre-chorus and chorus, never breathy, never ASMR, Keep the mix studio-clean, wide, and powerful, target loudness without overcompression; short room only, no long tails, Please always prioritize
V5

[Highest Quality Audio] [Professional recording studio audio track] [Studio one-take] [Wide Stereo Image] [Dynamic Range Preserved] [Commercial-Grade Mastering] [Balanced Separation of Instruments, No Clipping] [Japanese Diction Priority: clear mora timing] [Consonant Focus: crisp t/k/p/s, clean attacks] [Vowel Clarity: stable a/i/u/e/o, no slur] [No Slurred Lyrics: avoid mumbling, articulate syllables] [Front-Placement Vocal: dry, close, center-forward] [Minimal Breath Noise: no whispery ASMR breaths] [De-Esser Gentle: tame sibilance without dulling] [Pitch Correction Minimal: keep natural formants] [Harmony Clarity: tight female-only harmonies, no formant drift] [Hard L/R Separation: guitars and keyboards never overlap] [Guitars: wide wall L100/R100, mono-safe, no phasey widener] [Keyboards/Synths: kept off-center and away from guitar sides] [Keyboard Split: Pads/FX L70, Plucks/Arps R70 (swap per section)] [Frequency Slotting: carve space so guitar mids stay clear, keys stay above/behind] [Sidechain Ducking: keys gently duck under guitars on rhythm hits] [No Shared Stereo Reverb Bus: separate short rooms for guitars vs keys] [Clean Transient Edges: avoid smear between guitar pick attack and key transients] [Mono Compatibility Check: maintain separation when summed to mono] [Clarity Upgrade: remove muddiness, keep deep low-end] [Low-Mids Cleanup: reduce boxiness (200–500Hz), keep warmth (120–250Hz)] [Sub Control: tight sub-bass with depth, no boom, no wobble] [Kick + Bass Lock: deep punch preserved, no masking] [Bass: defined low-end + 700Hz–1kHz grind presence, stable sustain] [Kick: deep thump + clear beater, short controlled tail] [Drums: dry punchy snare, strong transient definition without harshness] [Cymbals & Hi-Hats: 3D metallic detail, crisp but smooth] [Hi-Hat: clear articulation, controlled sizzle (no splashy noise)] [Cymbal Imaging: realistic metal shimmer, depth and air without fizz] [Overheads: wide and clean, mono-safe, no phase smear] [Micro-Detail: realistic room cues, short reverb only, no long tails] [Limiter Safety: transparent brickwall, prevent clipping] [Headroom Protected: avoid overs, stable loudness] [De-Esser/Tame Harshness: smooth 3–6k bite, keep air above] [No Distorted Saturation] [No Overcompression] [No Sub-Bass Overload] 幼い日の思い出で　君と笑いあった 白と黒　違う色でも　心はひとつだった 眩しい陽射しの中　歩いたあの道は 今も胸の奥　暖かな記憶として息づく 大人になり　遠く離れても 消えない絆が　僕をそっと包む 乙女の強さ　輝く影　目指して歩む猫みたい 切なさに染まる夜も　希望の光探して 君と再び巡り逢う日を　夢見ながら進むよ 白い僕のこの心に　黒い君の声が響く 遠く離れても　この絆で　今を輝かせる乙女 突然の消えた君に　不安と寂しさ募る 探し求める足追って　未来へ向かう勇気に変わる 小さな声でつぶやいた　「また、会いたい」 まるで星のように輝く　君の微笑みに　僕は恋焦がれている 切なさに染まる夜も　希望の光探して 君と再び巡り逢う日を　夢見ながら進むよ 青い僕のこの瞳に　赤い君の熱が届く 再会の日を夢見て　今日も進む　猫乙女 (繰り返し) 切なさに染まる夜も　希望の光探して 君と再び巡り逢う日を　夢見ながら進むよ 青い僕のこの瞳に　赤い君の熱が届く 再会の日を夢見て　今日も進む　猫乙女 [Full band hit end]