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Screamcore Supernova

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Title: Screamcore Supernova (by AndiBecker Proms) (AAAA—!) (SKREEE—!) (HA! HA! HAA—!) Morning starts with a buzzer bite Screens ignite in fluorescent light Every clip is the same old bait Loop it, chew it, swallow the hate “LIKE! LIKE! LIKE!” in a neon shout Copy-paste mouths with a meme-tongue out Nobody talks—just volume wars Everyone’s rage has a sponsor now! Quiet is illegal, silence is weak If you don’t explode, you don’t exist So they crank the noise till the brain feels sick— WE’RE TRAINED TO TICK! WE’RE TRAINED TO TICK! SCREAM! SCREAM! OUT-SCREAM YOUR LIFE! SCREAM! SCREAM! CUT THROUGH THE NIGHT! SCREAM! SCREAM! FEED THE FEED THE FEED! SCREAM TILL THE ALGORITHM BLEEDS! (SCREE—SCREE—SCREE—) (AAAAA—AAAAA—) “COMMUNICATION: MAXIMUM DAMAGE!” Friends don’t wave, they spawn and yell Ping-tone prayers in a dopamine hell IRL sounds like a boss-fight room Every sentence: KABOOM KABOOM TikTok taught ’em the monster face YouTube loops at a brutal pace Stupid noises, daily parade— We’re not addicted… we’re just “engaged”! Turn it up—(WHY?) Because it hurts—(GOOD!) Make it dumb—(WHY?) Because it sticks—(TRUE!) Repeat it once, repeat it twice, Repeat it till you pay the price! In the quiet, we could hear Human words, not counterfeit fear Breathe it in—slow, steady, true— We don’t have to scream right through… NO—NO—NO—(SKREEE!) MAKE IT LOUD! MAKE IT WRONG! MAKE IT FREE! (AAAAAA—) (EEE-EEE-EEE!) THE COZY SCREAMING BAND IS ME! SCREAM! SCREAM! OUT-SCREAM YOUR LIFE! SCREAM! SCREAM! CUT THROUGH THE NIGHT! SCREAM! SCREAM! FEED THE FEED THE FEED! SCREAM TILL THE ALGORITHM BLEEDS! SCREAM—SCREAM—SCREAM—! Music & Lyrics: Andreas "Andi" Becker (AndiBecker Proms) © 2025 Andreas "Andi" Becker Produced using ABSound Orchestra & Choir & Soloists (AI-assisted production) https://suno.com/s/Y9wciXdaTp1KBY3y BACKGROUND STORY – “Screamcore Supernova” “Screamcore Supernova” was born out of a very modern kind of exhaustion: not the tiredness of work, but the tiredness of noise. The song imagines a city-day that never truly starts in silence. It begins with alarms, engines, notification pings, and then the extra layer we now add on top of reality—TikTok and YouTube loops that are designed to be loud, repetitive, and instantly recognizable. The problem is not only volume; it is the way those short clips rewire everyday speech. People begin to communicate like they are inside a game stream: exaggerated reactions, constant yelling, copy-paste catchphrases, and “bigger” emotions performed for an invisible audience. The band in the story is a parody of that culture. They are not simply a bad band—they are a mirror. The lead singer is a “cosy screaming” phenomenon: a vocalist who has a strong presence but no respect for pitch, dynamics, or human conversation. She sings with a tonal melody under the surface, yet she consistently misses the notes on purpose, like someone who learned music from chaotic clips rather than from listening, breathing, and practicing. The off-key approach is not a joke about skill; it is a metaphor for a society that has lost its tuning fork. When everything is maximized, nothing is meaningful. The lyrics push the idea that the new competition is not “say something true,” but “out-scream your life.” In the song’s world, silence is treated like weakness, and normal speech feels almost illegal. Repetition becomes a drug: the same five seconds, the same scream, the same hook, until people crave it and reproduce it without thinking. This is why the chorus is brutally simple and chantable—because addiction thrives on simplicity. Then comes the twist: the keyboard player. She is the only one who can truly sing. Her section is intentionally clean, in tune, and emotionally grounded—a brief window where the listener hears what music and language can be when they are human again. It is the “could have been” moment: a reminder that calm, clarity, and real melody still exist. But the lead singer storms back in and destroys the beauty with a proud, wrong-note supernova—because the algorithm rewards chaos more than it rewards truth. Musically, the piece is built like an overload cycle: tight thrash discipline fighting against vocal sabotage, then exploding into drum and guitar showcases (virtuosity as “signal”), and finally the keyboard feature as the last attempt at meaning. The ending does not resolve neatly, because the point is not a happy conclusion—it is an alarm bell. “Screamcore Supernova” asks a simple question behind all the noise: when did we stop talking, and start performing volume instead? CERTIFICATE OF AUTHORSHIP & COPYRIGHT (Music Work – Suno Pro Version) Work Title: Screamcore Supernova Alternate Title / Version: Suno Pro Version Author / Composer / Lyricist: Andreas “Andi” Becker Artist / Project Name: AndiBecker Proms Production Credit: Produced using ABSound Orchestra & Choir & Soloists (AI-assisted production with Suno Pro) Year of Creation: 2025 Territory: Worldwide 1. Statement of Authorship I, Andreas “Andi” Becker, hereby declare that: I am the original human author of the core creative elements of this work, including (as applicable) the lyrics, musical themes, melodies, harmonic structure, song concept, and arrangement direction. The AI system used (Suno Pro, via ABSound Orchestra & Choir & Soloists) was employed as a production and rendering tool under my creative control and according to my instructions. The lyrics are original, Bible-inspired text, using only paraphrased biblical ideas and/or wording that is in the public domain; no proprietary modern Bible translation has been copied. No part of this work was knowingly copied from any third-party copyrighted composition, sound recording, or text. 2. Copyright Notice For the human-created elements described above, I assert the following copyright notice: © 2025 Andreas “Andi” Becker – All Rights Reserved. This includes, in particular: The lyrics and text content of the song; The musical composition (melody, harmony, structure, and arrangement concept); The overall artistic direction, concept, and selection/sequence of musical elements. The sound recording as rendered by the AI tool is created under my direction and is included in this assertion to the extent permitted by applicable law and the terms of use of the AI service. 3. Use of AI Tools This work was produced with the assistance of an AI-based music generation tool (Suno Pro) under the creative direction and control of Andreas “Andi” Becker. The mention of AI assistance does not limit or waive any rights in the human-created components of the work. All use, distribution, or adaptation of this work must respect applicable copyright law and the licensing terms granted by Andreas “Andi” Becker. 4. Rights & Licensing All rights not expressly licensed remain reserved by the copyright holder. For licensing, synchronization, adaptation, or commercial use inquiries, please contact: Name: Andreas “Andi” Becker Artist / Project: AndiBecker Proms Email: [email protected] Phone: +66 81 606 3378 Location: Phuket, Thailand 5. Declaration I hereby certify that the information in this certificate is true and correct to the best of my knowledge and that I am entitled to assert the above rights. Place of Issue: Phuket, Thailand Date of Issue: 15 December 2025 Signature: Andreas “Andi” Becker