Interference Pattern

[Intro - A# Locrian, dissonant tritone guitar notes, unsettling phaser, 95 BPM, 15 seconds] [Verse 1 - Angular riff, 95 BPM, 5/4, A# Locrian] two ghosts claim the same room both swearing they were first the walls can't hold them both so one bleeds through the floor [Verse 2 - Building tension, polyrhythm] that door opens inward that door opens out the house rewrites its bones to keep from splitting down the middle [Pre-Chorus - 110 BPM, 7/8] where the waves align they build each other higher where they cross and clash the water goes still and black [Chorus - 110 BPM, 4/4, off-beat accents] the new erases the old cascades through every room two signals in the same wire until one goes quiet [Verse 3 - 85 BPM, 6/8, atmospheric] the mirror shows both fathers superimposed and struggling each swearing he's the real one while the glass spiders outward [Bridge - Instrumental, 120 BPM, 7/8 and 9/8] [two guitars in conflicting time signatures, polyrhythmic collision, neither resolving, the interference pattern made audible] [Verse 4 - 95 BPM, 5/4, layered vocals] one blueprint burns not by choice just by the urgency of whatever survives [Pre-Chorus 2 - 110 BPM, 7/8, aggressive] which ghost remains depends only on the timing last one standing becomes the house I live in [Final Chorus - 110 BPM, A# Locrian, full intensity] the new erases the old cascades through every room two signals in the same wire until one goes quiet [Breakdown - 60 BPM, sustained dissonant chord, A# Locrian] [whispered over feedback] one ghost fades so the other can haunt freely you don't remember the first blueprint you just notice the room feels different [Outro - 95 BPM, 5/4, A# Phrygian] [dissonance resolves, the survivor gets a tonic that lands, guitars find harmony, the house finally holds one shape, fade — not triumphant, just settled]