秒で分かんなきゃ

* The English lyrics are below. 『秒で分かんなきゃ』 言いたいことは書いといたから あとはいい感じにしといて 長い話は飛ばしたほうが みんな喜ぶってことでしょ 何言ってるか分かりにくけりゃ もう少し優しくしといて ちょっと尖った言葉なんかは 丸くしとけばいいんでしょ 隙間は埋めてさ 行間は消してさ 迷いも取ってさ きれいに並べてさ 秒で分かんなきゃ 見られる価値はないし ハートも付かないし すぐ飛ばされるし 秒で分かんなきゃ 一生、分かんないし 伝わってるっぽいなら それでいいんだろうし Easy, easy 分かりやすくでいいし Easy, easy それっぽくでいいし あと1000文字くらい足しといて こっから課金させようかな お金払って読んだ方が ありがたい感じ、するでしょ シュウゴウチ ってやつだっけ？ まあ個性なんて要らんでしょ 誰が書いたっていいでしょ ボクが誰だっていいでしょ ノイズは消してさ 癖まで消してさ 棘まで抜いてさ 正解だけ揃えてさ 秒で作れるなら ボクじゃなくてもいいし 誰かに似ちゃってても たぶんバレやしないし 秒で好かれるなら 本音じゃなくてもいいし 任せちゃえばいいし 心がなくてもいいし Easy, easy 考えなくていいし Easy, easy 間違えなくていいし 昨日見た言葉と 今日書いた言葉が どっちがボクだったか もう分かんないし 困ってないから 別にいいけど 秒で分かるように ボクを薄めればいいし 引っかかるところは 削ってしまえばいいし 秒で好かれるなら おすすめ通りでいいし 本音も癖も 名前もなくていいし ま、 秒で忘れるんでしょ じゃあ名前も要らないし ボクがいなくなっても それっぽく続くんだし ラベルなんか剥がしてさ 名前なんか剥がしてさ 何も困ってないし 何も困ってないし たぶん --- “If You Don’t Get It in a Second” I wrote down what I wanted to say So just make it sound good for me Better skip all the long-winded stuff That’s what everybody wants, right? If it’s kinda hard to understand Just make it a little nicer Any words with edges sticking out Just round them off, that should be fine, right? Fill in all the empty spaces Erase what’s hiding between the lines Take away the hesitation Line it all up nice and clean If you don’t get it in a second Then it isn’t worth your time No hearts are gonna show up And they’ll swipe right past it anyway If you don’t get it in a second You’ll probably never get it at all As long as it kinda gets the point across I guess that’s good enough Easy, easy Easy to understand is fine Easy, easy Close enough is totally fine Add another thousand words or so Maybe I’ll put the rest behind a paywall If you pay some money just to read it It kinda feels more valuable, right? What was it—“collective intelligence”? Well, we don’t really need individuality, right? Doesn’t matter who wrote it, right? Doesn’t matter who I am, right? Get rid of all the noise Get rid of all the quirks Pull out every thorn Just line up all the right answers If you can make it in a second It doesn’t have to come from me Even if it sounds like someone else They probably won’t notice anyway If you can make them like it in a second It doesn’t have to be what I really feel I can just leave it up to you Doesn’t even need a heart Easy, easy I don’t have to think Easy, easy I don’t have to get it wrong The words I saw yesterday And the words I wrote today Which ones were actually mine? I don’t really know anymore But it’s not causing any trouble So whatever Make me easy to understand I can water myself down Anything that catches or gets in the way I can just shave it off If I can be liked in a second I can go with what’s recommended My real thoughts, all my little quirks Even my name—I don’t really need them Well, You’ll forget me in a second anyway So I guess I don’t need a name Even if I’m not here anymore Something like me will keep going Peel off all the labels Peel off the name as well Nothing’s bothering me Nothing’s bothering me Probably. --- ## Styles Bright Japanese electropop / synth-pop with algorithmic-dystopia subtext. 128 BPM, 4/4, about 3:35. Cheerful, catchy and polished; production becomes cleaner and more synchronized as the narrator loses individuality. Main motif: E-F#-G#-B, a bright “optimization” cell. Relay through digital pluck, electric piano, vocal hook and bright synth. Fragment it in the bridge; present its cleanest form in the final chorus. Verses: conversational, dry, casual; minimal electronic drums, muted synth bass, electric piano, tiny digital plucks. Pre-choruses become more ordered. Choruses: bright, bouncy Japanese pop hooks, crisp drums, layered synths, clean bass. “Easy, easy” is an addictive post-chorus hook. Bridge: sparse electric piano, soft sub bass, almost dry vocal. Final chorus: biggest, brightest, most optimized section, catchy not heroic. Harmony: E major/C# minor, maj7, add9, 6/9, sus2, sus4, 9th. Tight 16th-note groove, elastic synth bass, vocal-forward mix, clear low end. ## Avoid dark cyberpunk, industrial, dark synthwave, aggressive EDM, festival EDM drops, dubstep wobble bass, trap beats, trap hi-hats, distorted rock guitars, anime rock, emotional power-ballad singing, heroic vocals, dramatic belting, excessive vibrato, orchestral cinematic drama, horror sound design, sad piano ballad, melancholic atmosphere, lo-fi dirt, excessive glitch, harsh bitcrushing, robotic Vocaloid-style vocals, huge supersaws, muddy low mids, excessive reverb, over-compressed mastering