[INTRO — shouted tag, bass stab, under 4 seconds] K-K-K KYRODITH! Oh, that’s terrible. [VERSE 1 — playful female vocal, tight UK garage swing] You’ve got one move and you mean it. Elbows out, offending the room. Someone ought to come and stop you. I’m deciding to join you. You invent a worse version, Look directly at me. I was trying to look expensive. Now there’s lipstick on my teeth. [PRE-CHORUS — melodic lift, rising percussion] I laugh hard. You look pleased. That’s your favourite Side of me. Come closer. Watch my drink. You say, “Like this?” I say, “I think…” [CHORUS — huge, emotional, instantly memorable] I love your terrible dancing. I love who I get to be. No checking my reflection When you’re looking at me. Keep doing whatever that is. Come embarrass me again. I want a thousand crowded rooms With you as my favourite person in them. [DROP — deep rolling sub, chopped female hook] That move— Do it. That move— Again. Who taught you? No one. Good. Don’t teach them. [VERSE 2 — affectionate, rhythmic female delivery] You know I hate my laugh recorded. Say it’s better than the song. Put your phone back in your pocket, Let me laugh with nothing on. Nothing on the record. Nothing to replay. Just your forehead pressed against mine While I try to fix my face. [PRE-CHORUS — stripped kick, intimate vocal] You ask, “What?” I shake my head. There’s a sentence Coming next. Still laughing. Still true. I get it out: “I love you.” [CHORUS — full female lead, stacked harmonies] I love your terrible dancing. I love who I get to be. No checking my reflection When you’re looking at me. Keep doing whatever that is. Come embarrass me again. I want a thousand crowded rooms With you as my favourite person in them. [BRIDGE — tender melody over driving bass] I spent the afternoon Trying on three different dresses. You’ll remember how I laughed, Not which one made an entrance. You kiss me with my makeup smudged. I stop apologising. You’ve got absolutely no technique— God, I love your timing. [FINAL DROP — explosive breakbeat fills, call and response] That move— Do it. That move— Again. My favourite? You are. Even this? Especially. [OUTRO — close female vocal, final bass hit] Don’t you dare get good at this.
