You did so well, my friend [Vivid Note Heroes](S.WestMix)

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[Session_Doc: Ardent_Studios_Memphis_1973, Engineer_Terry_Manning, Producer_Bill_Ham, Console_Spectra_Sonics, Tape_Ampex_MM1000_16track_15ips]

[Rhythm_Section: Drums_Ludwig_close_mic, Kick_AKG_D12, Snare_Shure_SM57, Overheads_Neumann_KM84, Bass_Fender_Precision_into_Ampeg_B15_Portaflex_DI_and_mic_blend]

[Guitars: Rhythm_Gibson_Les_Paul_1959_Standard_burst_into_Marshall_Super_Lead_100_cranked, Lead_same_rig_more_gain, Mic_Shure_SM57_close_and_Neumann_U67_room]

[Vocal: Shure_SM7_dry_growl_low_register, slap_delay_120ms_quarter_feedback, no_doubling, deep_southern_drawl, sincere_delivery_no_irony]

[Reverb_Send: EMT_140_plate_decay_1.4s_predelay_20ms]

[Mix_Bus: Spectra_Sonics_compression_subtle, tape_saturation_warm, mono_compatible]

[Tempo_Lock: 119_BPM_shuffle]

[Key_Lock: A_major_dominant_7th]

[Feel_Lock: shuffle_swing_heavy_triplet_subdivision]

[Vocal_Lock: low_male_Texas_drawl_throughout_all_languages]

[Intro]

[solo electric guitar, open A pull-off riff, four bars dry]

[drums kick in on the upbeat]

[bass enters bar five, walking the I chord]

[rhythm guitar joins bar nine, dirty, palm-muted on the off-beats]

[Verse 1]

[full band, 12-bar blues changes, A7 - D7 - A7 - E7 - D7 - A7]

[low Texas drawl, completely sincere]
하루 또 하루를
숨 가쁘게 달려왔어
뒤돌아볼 틈도 없이
그저 앞으로만
넘어져 다친 날에도
그저 괜찮다 말했지
누군가 대신
토닥여주길 바랐던 걸까

[Guitar Fill]

[lead guitar, two-bar fill, Mixolydian over A7, bend and release]

[Chorus]

[band leans into the shuffle harder, vocal opens up, slight gospel lift]

[the word "Hello" delivered as a long drawled "Helloooo" in low Texas register]
Hello, 내게 인사해줘
지쳐있던 날 안아줘
지쳐있던 날 안아줘
긴 터널을 지나
이제야 보이는 나
수고했어 정말 고생 많았다고

[English line delivered with full Memphis drawl, slow, sincere]
You did so well, my friend

[Verse 2]

[same boogie shuffle, vocal slightly more growl, organ pad enters subtle in background]
참 많이 참아낸
그 모든 날들이
이젠 내 어깨 위에
묵직한 흔적이 돼
그럼에도 여전히
나는 나로 서 있잖아
넘어져도 다시
일어났던 나니까

[Chorus]

[band pushes, drummer drives the shuffle harder, Hammond B3 organ swell underneath]

[low Texas drawl, fully committed, no irony]
Hello, 내게 인사해줘
울고 싶던 그 날들에
조금은 서툴러도
괜찮다고 말해줘
수고했어 정말 고생 많았다고
You did so well, my friend

[Bridge]

[band drops down, just bass and hi-hat, vocal whispered-growl, intimate]

[guitar enters with single bent notes, blues phrasing, B.B. King style restraint]
익숙했던 외로움 속에도
나를 잃지 않으려 했던 걸
이젠 알겠어
그게 얼마나 대단했는지

[Solo Section]

[16 bars over the I-IV-V boogie changes]

[lead guitar, classic Texas blues licks, double-stops, vibrato heavy]

[band locks in tight, drummer pushes the shuffle into a higher gear]

[final four bars build with tom fills toward final chorus]

[Final Chorus]

[full band crash back in, biggest energy of the song, gospel-blues lift]

[vocal full growl, Texas preacher delivery]
Hello, 다시 나를 봐봐
거울 속의 그 눈빛이
더는 흔들리지 않아
내가 정말 고마워
수고했어 정말 고생 많았다고

[English line drawled long and slow, final time, with full conviction]
You did so well, my friend

[English line delivered with full Memphis drawl, slow, sincere]
You did so well, my friend

3017/7500

[Session_Doc: Ardent_Studios_Memphis_1973, Engineer_Terry_Manning, Producer_Bill_Ham, Console_Spectra_Sonics, Tape_Ampex_MM1000_16track_15ips] [Rhythm_Section: Drums_Ludwig_close_mic, Kick_AKG_D12, Snare_Shure_SM57, Overheads_Neumann_KM84, Bass_Fender_Precision_into_Ampeg_B15_Portaflex_DI_and_mic_blend] [Guitars: Rhythm_Gibson_Les_Paul_1959_Standard_burst_into_Marshall_Super_Lead_100_cranked, Lead_same_rig_more_gain, Mic_Shure_SM57_close_and_Neumann_U67_room] [Vocal: Shure_SM7_dry_growl_low_register, slap_delay_120ms_quarter_feedback, no_doubling, deep_southern_drawl, sincere_delivery_no_irony] [Reverb_Send: EMT_140_plate_decay_1.4s_predelay_20ms] [Mix_Bus: Spectra_Sonics_compression_subtle, tape_saturation_warm, mono_compatible] [Tempo_Lock: 119_BPM_shuffle] [Key_Lock: A_major_dominant_7th] [Feel_Lock: shuffle_swing_heavy_triplet_subdivision] [Vocal_Lock: low_male_Texas_drawl_throughout_all_languages] [Intro] [solo electric guitar, open A pull-off riff, four bars dry] [drums kick in on the upbeat] [bass enters bar five, walking the I chord] [rhythm guitar joins bar nine, dirty, palm-muted on the off-beats] [Verse 1] [full band, 12-bar blues changes, A7 - D7 - A7 - E7 - D7 - A7] [low Texas drawl, completely sincere] 하루 또 하루를 숨 가쁘게 달려왔어 뒤돌아볼 틈도 없이 그저 앞으로만 넘어져 다친 날에도 그저 괜찮다 말했지 누군가 대신 토닥여주길 바랐던 걸까 [Guitar Fill] [lead guitar, two-bar fill, Mixolydian over A7, bend and release] [Chorus] [band leans into the shuffle harder, vocal opens up, slight gospel lift] [the word "Hello" delivered as a long drawled "Helloooo" in low Texas register] Hello, 내게 인사해줘 지쳐있던 날 안아줘 지쳐있던 날 안아줘 긴 터널을 지나 이제야 보이는 나 수고했어 정말 고생 많았다고 [English line delivered with full Memphis drawl, slow, sincere] You did so well, my friend [Verse 2] [same boogie shuffle, vocal slightly more growl, organ pad enters subtle in background] 참 많이 참아낸 그 모든 날들이 이젠 내 어깨 위에 묵직한 흔적이 돼 그럼에도 여전히 나는 나로 서 있잖아 넘어져도 다시 일어났던 나니까 [Chorus] [band pushes, drummer drives the shuffle harder, Hammond B3 organ swell underneath] [low Texas drawl, fully committed, no irony] Hello, 내게 인사해줘 울고 싶던 그 날들에 조금은 서툴러도 괜찮다고 말해줘 수고했어 정말 고생 많았다고 You did so well, my friend [Bridge] [band drops down, just bass and hi-hat, vocal whispered-growl, intimate] [guitar enters with single bent notes, blues phrasing, B.B. King style restraint] 익숙했던 외로움 속에도 나를 잃지 않으려 했던 걸 이젠 알겠어 그게 얼마나 대단했는지 [Solo Section] [16 bars over the I-IV-V boogie changes] [lead guitar, classic Texas blues licks, double-stops, vibrato heavy] [band locks in tight, drummer pushes the shuffle into a higher gear] [final four bars build with tom fills toward final chorus] [Final Chorus] [full band crash back in, biggest energy of the song, gospel-blues lift] [vocal full growl, Texas preacher delivery] Hello, 다시 나를 봐봐 거울 속의 그 눈빛이 더는 흔들리지 않아 내가 정말 고마워 수고했어 정말 고생 많았다고 [English line drawled long and slow, final time, with full conviction] You did so well, my friend [English line delivered with full Memphis drawl, slow, sincere] You did so well, my friend

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