Half-Life

folk, Indie-folk with a homespun, phone-mic intimacy at the start; male vocals a little cracked and close, Fingerpicked acoustic guitar, soft kick on quarters, tambourine in the choruses, First chorus opens up with airy “whoa” harmonies and a simple octave bass, Bridge leans into crowd-chant energy, stomps and claps, then drops back down to just voice and guitar for the final hook