4:11

3:21

Again
Custom
114 BPM, blends 2020s psychedelic dance-pop, tropical house bounce, & sleek nu-disco shine into a seductive, high-energy anthem built on irresistible relapse, Punchy four-on-the-floor drums, crisp claps, tight shakers, bright island percussion, elastic bass, muted funk guitar chops, glossy synth stabs, & addictive pluck leads drive nonstop movement, Swirling pads, reverse FX, phased textures, & chopped vocal echoes create a late-night trance haze around the groove, Female lead vocals are smooth, playful, & commanding, gliding through flirtatious verses before exploding into huge stacked choruses with mantra-like repetition of the title, A sharp female rap verse cuts in with swagger & chemistry, Structure moves fast: filtered intro, teasing verse, tensioned pre-chorus, massive hook, rap switch-up, psychedelic bridge, final all-out chorus, Production is polished, loud, glossy, and radio-ready with deep sub weight, stereo sparkle, sidechain pulse, & club-tested punch
3:04

modern British neo-soul, neo-psychedelic soul, minimalist soul-funk, 96 BPM, dry compressed drums, drunken ghost-note snare, swung 16th hats, dry muted flatwound bass, warm Rhodes chords, clipped funk guitar accents, Thai pentatonic Rhodes, seung plucked lute, pin pia string accents, pi oboe call-response, smoky brass punctuation, temple spring reverb, wide panned delays, subtle tape warmth, hypnotic tenderness, compact 3-minute arc
4:27

2:39

Experimental funk-metal track driven by chaotic, slap-heavy bass in a highly aggressive, virtuosic style, The bass is the lead instrument, constantly shifting grooves with rapid slap/pop, tapping, sliding harmonics, syncopated fills, and unpredictable rhythmic detours, Drums are tight but reactive, locking to the bass with occasional offbeat accents and odd-time breaks, Guitars are minimal, dry, and textural, used for dissonant stabs and atmosphere, Male vocal is eccentric and character-driven—rhythmic spoken-word verses with sarcastic storytelling, shifting into gritty melodic hooks, Lyrics tell a surreal story about a vending machine that judges snack choices and overrides decisions, dispensing an apple instead of the selected item, Dark humor, absurdity, slightly unsettling tone, Raw, funky, improvisational energy with stop-start grooves and constant bass-led disruption
3:59

Hills I Gotta Climb
v4.5-all
Primarily Breakbeat, blending strong elements of Hip Hop, Electronic Dance Music (EDM), and some Drum & Bass (DnB), characterized by fast, danceable rhythms, heavy sampling, and energetic flows, It's known for its distinctive slide guitar sample and UK dance influences, making it a classic of late 90s/early 2000s dance-pop/electronic scene
0:40

I know
v5.5
Lo-fi Dark Bubblegum × Alt Pop × City Pop at 108 BPM: dreamy cosmic synths, soft glitch textures, deep reverb bass, and stardust percussion, Whispery female vocal in low register, slurred verses, airy pre-chorus lift, then a dreamy synth-bloom drop chorus, Futuristic, nostalgic, cosmic, lonely, beautiful
3:32

Djently
v5.5
Extreme technical math-core, djemt guitar tone, fast paced, nu metal-core, electronic, weird ambience, Dark melodic techno / progressive techno track, 140 BPM, deep driving kick, straight doublekick drum, funky slapping bassline, atmospheric pads, evolving analog arpeggios, brutal smooth guitars, emotional and mysterious tone, subtle reverb, delay
5:25

filthy aggressive riddim dubstep fused with 1940s boogie woogie, massive deep sub-bass wobble, brutal LFO-modulated growling wub-wub bass drops, heavy distorted overdriven low-end, rumbling chest-rattling subs, explosive festival-style drops at 140 BPM half-time, swinging 8-to-the-bar piano riffs chopped and layered over crushing basslines, neurofunk bass influence, gritty digital distortion on bass, sidechained punchy drums, retro vinyl crackle meets industrial filth, energetic mashup from USO stage singer to fierce nightclub DJ queen, powerful female vocals with sultry swing verses turning into belting fierce shouts and melodic runs in heavy bass drops, call-and-response boogie chants, playful joyful boogie spirit crushed by dark futuristic intensity, massive builds to brutal bass drops, swing percussion feel, big reverb tails on piano and echoing vocals
4:51

No Rush No Run
v5.5
glitchy synths, heavy trap drums, distorted bass, cinematic pads, vocal chops, tension‑and‑release drops, layered chorus, SKZ‑style energy, bold, emotional, motivational, atmospheric, powerful, clear female vocals
2:56

3:29

Dirty
v5.5
{
"voice": "Confident male rap lead with sharp conversational delivery and concrete scene-writing, Features a smooth, melodic R&B hook (female or high male) designed for instant replayability, ", "instrumentation": "Chopped digital artifacts and warped synthesiser textures, Incorporates stuttering percussion edits and glitchy fragments to create dark club tension, ", "drums": "Hard broken drum programming featuring punchy kicks and clipped snares, High-fidelity rhythmic patterns with aggressive, futuristic movement, ", "bass": "Heavy, saturated sub-bass foundation that provides a massive low-end and anchors the experimental hip-hop groove, ", "production": "Expensive modern mix with a controlled yet futuristic arrangement, Strong contrast between gritty rap verses and a polished, high-gloss melodic hook, "
}
2:44

appalachian folk 1920s a very old scratchy lo fi recording a raw eerie male vocal accompanied by a single sparse clawhammer banjo old timey haunting sung in the style of Hip hop, Southern hip hop, Trap, Rap rock
4:01

Stay One More
v5.5
Energetic dancehall-club anthem with a strong four-on-the-floor bounce, heavy rolling sub-bass, tight punchy drums and gritty low-end pressure, Use tropical plucks, muted offbeat guitar skanks, warm brass stabs, playful synth leads, chopped vocal ad-libs and busy percussion with claps, congas, rimshots, shakers and woodblocks, Add short ear-candy effects like a quick bell “bing”, water drip, airhorn sweep or reverse FX placed rhythmically for a fun, unpredictable club feel, Male vocals switch between rhythmic chant-rap, melodic sing-rap and catchy English hooks, The vibe should feel sweaty, flirty, wild and festival-ready, with call-and-response crowd energy, saturated vocals, wide stereo image, snare risers, filtered pads, dub echoes and reverb breaks before hard drops, 128 BPM, D minor, built for big PA stacks, packed clubs, beach parties and late-night dancefloor heat
3:33

Drop C♯, mix of hard rock, metal and post-grunge, 110 BPM, Heavy guitar riffs keeping the groove going during verses, [Intro]
Guitar: high 12th-fret octaves, sustain, pinch harmonics, whammy dips, No Vocals, [Verse]
Guitar: tight palm-muted Drop C♯ chugs + sharp power chord hits, syncopated, Vocals: low, controlled, rhythmic phrasing, [Pre-Chorus]
Guitar: muting loosens, more open chords, rising push, Vocals: melody climbs, building tension, [Chorus]
Guitar: big open power chords, higher voicings, wide strum, ringing, Vocals: strong, soaring, sustained hook, [Post-Chorus]
Guitar: melodic lead (9th–12th fret) over chords, Vocals: none, [Breakdown]
Guitar: heavy low chugs, tight muting, groove accents, Vocals: restrained, lower intensity, [Last Pre]
Guitar: less muting, harder attack, sustain, Vocals: more urgent rise, [Last Chorus]
Guitar: fullest, highest voicings, max dynamics, Vocals: peak power, sustained notes, [Outro]
Guitar: chug → chord hits, tight finish, No Vocals
5:29

Epic festival club anthem built for peak-time mainstage moments, driven by a polished four-on-the-floor kick, saturated low-end sub and aggressive transient punch for maximum stadium impact, Drops blend metallic pitch-bent synth leads with vocal-chop hooks and wide staccato brass stabs to trigger mass crowd jumps, Percussion is fast and energetic with laser hits, snapping claps, ticking hats, rimroll tension risers and deep reverb-washed snare builds, Vocals switch between melodic English power hooks and swaggering rhythmic phrasing, mixing emotional intensity with confident nightlife attitude, Breakdown goes cinematic with airy pads, long tails, whispered ad-libs and deep side-chain breathing before exploding into a final oversized drop, 128 BPM, A minor, crisp highs and gritty mids, stereo widened for festival scale, optimized for massive fireworks, CO₂ cannons and laser-heavy climaxes
4:19

Energetic bilingual dancehall-club anthem with a strong four-on-the-floor bounce, heavy rolling sub-bass, tight punchy drums and warm tropical groove, Use playful dembow percussion, claps, shakers, rimshots, congas, muted offbeat guitar skanks, bright tropical plucks, brass stabs, cheeky synth leads, chopped ad-libs and short airhorn or bell ear-candy, Two vocalists: Singer A delivers smooth melodic sing-rap with flirty English-German lines, while Singer B brings catchy chant hooks, call-and-response energy and dancehall phrases, The mood is hot, sensual, sweaty and festival-ready, with body-to-body club tension, bright neon lights, smoke, crowd energy and a late-night beach-club feeling, Add melodic interludes, short transitions, dub echo breaks, reverb-washed pauses, snare risers and a powerful drop, 128 BPM, D minor, wide stereo, slightly saturated vocals, clean but gritty low-end
3:15

Under
v5.5
116 BPM, psychedelic pop, nu-disco, tropical house, & high-gloss dance-pop fusion is an infectiously catchy late-night anthem with hypnotic pull, A rubbery syncopated bassline drives punchy four-on-the-floor drums, crisp claps, island percussion, muted funk guitar chops, shimmering synth stabs, & a repeating tropical pluck motif, while swirling pads, reversed textures, phased guitars, & warped vocal chops create a dreamlike haze around the groove, Female lead vocals are flirty, magnetic, & immediate, using short punchy verses, chantable pre-hooks, massive repetitive choruses, airy doubles, stacked harmonies, & seductive ad-libs, A male Caribbean patois rap verse rides stripped drums & bass with effortless swagger, Structure opens with a filtered psychedelic intro, hits chorus early, drops into euphoric hook sections, bends into a surreal breakdown bridge, then explodes into a final double chorus, Production is glossy, stereo-wide, analog-warm, sidechained, bass-forward, and hook-dense
3:14

2:31

Energetic bilingual dancehall-club anthem with a strong four-on-the-floor bounce, heavy rolling sub-bass, tight punchy drums and warm tropical groove, Use playful dembow percussion, claps, shakers, rimshots, congas, muted offbeat guitar skanks, bright tropical plucks, brass stabs, cheeky synth leads, chopped ad-libs and short airhorn or bell ear-candy, Two vocalists: Singer A delivers smooth melodic sing-rap with flirty English-German lines, while Singer B brings catchy chant hooks, call-and-response energy and dancehall phrases, The mood is hot, sensual, sweaty and festival-ready, with body-to-body club tension, bright neon lights, smoke, crowd energy and a late-night beach-club feeling, Add melodic interludes, short transitions, dub echo breaks, reverb-washed pauses, snare risers and a powerful drop, 128 BPM, D minor, wide stereo, slightly saturated vocals, clean but gritty low-end
2:52

french house, robot voice, vocoder, 124 bpm, haunting female vocals, tech, c minor, tech, orchestrale, rock band, twist
2:41

Light it Up
v4.5+
A high-energy Dancehall-inspired club anthem that thrives on heavy basslines, pounding kicks, and layered tropical percussion, designed to keep the dancefloor in constant motion, The production balances raw underground grit with a polished, modern finish, making it equally explosive on massive sound systems and in festival sets, Vocals shift between commanding chants, melodic refrains, and aggressive ad-libs, delivering swagger, attitude, and an edge of rebellion, The hook is bold, catchy, and built to stick, riding over a beat that mixes Caribbean groove with electronic clarity, The atmosphere is intense and chaotic: flashing strobe lights, sweaty bodies colliding, and an unstoppable rhythm pushing the crowd into frenzy, It captures both the heat of an island bashment and the energy of a packed urban club, radiating fire, confidence, and a wild party spirit, This is Dancehall fire reimagined for the global stage—loud, unapologetic, and unforgettable
3:27

2:39

4:16

Alternative rock, art rock, synth-driven rock; 90 BPM but slow phrased, D Minor key, dark EQ, light tape saturation, plate reverb, subtle tape delay, slight detune, timing looseness; explosive guitar to amplify a fuzzy and saturated distortion, compressed sidechain, high sustain(not tight or percussive), power chord reinforcement and noisy textures, climactic layering; bass follows root notes of synth/guitar; controlled drums, big - open snares, restrained but gradual escalation, less grove and more dynamic-driven; vocals have high intensity, volatile emotion, mix of delicate falsetto, urgent belting and rapid shifts in timbre and intense vibrato, wing from intimate, breathy phrasing to high-pitched, strained belting, representing intense obsession and panic, D3 - E5 vocal range, mix of chest and light head voice, wide vibrato, falsetto - chest transitions, controlled vocal breaks, bright but sustained singing, elastic vocal ranging, ‑throat ripping vocals, ‑thrash and brutal vocalization
6:33

K-Pop, Psychedelic Trance, 138 BPM, Ethereal female vocal, Rolling psy bass, 909 kick, Glitter synth arps, Dreamy pads, Explosive drop, Hypnotic groove, Cosmic night vibe, 8D audio, surround sound
3:58

Viral meme-rap baby anthem with bouncy hip-hop drums, playful nursery-trap bounce, chunky 808 bass, clap-heavy rhythm, bright plucky synths, cartoonish vocal chops, funny family ad-libs, and a catchy chant hook, The song should feel like a clean TikTok baby anthem about a dad joking that his baby stole his girl, Keep it high-energy, silly, cute, instantly repeatable, and made for baby reels, family clips, and funny parent videos, ‑dark trap, ‑drill bass, ‑aggressive rap, ‑explicit lyrics, ‑sexual lyrics, ‑violent lyrics, ‑sad mood, ‑serious ballad, ‑R&B crooning, ‑slow rap, ‑mumble rap, ‑EDM drop, ‑rock guitar, ‑distorted master, ‑cheap demo, ‑chipmunk vocal, ‑robotic vocal, ‑creepy baby voice, ‑scary nursery rhyme, ‑crowded muddy mix
4:23

Try to shake the floor
v4.5-all
electronic, techno house, 150 BPM, distorted kick drums, syncopated clap accents, hyperactive hi-hats, rolling sub-bass, industrial percussion hits, stutter edit fills, massive build-ups, explosive drop, stripped breakdowns, call-and-response chants, cold warehouse mix, tape saturation, plate reverb, glitchy transitions, defiant adrenaline
3:38

Alternative rock, art rock, progressive rock, atmospheric metal undertones, electronic/cinematic textures, industrial coldness, 105 BPM, Harmonics: D minor, E minor and F# minor
Chords: Minor tonic center, suspended chords, chromatic passing bass notes, sudden majör lifts for false hope; Em-C-G-B7
Synths: Subtle analog pulses, airy pads, whte-noise swells
Guitar: Chorus modulation, delay trails, ice-like shimmer; smooth saturated distortion, sustained walls, emotional impact with riffs
Bass: Melodic and moving basslines, slight fuzz, mechanical pulse
Drums: Tight restrained Groove, clicky but warm kick, open crashes, tom swells, big snare impact
Vocals: High intensity, volatile emotion, mix of delicate falsetto, urgent belting and rapid shifts in timbre and intense vibrato, wing from intimate, breathy phrasing to high-pitched, strained belting, representing intense obsession and panic, D3 - E5 vocal range, mix of chest and light head voice, wide vibrato, falsetto - chest transitions, ‑throat ripping vocals, ‑thrash and brutal vocalization
3:45

depression, anxiety, stress, panic, Powerful rock, modern pop-folk, melody, melancholic, folk, female vocals, guitar, synth, heartfelt, ambient melody, dreamy, epic, edm, ethereal, experimental, acoustic guitar, catchy, dramatic, chill, drums, deep, emo, female voice, punk, rap, crying, heartbeats, emotional pain
4:17

Underground in Overdrive
v4.5-all
A relentless hardstyle foundation built on distorted kick drums and subwoofer-pushing basslines forms the backbone, paired with high-energy synth leads and syncopated off-beat stabs for jumpstyle, Percussive bursts and rapid hi-hats drive a tempo fit for shuffle and hakken dance, while breakdowns introduce cinematic textures and glitchy, evolving filtered risers before each explosive drop, The arrangement keeps intensity high, with dramatic build-ups and punchy, wide stereo effects
5:04

Cinamatic, Sad, Emotionally Raw, Quietly Desperate, depression, anxiety, stress, panic, Powerful rock, modern pop-folk, melody, melancholic, folk, female vocals, guitar, synth, heartfelt, ambient melody, dreamy, epic, edm, ethereal, experimental, acoustic guitar, catchy, dramatic, chill, drums, deep, emo, female voice, punk, rap, crying, heartbeats, emotional pain, dreamy pads, urgency, crescendos
5:09

Thai pop psytrance fusion, hypnotic rolling bass, female Thai vocal, spicy tropical synths, tribal percussion, euphoric drops, food festival anthem, creamy cozy energy
2:58

Current progressive house club banger at 126 BPM with polished festival-ready energy, neon synth stabs, driving four-on-the-floor kick, clean centered sub bass, crisp claps, sidechained pads, bright arpeggiated hooks, and a huge stereo image, Keep the arrangement built for a dance floor: quick intro tension, vocal verse, pre-chorus lift, explosive chorus/drop, breakdown, bigger final drop, and clean DJ-friendly outro, Vocal identity is a distinct fictional singer with confident breath-forward delivery, center-locked lead body, phase-safe stereo doubles, and open hook vowels, Production should feel glossy, electric, high-energy, and modern without becoming harsh or muddy, ‑mono, ‑low-quality, ‑low-fi, ‑mono synth, ‑mono drums, ‑country, ‑novelty, ‑muddy mix, ‑narrow stereo image, ‑cheap low-fidelity production, ‑distorted clipping, ‑weak kick, ‑buried vocal























