funkfuture (experimentalist)
@funkfuture
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style | Fearless vio... meterless arhythmic amelodic atonal
funk based. euro-[any] is my mistress. prog-[any] is my wife. fun
1.2K
Followers
500
Following
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357K
15K
Featured Songs
![Image for what if you were a duck? [prog metal opera test 1 no style change]](https://cdn2.suno.ai/image_large_6d7dfa49-28c4-44e1-95eb-d759e9903f80.jpeg)
polyrhythmic, alternate picking, dual string guitars, matt bellamy vocal style, long drawn out notes that go from low to falsetto and back again, duet, dual vocalists, call and response melodic phrases, technicality, heavy prog opera phrases, prog metal opera, 8 string guitar, locrian scale, arabian scale, experimental, math, polyrhythmic, Polyrhythmic electronic rnb merges with experimental UK bassoul and post-dubstep textures, weaving intricate piano and keyboard layers atop deep syncopated beats, Soulful chord voicings and airy synths interplay, alternate-picking, arabian scale, locrian scale, long instrumental breaks
40
17
1
![Image for do something (final) (Cover) [live]](https://cdn2.suno.ai/image_large_c6aad452-af5f-4faf-af8d-66a7c166d4e6.jpeg)
matt bellamy vocal style, plucked electronic contrabass, long drawn out notes that go from low to falsetto and back again, duet, dual vocalists, call and response melodic phrases, technicality, heavy prog phrases, alternate picking, prog metal, 8 string guitar, locrian scale, arabian scale, experimental, math, polyrhythmic, Polyrhythmic electronic rnb merges with experimental UK bassoul and post-dubstep textures, weaving intricate piano and keyboard and saxophone layers atop deep syncopated beats, Soulful chord voicings and airy synths interplay
229
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energetic, bouncy, dual string guitars, matt bellamy vocal style, long drawn out notes that go from low to falsetto and back again, duet, dual vocalists, call and response melodic phrases, technicality, heavy prog phrases, prog metal, 8 string guitar, locrian scale, arabian scale, experimental, math, polyrhythmic, Polyrhythmic electronic rnb merges with experimental UK bassoul and post-dubstep textures, weaving intricate piano and keyboard layers atop deep syncopated beats, Soulful chord voicings and airy synths interplay, alternate-picking, arabian scale, locrian scale, long instrumental breaks
102
25
1
glitched male vocal sample parts, sound design, Polyrhythmic electronic rnb merges with experimental UK bassoul and post-dubstep textures, weaving intricate piano and keyboard layers atop deep syncopated beats, Soulful chord voicings and airy synths interplay, while a warm, expressive saxophone improvises over ambient sections
482
33
10
Songs
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style | Fearless violent angry improvisational anti-resolution climax focus, meterless, arhythmic, amelodic, atonal, polyrhythm, melodic-rhythmic dialogue, virtuosic interplay, unconventional jazzy acid-funk, drumcore, drumline, conversational articulation, experimental rock, avant-garde improvisations, break patterns, accent displacement, death metal, rhythm-backwards acid-funk, psychedelic groove collision, fully broken rhythm, polyrhythmic, ghost notes, bass guitar, solo, thumb slap, finger snap, hammer-on burst, ghost mute, three-finger walk, thumb rake, chromatic slide, palm mute, tuplets, metric modulation, displaced rest, body tap, pickup articulation, double-stop mute, tapped harmonics, glissando, slap-mute-open, envelope filter, tube saturation, pitch-shift delay, octave jump, chromaticism, dominant minor mode, rhythmic fragmentation, percussive phrasing, wide vibrato, midrange honk, subharmonic tone, delay resonance, tonal modulation, syncopated phrasing, physical groove
style | Fearless violent angry improvisational anti-resolution climax focus, meterless, arhythmic, amelodic, atonal, polyrhythm, melodic-rhythmic dialogue, virtuosic interplay, unconventional jazzy acid-funk, drumcore, drumline, conversational articulation, experimental rock, avant-garde improvisations, break patterns, accent displacement, death metal, rhythm-backwards acid-funk, psychedelic groove collision, fully broken rhythm, polyrhythmic, ghost notes, bass guitar, solo, thumb slap, finger snap, hammer-on burst, ghost mute, three-finger walk, thumb rake, chromatic slide, palm mute, tuplets, metric modulation, displaced rest, body tap, pickup articulation, double-stop mute, tapped harmonics, glissando, slap-mute-open, envelope filter, tube saturation, pitch-shift delay, octave jump, chromaticism, dominant minor mode, rhythmic fragmentation, percussive phrasing, wide vibrato, midrange honk, subharmonic tone, delay resonance, tonal modulation, syncopated phrasing, physical groove
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136 songs
7 songs