5:16

Наташа
v5
Female bard, sound art, gregorian chant, swamp blues, bandoneon, chopped and screwed, russian pop, plugg, mix jazz and blues, jazz trip, jazz dark
4:14

female voice mix male voice, Acoustic folk song Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
2:44

Female bard, sound art, gregorian chant, swamp blues, bandoneon, chopped and screwed, russian pop, plugg
jazz pop, hard bass, drill and bass, guitar, russian indie, acoustic, cinematic, Piano, cloud
3:31

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:09

A high-energy, traditional Russian folk song with a driving tempo of approximately 160 BPM in a major key, The instrumentation features a prominent balalaika providing a fast, rhythmic strumming pattern, accompanied by a domra playing a melodic counterpoint, Percussion is minimal, consisting primarily of a tambourine providing a steady, upbeat rhythm, The lead female vocalist sings with a clear, bright tone, employing traditional Russian vocal inflections and occasional melismatic phrases, Her vocal delivery is energetic and joyful, The song structure is verse-chorus, with instrumental breaks featuring the balalaika and domra, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:12

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
4:59

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:49

Acoustic folk song Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
4:16

Сашка
v4.5
Acoustic folk song Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
5:01

CRY FOR ME
v4.5
Dark, rolling bass anchors the Detroit Rap instrumental, driven by assertive, syncopated drum patterns and crisp hi-hats, Sparse, edgy synth melodies layer with haunting bells and chopped vocal samples, Intermittent vinyl crackle and abrupt breaks add raw, streetwise texture throughout
4:02

Lush organ chords and reverbed electric guitar create a dreamy intro with deep house sub-bass pulses, Raspy baritone leads melodically, answered by precise, bright female harmonies, Evolving R&B grooves shift to energetic indie rock choruses with dubstep drops, Slap bass injects sharp, percussive drive throughout, while layered studio-perfect production highlights the multifaceted cadences, incorporating 70s-style tagate rhythmic turns for dynamic transitions, multifaceted use of cadences with tagate in the 70s
4:51

A slow, melancholic Russian chanson built on sparse production: dark, raspy female vocals deliver expressive melodies atop plucked balalaika arpeggios and a soft shaker pulse, Verses unfurl with dramatic piano and accordion swells, while acoustic guitar subtly deepens the minor-key palette, The arrangement remains intimate and raw, each section focusing on emotional nuance, with an unmistakable late 90s Russian chanson texture
3:01

jazz cabaret, bossa nova, ironic philosophical chanson, 1970s soviet cinema vibe, sultry and sarcastic voice, intimate, orchestra
3:26

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
4:36

Acoustic Russian rock, bard rock, singer-songwriter, melancholic folk rock, female vocal, deep and slightly raspy, emotive, clear pronunciation, storytelling, Acoustic guitar arpeggios, soft bass guitar, minimalistic percussion, melancholic violin, subtle cello, Slow to moderate, thoughtful pace
2:34

Russian chanson, female vocals, gritty acoustic guitar, raw emotional delivery, gypsy, spoken word, street poetry, Acoustic folk pop with a melancholic yet determined female vocal performance, The song is in a minor key, likely A minor, and maintains a moderate tempo throughout, The primary instrumentation features an acoustic guitar playing a fingerpicked arpeggiated pattern, providing a gentle rhythmic and harmonic foundation, A bass guitar enters later, playing a simple, supportive line, The female vocalist sings with a clear, slightly breathy tone, delivering the lyrics with emotional depth, The song structure is verse-chorus based, with a clear build-up in intensity towards the chorus, The production is clean and intimate, highlighting the acoustic instruments and the vocal performance, There are no prominent percussion elements, contributing to the song's soft and introspective feel, The melody is memorable and follows the chord changes closely, The overall mood is reflective and
3:44

Sleepy mandolin arpeggios and gentle water droplet percussion set a languid bathhouse blues mood, as upright bass softly anchors the verses, Accordion sighs warmly alongside tired mandolin patterns and muted trumpet melodies, Hazy chorus chords float upward with lush accordion layers, tremolo mandolin, soaring horn solos, and wine glass accents, The bridge features an intimate duet between mandolin and trumpet before easing back into the steam-filled, Balkan-tinged main theme, all framed by exhausted female singing that shifts between ironic detachment in verses and dreamy liberation in choruses, jazz pop, hard bass, drill and bass, guitar, russian indie, acoustic, cinematic, Piano, cloud
4:17

A female vocalist sings in Russian over a sparse, atmospheric soundscape, The instrumentation is minimal, featuring a sustained, low-frequency drone or pad, and occasional, resonant percussive hits that sound like a large gong or bell, The vocal delivery is spoken word, with a dramatic and somewhat theatrical tone, emphasizing certain words and phrases, There are no discernible chord progressions, only sustained ambient textures, The tempo is slow and deliberate, creating a sense of tension and mystery, The production is clean, with the vocal prominent and clear, and the background elements providing a deep, resonant foundation, There are no obvious effects on the vocal, maintaining a raw and direct quality, The overall mood is dark and foreboding
3:34

Кто я такая?
v4.5+
Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, punk end rock
3:04

Rap, anti-folk, dark pank, rock, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, dramatic, dark, symphonic punk
5:05

Female bard, sound art, gregorian chant, swamp blues, bandoneon, chopped and screwed, russian pop, plugg, mix jazz and blues, jazz trip, jazz dark
3:39

Only female, Acoustic folk song Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:39

Чистюли
v5
Acoustic folk song Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:24

A folk-pop song with a melancholic yet hopeful tone, featuring a female vocalist with a clear, slightly breathy delivery, The instrumentation includes an acoustic guitar playing arpeggiated chords, a subtle bass line, and light percussion that enters later in the song, The tempo is moderate, and the key appears to be minor, contributing to the reflective mood, The song structure follows a verse-chorus pattern with a bridge, The melody is simple and memorable, with a relatively narrow vocal range, Production elements include a clean mix with a focus on the vocals and acoustic guitar, and a touch of reverb on the vocals to add depth, The song builds subtly in intensity with the addition of percussion and backing vocals in later sections
1:55

Female characters, anti-folk, folk, dark folk, balalaika, punk, Russian punk
3:49

The song is a melancholic folk-pop piece with a female vocalist, The instrumentation is sparse, featuring an acoustic guitar playing a simple, arpeggiated chord progression, and a subtle, sustained synth pad providing atmospheric backing, The tempo is slow, and the key is minor, contributing to the somber mood, The female vocalist sings in Russian, with a clear, expressive voice that carries a sense of longing and introspection, Her delivery is mostly straight, with occasional slight vibrato, The melody is simple and memorable, staying within a comfortable vocal range, There are no prominent percussion elements, allowing the guitar and vocals to remain at the forefront, The production is clean, with the vocals mixed prominently and the instruments providing a gentle bed, The song structure is verse-chorus, with a clear melodic and lyrical progression, The guitar plays a consistent pattern throughout, providing a steady harmonic foundation
2:17

Женщина
v5
Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
4:04

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:24

Acoustic folk song Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
2:38

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, male characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
2:52

Suno
v5
Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bandoneon, chopped and screwed, bass
3:55

Умирать не жалко
v4.5
Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:18

The song is a melancholic folk-pop piece with a female vocalist, The instrumentation is sparse, featuring an acoustic guitar playing a simple, arpeggiated chord progression, and a subtle, sustained synth pad providing atmospheric backing, The tempo is slow, and the key is minor, contributing to the somber mood, The female vocalist sings in Russian, with a clear, expressive voice that carries a sense of longing and introspection, Her delivery is mostly straight, with occasional slight vibrato, The melody is simple and memorable, staying within a comfortable vocal range, There are no prominent percussion elements, allowing the guitar and vocals to remain at the forefront, The production is clean, with the vocals mixed prominently and the instruments providing a gentle bed, The song structure is verse-chorus, with a clear melodic and lyrical progression, The guitar plays a consistent pattern throughout, providing a steady harmonic foundation
3:25

Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bandoneon, chopped and screwed, bass
4:41

The track merges Delta Blues with cosmic ambient, creating a haunting oceanic soundscape, It opens with prominent, soulful whale songs that set the emotional tone, echoing across deep space atmospherics and sustained electric slide guitar, A deep double bass establishes a slow, hypnotic pulse like a distant heartbeat, while a raw acoustic slide guitar weaves traditional blues phrases, Melancholic, deep male vocals are delivered half-sung, half-spoken with clear articulation, The whale songs remain present and expressive throughout, particularly in the instrumental breaks where they engage in clear call-and-response with the swirling electric slide guitar, The cetacean vocals are not background elements but lead melodic voices that intertwine with the psychedelic textures, creating a profound interspecies dialogue within the Delta Blues foundation
3:24

Russian chanson, female vocals, gritty acoustic guitar, raw emotional delivery, gypsy, spoken word, street poetry, Acoustic folk pop with a melancholic yet determined female vocal performance, The song is in a minor key, likely A minor, and maintains a moderate tempo throughout, The primary instrumentation features an acoustic guitar playing a fingerpicked arpeggiated pattern, providing a gentle rhythmic and harmonic foundation, A bass guitar enters later, playing a simple, supportive line, The female vocalist sings with a clear, slightly breathy tone, delivering the lyrics with emotional depth, The song structure is verse-chorus based, with a clear build-up in intensity towards the chorus, The production is clean and intimate, highlighting the acoustic instruments and the vocal performance, There are no prominent percussion elements, contributing to the song's soft and introspective feel, The melody is memorable and follows the chord changes closely, The overall mood is reflective and
2:29

Дантес
v5
[Style: Russian blues rock, dark cabaret, tavern folk]
[Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha]
[Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords]
[Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]
2:54

jazz cabaret, bossa nova, ironic philosophical chanson, 1970s soviet cinema vibe, sultry and sarcastic voice, intimate, orchestra
3:19

Only female, Acoustic folk song Rap, anti-folk, dark folk, balalaika, punk, dramatic, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass, cinematic
2:23

[Style: Russian blues rock, dark cabaret, tavern folk]
[Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha]
[Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords]
[Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]
3:19

[Style: Russian blues rock, dark cabaret, tavern folk]
[Vocal: Gritty low female vocal, smoky voice, aged whiskey voice, deep contralto, emotional and raw, Molly Sanderson, or late-career Edita Piekha]
[Instruments: Muted acoustic guitar, stand-up bass, slow drum brushes, melancholic accordion, occasional piano chords]
[Mood: Sardonic, weary, darkly humorous, deeply resigned, storytelling]
4:01

Ни о чём
v5
Rap, anti-folk, dark folk, balalaika, punk, Russian punk, Russian folk, Female characters, acoustic guitar, drama, sound art, gregorian chant, swamp blues, bass
3:12

Sleepy mandolin arpeggios and gentle water droplet percussion set a languid bathhouse blues mood, as upright bass softly anchors the verses, Accordion sighs warmly alongside tired mandolin patterns and muted trumpet melodies, Hazy chorus chords float upward with lush accordion layers, tremolo mandolin, soaring horn solos, and wine glass accents, The bridge features an intimate duet between mandolin and trumpet before easing back into the steam-filled, Balkan-tinged main theme, all framed by exhausted female singing that shifts between ironic detachment in verses and dreamy liberation in choruses, jazz pop, hard bass, drill and bass, guitar, russian indie, acoustic, cinematic, Piano, cloud
4:24

A driving, upbeat groove led by punchy Motown-style rhythm section, The verses alternate between a raspy, seasoned male lead and deep Mongolian overtone throat singing, interwoven for textural contrast, Bright gospel choir and doo-wop/barbershop backgrounds create rich, soulful, harmonic layers in the choral refrains, delivering energetic handclaps and syncopated call-and-response over a fast, infectious tempo, Instrumentation balances tight R&B horns, warm upright bass, and jangling piano for authentic 1960s flair
3:39

A slow, melancholic Russian chanson built on sparse production: dark, raspy female vocals deliver expressive melodies atop plucked balalaika arpeggios and a soft shaker pulse, Verses unfurl with dramatic piano and accordion swells, while acoustic guitar subtly deepens the minor-key palette, The arrangement remains intimate and raw, each section focusing on emotional nuance, with an unmistakable late 90s Russian chanson texture
3:51

Russian chanson, female vocals, gritty acoustic guitar, raw emotional delivery, gypsy, spoken word, street poetry, Acoustic folk pop with a melancholic yet determined female vocal performance, The song is in a minor key, likely A minor, and maintains a moderate tempo throughout, The primary instrumentation features an acoustic guitar playing a fingerpicked arpeggiated pattern, providing a gentle rhythmic and harmonic foundation, A bass guitar enters later, playing a simple, supportive line, The female vocalist sings with a clear, slightly breathy tone, delivering the lyrics with emotional depth, The song structure is verse-chorus based, with a clear build-up in intensity towards the chorus, The production is clean and intimate, highlighting the acoustic instruments and the vocal performance, There are no prominent percussion elements, contributing to the song's soft and introspective feel, The melody is memorable and follows the chord changes closely, The overall mood is reflective and









