NUE☪︎MIX

[Genre: Dream Pop / Emotional Rock Ballad with Heavy Slap Bass / IDM / glitch elements, ] [Rhythm: 6/8 / triplet-based groove / ~100 BPM, ] [Track length: 3–4 minutes, ] [Key: F#–A# female-friendly high range, ] [Vocal panning: emphasizes spatial depth / immersive presence, ] [Mood / Vibe: Emotional / intimate / sweet with driving intensity / subtle tension / glitch textures, ] [Instruments / Texture:] [Bass: heavy slap / dry / clear / low-end focused / pan center / maintains groove / harmonic saturation for clarity (metal-inspired), ] [Drums: light DnB style kick/snare/hi-hat / crisp / dry / minimal / emphasizes triplet feel / driving / subtle glitch edits / transient shaping for punch, ] [Guitar: acoustic/clean electric / dry / granular picking / pan 20L/R / soft spatial presence / compression/EQ for separation, ] [Synth/Pads: low-volume ambient pads / dry / granular / shimmer / glitch stutters in sections, ]

Vocal: Clear piercing high-range, metallic shimmer, tight pitch, sharp consonants, controlled vibrato, airy tones snapping into bright belts, upfront and cutting, Tempo / Length 170 BPM 4–5 minutes Mood / Energy Energetic, forward-driving, ignition feeling Guitar Crunch-focused electric guitar British-style amp character (Plexi / JCM tone)

ピーヒャラピーヒャラ ( º дº)<ﾋﾟｨｨｨｨｨ⤴︎⤴︎⤴︎!!!!!, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

Genre: Piano-driven digital rock × Mass Rock × Psychedelic × IDM elements, glitchy textures, sequence-based bass and piano riffs, Tempo: Mid-tempo with irregular syncopation, Instrumentation: Clean piano sequences, distorted and clean guitars, sequence-based bass with syncopation, IDM-style glitch percussion, Mix Focus: Strong transient clarity and fast attack response; tight and controlled low end with no boominess; wide but precise stereo image with minimal masking, Vocal Presence: Centered and slightly forward (+2–4dB), gentle 3–6kHz boost for clarity; drums and bass 2–5kHz lightly reduced to prevent masking, Structure: Quiet piano intro, syncopated verses, layered guitars and IDM percussion in chorus, bridge and final section with reduced instrumentation; avoid abrupt cutoff, Vocals: One continuous lead voice with identical tone and character across all sections, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

This track is an intro to the rhythm of reincarnation, which evokes the image of a slow, quiet perpetual motion machine that flows and disappears, stopping and moving, repeating rebirth and destruction, the noise of relics that remain, the ancient gaps, 8-bit spatial reverberations, historical reverberations, and the play of reincarnation, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑middle Outro

[[General Instructions] [Song genre: Dark Trap + Afrobeat] [Instruments: dry muted koto (clean dry-mute + light overdrive), dry muted shamisen (clean dry-mute + light overdrive), muted bamboo xylophone, heavy slap/chopper bass, taiko drums] [Twin vocals: Female (main, persona fixed), Boy (boyish girl character)] [Vocals: One continuous lead voice with identical tone and character across all sections] [Tight low-end, constant sub bass, forward midrange, dense mix, minimal dynamic range, high average loudness] [Female: no voice instructions needed] [Boy: follow individual section instructions for singing style, emotion, and delivery], ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑middle Outro

Drum-and-bass cinematic metal, ~170 BPM, anthemic, live band energy, vocals all sung first, song ends naturally Guitars: ENGL Powerball high-gain amp (mandatory, guitars only), low-tuned, tight low-end punch, 800–1, 2kHz presence, double-tracked L/R, human pick attack, subtle tricky riffs, short gallop fills, water-like modulation Bass: mid-tuned, tight finger/pick, 200–400Hz presence, slight 1kHz clarity, locked to breakbeat groove, no slap Drums: punchy drum-and-bass breakbeat, layered acoustic kit, natural dynamics, subtle timing variation, snare/kick defined, no constant crash Vocals: clean studio, pure tone, subtle emotional instability, slight upper-mid tension, dry-forward, short room reverb, processed independently, no amp/cab simulation FX: subtle glitch/bitcrusher near final sections only Intro/Outro: amp hum & jack noise guitars only, fades after last vocal Mix: skeletal, punchy, controlled low-end, open mids, cinematic width, instruments distinct, vocals prominent, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

Upbeat and energetic electro-swing track featuring a prominent brass section and a driving electronic beat, The song opens with a syncopated piano riff and a swinging drum kit, quickly joined by a punchy bassline and bright trumpet stabs, The tempo is approximately 124 BPM in the key of G minor, The production is polished and modern, blending vintage 1920s jazz aesthetics with contemporary house music elements like heavy side-chain compression and synthesized sub-bass, The arrangement follows a standard pop structure with a clear verse-chorus-bridge progression, The female vocals are crisp and soulful, characterized by rhythmic phrasing and occasional scat-style adlibs, The mix features a wide stereo image for the horns and a centered, punchy kick drum, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro

Melodic rap vocals with a cute, fragile feminine tone, flowing and expressive, blending singing and rhythmic rap, Delivery is natural but delicate, with slight pitch variations to create melody, Infuse melancholic and emotional tone, conveying introspection and longing, while keeping the voice light, charming, and fragile, Maintain sync with subtle, mechanical drum beats but do not overpower the soft acoustic textures, Emphasize clear enunciation of each syllable, highlighting ancient/poetic phrasing, Vocals should feel intimate, ethereal, and floating, like drifting over a calm, transparent water-like soundscape, Keep dynamics expressive but controlled, letting the voice breathe with natural pauses, avoiding harsh or aggressive tone, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro