My Fusion

Math Rock, Djent, Jazz Fusion, 95 BPM, C# minor, slap/tap bass grooves, fretless bass with envelope filter + parallel distortion, virtuosic shred guitar (split-coil neck cleans, high-gain bridge chugs), jazzy extended chords (7#9, 13ths), sultry syncopated djent chugs, drums (hip-hop halftime, polyrhythmic ghost notes, organic samples 75% quantized swing), fretless bass solo, microtonal guitar bends, ambient vocal chops, analog delay (short repeats), lo-fi bitcrush transitions, 3D spatial imaging, wide binaural stereo, crystal clear hi-fi, warm vinyl crackle, Rhodes piano, female vocals (gritty rasp, tender but exhausted), avoid: emotional melodrama, autotune, EDM, metalcore

"A slap/tap bass grooves, math rock virtuosic shred guitar, jazzy extended chords (7#9, 13ths), and sultry, syncopated djent chugs, Drums blend hip-hop halftime with polyrhythmic ghost notes, Include a fretless bass solo, microtonal guitar bends, and ambient vocal chops, Tempo: 95 BPM, key: C# minor, Production should balance warmth (vinyl crackle, Rhodes piano) with modern precision (tight 8-string stabs, glitchy transitions), Production Notes: Guitar Tone: Split-coil pickup for cleans (neck position), high-gain bridge for chugs, Bass: Fretless with envelope filter (for squelchy funk) + parallel distortion, Drums: Organic samples (real snare wires) but quantized to 75% grid for "human" swing, Effects: Analog delay (short repeats), lo-fi bitcrush on transitions, 3D spatial imaging, Wide binaural stereo field, Crystal clear Hi-Fi production"

Funk Metal, Shred, Electro-Rock, Hard Funk, 126 BPM, E minor, syncopated wah-wah guitar, noise gate, envelope filter, slap bass, aggressive drums with ghost notes, electro synth stabs, shred guitar solo, female funk vocals with rasp, theme: time and redemption, danceable but heavy, avoid: slow tempo, blues, acoustic, pop structure

Funk Metal, Shred, Electro-Rock, Hard Funk, 126 BPM, E minor, syncopated wah-wah guitar, noise gate, envelope filter, slap bass, aggressive drums with ghost notes, electro synth stabs, shred guitar solo, male funk vocals with rasp, theme: time and redemption, danceable but heavy, avoid: slow tempo, blues, acoustic, pop structure

Djent, Blues, Jazz Fusion Hybrid, 7/8 polymetered chugs, twangy blues slide guitar, smoky jazz chords (add9, #11), aggressive drums, 120 BPM with half-time breakdown, 8-string guitar (hard L/R panning), fretless bass, whiskey‑soaked male vocals, cinematic trailer use case, mysterious and defiant mood, avoid: clean pop, autotune, lo-fi, generic rock

Jazz-Djent Fusion, Virtuoso Guitar Shred, Aggressive Slap Bass, Polyrhythmic (guitar 7/8 vs drums 4/4), Palm-muted chugs, Jazzy chord extensions (maj9#11, min11, 13ths, altered dominants), Expressive legato runs, Sweep arpeggios, Fretless slap bass (envelope filter, overdriven), Dynamic cinematic drums, Unconventional structure (no repeating chorus), Instrumental focus (guitar + bass as lead voices), 95 BPM shifting to 140 BPM, Wide stereo, binaural depth, Avoid: pop, edm, rap, autotune, metalcore, repetitive structures, long lyrics, vocal dominance

Jazz fusion, 90s grunge, alternative rock, smooth jazz guitar, raspy expressive vocals, dynamic loud-quiet-loud master

[Fractal algorithmic funk, Gritty Industrial Psy-Funk, 95 BPM base tempo, 140 BPM double-time chorus, holographic soundstage, 3D spatialized percussion, virtuosic shred guitar leads, saturated octave fuzz, slap bass, binaural immersive imaging, high-fidelity 2026 production, defiant soul vocals, glitchy unpredictable swing, cold mathematical accidentally funky] TEMPO & ALGORITHMIC RULES (MUST FOLLOW): - Base tempo: 95 BPM (fractal algorithmic funk groove) - Chorus tempo: 140 BPM (double-time industrial psy-funk feel) - Bassline: generated by Fibonacci sequence (0, 1, 1, 2, 3, 5, 8, 13) modulo 16, repeating, Cold, mathematical, Slap technique enters at first chorus, - Hi-hat pattern: weather data from Tokyo, Japan, April 15, 1997, 2:37 PM, Rainfall intensity mapped to MIDI triggers, Result: glitchy, unpredictable swing, No human feel, Accidental funk

Gritty Soul Funk Ballad, Holographic soundstage, Filthy distorted guitar leads (sparse, emotional), 3D spatialized percussion, Wide stereo field, Deep sub-bass, Binaural atmosphere, High-fidelity 2026 production, Immersive 3D imaging, Emotional soaring dynamic, Female soloist, Delicate introspection (clean tones, reverb-kissed arpeggios, whispered bends, cello swells) to restrained intensity (no explosion — release, not rage), Slow tempo 65 BPM, Mood: fragile intimacy, suffocating weight, ghostly surrender, exhausted peace, Wide stereo strings, center-panned gravelly vocals, spatial percussion rotating, sub-bass drone, Avoid: thin vocals, dry drums, narrow stereo, weak bass, explosive choruses (this is a surrender, not a battle)

"Modern jazz rock fused with atmospheric djent, polymetric muted guitar riffing, lush jazz chord extensions, expressive fusion shred solos, ambient cinematic guitar textures, conversational guitar-vocal interplay, emotionally dynamic female vocals, syncopated progressive groove, futuristic analog warmth, immersive 3D production" VIRTUOSIC: advanced fusion guitar vocabulary, technical progressive shred phrasing, wide interval melodic skips, hybrid-picked jazz fusion lines “Emotional Beautiful”: melodic emotional sustain guitar, fragile atmospheric lead phrasing, cinematic melodic guitar narrative

jazz fusion sophistication, djent/progressive rhythmic architecture, intimate female vocals, melancholic emotional tension, virtuosic expressive guitar, and modern 3D spatial production

[ASTERISM style, Mass Metal, Progressive Metal, Jazz Fusion Influences, Intricate yet Accessible, Female Fronted, HAL-CA style vocals (sultry, powerful, controlled aggression), 8-string guitar (HAL-CA), 5-string bass (MIYU), drums (MIO), Tempo 94 BPM (from Shazam data), Complex arrangements with frenzied melodic interplay, Volley after volley of melodies across all instruments, Sophisticated musicality, Jazz-influenced chord progressions, Instrumental prowess as ensemble conversation, Dark sensuality, The heat behind the ribs, Breath stolen], ‑"Ink Against the Storm"

Soulful jazz fusion with sudden, violent eruption into progressive djent metal, then return, Radio edit: 3:45, First section (0:00-1:30): Soulful jazz fusion — warm, breathy female vocal, Rhodes piano, fretless bass, brushed drums, soft horns (tenor sax, muted trumpet), slow tempo 75 BPM, extended jazz chords (maj9#11, m11, 13th, altered dominants), Middle section (1:30-2:45): Progressive djent metal — 8-string guitar chugs, blast beats, polyrhythms (7/8, 11/8), drop-tuned, harsh vocals (female scream/growl), angry expressive, tempo jumps to 175 BPM, Final section (2:45-3:45): Return to soulful jazz fusion — same as first section, but now transformed, more resolved, accepting, Structure: intro jazz → verse soulful → pre-chorus building → EXPLOSION into metal → djent verse with harsh vocals → metal chorus → sudden drop back to jazz → outro soulful

95 BPM, C# minor, Neo-soul Djent fusion, Slap bass groove, Jazzy Rhodes piano (7#9 chords), Syncopated 8-string guitar chugs, Polyrhythmic hip-hop halftime drums, Fretless bass solo, Microtonal bends, Ambient vocal chops, Vinyl crackle, Hi-Fi 3D spatial imaging, Sultry female vocals mixed mass metal, Progressive metal / jazz fusion, Intricate yet accessible, Dark sensuality, --seed dark_sensuality_95bpm

"A slap/tap bass grooves, math rock virtuosic shred guitar, jazzy extended chords (7#9, 13ths), and sultry, syncopated djent chugs, Drums blend hip-hop halftime with polyrhythmic ghost notes, Include a fretless bass solo, microtonal guitar bends, and ambient vocal chops, Tempo: 95 BPM, key: C# minor, Production should balance warmth (vinyl crackle, Rhodes piano) with modern precision (tight 8-string stabs, glitchy transitions), Production Notes: Guitar Tone: Split-coil pickup for cleans (neck position), high-gain bridge for chugs, Bass: Fretless with envelope filter (for squelchy funk) + parallel distortion, Drums: Organic samples (real snare wires) but quantized to 75% grid for "human" swing, Effects: Analog delay (short repeats), lo-fi bitcrush on transitions, 3D spatial imaging, Wide binaural stereo field, Crystal clear Hi-Fi production"

"A slap/tap bass grooves, math rock virtuosic shred guitar, jazzy extended chords (7#9, 13ths), and sultry, syncopated djent chugs, Drums blend hip-hop halftime with polyrhythmic ghost notes, Include a fretless bass solo, microtonal guitar bends, and ambient vocal chops, Tempo: 95 BPM, key: C# minor, Production should balance warmth (vinyl crackle, Rhodes piano) with modern precision (tight 8-string stabs, glitchy transitions), Production Notes: Guitar Tone: Split-coil pickup for cleans (neck position), high-gain bridge for chugs, Bass: Fretless with envelope filter (for squelchy funk) + parallel distortion, Drums: Organic samples (real snare wires) but quantized to 75% grid for "human" swing, Effects: Analog delay (short repeats), lo-fi bitcrush on transitions, 3D spatial imaging, Wide binaural stereo field, Crystal clear Hi-Fi production"

"A slap/tap bass grooves, math rock virtuosic shred guitar, jazzy extended chords (7#9, 13ths), and sultry, syncopated djent chugs, Drums blend hip-hop halftime with polyrhythmic ghost notes, Include a fretless bass solo, microtonal guitar bends, and ambient vocal chops, Tempo: 95 BPM, key: C# minor, Production should balance warmth (vinyl crackle, Rhodes piano) with modern precision (tight 8-string stabs, glitchy transitions), Production Notes: Guitar Tone: Split-coil pickup for cleans (neck position), high-gain bridge for chugs, Bass: Fretless with envelope filter (for squelchy funk) + parallel distortion, Drums: Organic samples (real snare wires) but quantized to 75% grid for "human" swing, Effects: Analog delay (short repeats), lo-fi bitcrush on transitions, 3D spatial imaging, Wide binaural stereo field, Crystal clear Hi-Fi production"

"A slap/tap bass grooves, math rock virtuosic shred guitar, jazzy extended chords (7#9, 13ths), and sultry, syncopated djent chugs, Drums blend hip-hop halftime with polyrhythmic ghost notes, Include a fretless bass solo, microtonal guitar bends, and ambient vocal chops, Tempo: 95 BPM, key: C# minor, Production should balance warmth (vinyl crackle, Rhodes piano) with modern precision (tight 8-string stabs, glitchy transitions), Production Notes: Guitar Tone: Split-coil pickup for cleans (neck position), high-gain bridge for chugs, Bass: Fretless with envelope filter (for squelchy funk) + parallel distortion, Drums: Organic samples (real snare wires) but quantized to 75% grid for "human" swing, Effects: Analog delay (short repeats), lo-fi bitcrush on transitions, 3D spatial imaging, Wide binaural stereo field, Crystal clear Hi-Fi production"

"A slap/tap bass grooves, math rock virtuosic shred guitar, jazzy extended chords (7#9, 13ths), and sultry, syncopated djent chugs, Drums blend hip-hop halftime with polyrhythmic ghost notes, Include a fretless bass solo, microtonal guitar bends, and ambient vocal chops, Tempo: 95 BPM, key: C# minor, Production should balance warmth (vinyl crackle, Rhodes piano) with modern precision (tight 8-string stabs, glitchy transitions), Production Notes: Guitar Tone: Split-coil pickup for cleans (neck position), high-gain bridge for chugs, Bass: Fretless with envelope filter (for squelchy funk) + parallel distortion, Drums: Organic samples (real snare wires) but quantized to 75% grid for "human" swing, Effects: Analog delay (short repeats), lo-fi bitcrush on transitions, 3D spatial imaging, Wide binaural stereo field, Crystal clear Hi-Fi production"