3:35
Style: Grave Icelandic folk elegy in Viking tomb metal opera, dark neofolk dirge, hypnotic mourning chant—pure somber void, no upbeat energy or rising drama, Infuse with Faroese folk ballads: slow narrative chain-dance lament, unaccompanied feel in verses, tragic folk storytelling like Ólavur Riddarós—no joy or lift, Chorus: Romantic haunting solo with subtle descending motif from "Greensleeves" (just the slow piece on "white death, warm blood"—ghostly echo of lost love sleeves in fog, no energy rise), Minor key, fade-out outro into eternal silence with zurna wail echo, Tempo lock: 35-40 BPM constant, unyielding—drag every line like buried alive in ice
3:37
Style: Grave Icelandic folk elegy in Viking tomb metal opera, dark neofolk dirge, hypnotic mourning chant—pure somber void, no upbeat energy or rising drama, Infuse with Faroese folk ballads: slow narrative chain-dance lament, unaccompanied feel in verses, tragic folk storytelling like Ólavur Riddarós—no joy or lift, Chorus: Romantic haunting solo with subtle descending motif from "Greensleeves" (just the slow piece on "white death, warm blood"—ghostly echo of lost love sleeves in fog, no energy rise), Minor key, fade-out outro into eternal silence with zurna wail echo, Tempo lock: 35-40 BPM constant, unyielding—drag every line like buried alive in ice
3:32
[Folk Rock / Original Song with Electronics: Acoustic guitar (or balalaika?), but with distant electronic noises, distortion, brittle vocals, Atmosphere: Think of a black-and-white film, where shots of an old village are superimposed on flickering screens, Sounds: creaking trees, cemetery echoes, digital noise, a distant train whistle, male vocals and female vocals in Duett, [dark folk rock, Dark, atmospheric music, Male vocals, low, hoarse, with a sarcastic intonation, Female vocals, low, hoarse, with a sarcastic intonation, A clear rhythm, like the clatter of train wheels, Dominant bass, acoustic guitar with distortion, violin in the background, minimal electronic noise, ]
3:32
[Folk Rock / Original Song with Electronics: Acoustic guitar (or balalaika?), but with distant electronic noises, distortion, brittle vocals, Atmosphere: Think of a black-and-white film, where shots of an old village are superimposed on flickering screens, Sounds: creaking trees, cemetery echoes, digital noise, a distant train whistle, male vocals and female vocals in Duett, [dark folk rock, Dark, atmospheric music, Male vocals, low, hoarse, with a sarcastic intonation, Female vocals, low, hoarse, with a sarcastic intonation, A clear rhythm, like the clatter of train wheels, Dominant bass, acoustic guitar with distortion, violin in the background, minimal electronic noise, ]
3:10
[Folk Rock / Original Song with Electronics: Acoustic guitar (or balalaika?), but with distant electronic noises, distortion, brittle vocals, Atmosphere: Think of a black-and-white film, where shots of an old village are superimposed on flickering screens, Sounds: creaking trees, cemetery echoes, digital noise, a distant train whistle, male vocals and female vocals in Duett, [dark folk rock, Dark, atmospheric music, Male vocals, low, hoarse, with a sarcastic intonation, Female vocals, low, hoarse, with a sarcastic intonation, A clear rhythm, like the clatter of train wheels, Dominant bass, acoustic guitar with distortion, violin in the background, minimal electronic noise, ]
3:16
This bright funk folk track opens with punchy, percussive bass and crisp acoustic strums driving an infectious groove, Verses feature alternating clear male and female vocals, uniting energetically in the chorus, The bridge adds syncopated funk, handclaps, playful horn stabs, and subtle alt-rock edge