Conquering the Anguish Belching Rage Machine
Songs of guilt, separation, nostalgia, darkness, and light.
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13 songs
3:59
Severing Seven
v5.5
riot grrl ballad, dirge punk, 60 BPM, gritty growl angry female solo vocals, acoustic guitar tremolo, bowed bass drones, sparse frame drum, harmonium pad, Victrola mono vocal, narrowband mono mix, tape hiss, distant room acoustics, signal flutter, full-volume climax, hard-edged crescendo, accoustic folk punk, ‑Snare group chant metal rock blues EDM
4:34
1970s blues dark metal and 1970s hard rock revival, 56 BPM, gritty dry close mic male vocal, slapped hollowbody rhythm guitar, distortion overdrive, lofi vinyl recordingl, bass drum stomp, minimalist precussion, tape echo, spring reverb, minor key, brooding dread, doomed fate
4:42
Cosmic mid 1980s heavy synthesizer post punk emo rememberance of junior year in high school making homecoming floats and hanging out with friends getting up to trouble, Drum pads syncopate with flourishes between the verses and chorus, The male lead sings an airy, ethereal E5-D6 range with no screeching, melodious quiet harmonies join in for the chorus, The tempo is 92 BPM
5:14
1980s UK post-punk, chamber pop, synthwave, male baritone vocals, ghostly echo vocals, minimalist percussion, wheelharp accents, chorus-drenched guitar stabs, delayed synth ostinato, cold bassline, gated snare, wide amphitheater delay, sparse verse arrangement, chorus lift, tortured catharsis, farewell lament, 92 BPM, half-time pulse
3:56
1970s classic rock revival, blues-rock, A minor, 88 BPM, close mic male vocals, group chant chorus, distant backup singing, outdoor amphitheater ambience, complex fuzz bass, 10 piece drumkit, heavy drum fills, stomp-clap chorus, dynamic verse dropouts, wide live room sound, tape saturation, spring reverb, analog compression, chorus lift, bittersweet romance, road-worn intimacy
5:02
acoustic emo rock, 56 BPM, male lead vocals, close mic dry vocal, stacked gang vocals, group chant chorus, steel-string strumming, synthwave accents, upright bass, stomp clap percussion, cajón backbeat, snare rimshots, hand percussion, octave harmony hooks, chorus delay throws, room mic ambience, dynamic pre chorus lift, bittersweet resolve, anthemic reassurance
3:19
1970s anti-establishment punk rock, 160 BPM, male F5-E6 heavy glottal off key flat close mic vocals, gang chant chorus, detuned fuzz guitar, distorted bass guitar, tom-heavy breakdowns, snare flam hits, syncopated kick snare, metallic percussion, dry room sound, parallel compression, tape hiss, AM radio grit, springless drum ambiences, combative urgency, anxious confusion
3:31
punk rock, pop punk, 100 BPM, spoken intro, gang chant chorus, call and response, single electric guitar, palm muted eighths, staccato bassline, punchy snare, dry kick, tape saturation, spring reverb, mono room ambience, 90s alt rock, verse build chorus drop, confrontational catharsis
3:59
post-punk, indie folk chamber pop, 96 BPM, tremolo guitars, acoustic strumming, clean electric arpeggios, airy viola swells, reverb bass, dry snare, brushed kick, tape saturation, plate reverb, slapback delay, tremolo vocals, echo vocals, fragile resolve, falling apart, 1980s studio tone, steady pulse
5:29
Barbara's Cue
v5.5
Bollywood, blues rock, chamber pop, 132 BPM, spoken intro, theatrical baritone lead, male chorus responses, harmonized neighbor chant, sitar accents, piano ostinato, brushed snare kit, upright bass, electric guitar riffs, string quartet stabs, banjo fills, plate reverb, analog compression, punchy upfront mix, manic suburban satire
5:41
Nordic blackgaze, symphonic metal, tremolo electric guitars, arpeggiated guitar harmonies, heavy distorted bass, blast-beat drumming, taiko floor toms, cathedral organs, orchestral string swells, choir pads, plate reverb, analog tape saturation, wide stereo chorus, cold major-minor shifts, 160 BPM, moonlit dread, anthemic catharsis
3:29
Killing Me
v5.5
early 80s punk, folk punk, Irish folk stomp, 156 BPM, male lead vocals, gang chant chorus, downstroke electric guitar, mandolin chop, fiddle unison lines, fretless bass drive, kick-snare backbeat, handclap accents, tape saturation, spring reverb, room mic drums, monophonic vocal stack, anthemic defiance, rueful urgency
3:10
1980s electronic, slow emo, brass section stabs, distorted guzheng tremolo, echo-soaked guitar, analog synth drones, gated snare, sub bass pulse, tape saturation, spring reverb, slapback delay, stereo widening, doom romance, venomous longing, half-time march, torch-song vocals, spoken-word sneer, minor key, 82 BPM