⑮ XanaVoo [Esperanto,party/trance anthem,compas-méringue,khöömii-style]
v(öxö)vv(ana)v「祝祭と呪術 二対一身の狂宴」「末世聚合 神霊憑依合唱団」「非人工的人間讃歌が構築する相互理解 -Esperantism- の理想郷」
·
5 songs
6:31
cute+floating spiritual female vocal, idol song, large girl group party anthem, A-section focused: open, bouncing groove with elastic tropical sway, bright major-leaning chords, smiling mass vocals, wide unison shouts and layered harmonies, call-and-response hooks that quickly inflate from solo to full collective chorus, chant-friendly clear vowels and percussive consonants, organic hand drums and skin percussion driving a lively festival rhythm, bassline moving in slow playful spirals, crisp claps and shakers, synthetic sparkles bloom like festival lights, micro-chime clicks woven musically as subtle accents, jittering edits appear briefly as confetti-glitch then reassemble into a clean uplift, autotune used for glossy unity not coldness, cinematic scale, joyous crowd energy, rite-of-passage on the dancefloor, mood: joy→more joy, radiant, communal, euphoric but gentle
6:07
[呪詛]
cute+floating spiritual female vocal, japanese idol song, large girl group ritual-trance anthem, B-section dominates: stripped trance state, circular pulse, minimal chords, breathy overtone harmonies drifting like wind, clear vowels + percussive consonants, chant-friendly flow; call-and-response becomes liturgical: solo intones, group answers in tight, autotuned ritual choir, polyphonic overtone stacks suggest throat-resonance without harshness; solemn ceremony under a soft glow, organic hand drums/skin percussion stay central but turn shadowed: muted hits, off-beat gaps, heartbeat-like low toms; bass coils in slow spirals, slightly ominous, sparkles fracture into jittering edits, then reassemble like a spell resetting, mood: trance→uncanny→trance, festival lights dim into sacred dusk; cinematic, ecstatic yet eerie
4:21
cute+floating spiritual female vocal, japanese idol song, large girls group party anthem, form alternates between radiant celebration and shadowed ritual, A-section:open, bouncing groove driven by compas-méringue swing and elastic tropical sway, smiling mass vocals, B-section:stripped trance state, circular pulse, breathy khöömii-style overtone harmonies drifting like steppe wind, Esperanto-only lyrics, clear vowels, percussive consonants, chant-friendly flow, call-and-response hooks expanding from solo to full collective chorus, polyphonic throat-resonance layers without aggression, autotuned ritual choir blending childlike brightness and solemn ceremony, organic hand drums and skin percussion lead rhythm, bass moving in slow spirals, synthetic sparkles bloom, then fracture into jittering edits, micro-chime clicks woven musically, not novelty, mood oscillates:joy→trance→joy, festival lights↔sacred dusk, cinematic scale, ecstatic yet uncanny, dancefloor as shared rite
4:29
cute+floating spiritual female vocal, japanese idol song, large girls group party anthem, form alternates between radiant celebration and shadowed ritual, A-section:open, bouncing groove driven by compas-méringue swing and elastic tropical sway, smiling mass vocals, B-section:stripped trance state, circular pulse, breathy khöömii-style overtone harmonies drifting like steppe wind, Esperanto-only lyrics, clear vowels, percussive consonants, chant-friendly flow, call-and-response hooks expanding from solo to full collective chorus, polyphonic throat-resonance layers without aggression, autotuned ritual choir blending childlike brightness and solemn ceremony, organic hand drums and skin percussion lead rhythm, bass moving in slow spirals, synthetic sparkles bloom, then fracture into jittering edits, micro-chime clicks woven musically, not novelty, mood oscillates:joy→trance→joy, festival lights↔sacred dusk, cinematic scale, ecstatic yet uncanny, dancefloor as shared rite
3:41
cute+floating spiritual female vocal, japanese idol song, large girls group party anthem, form alternates between radiant celebration and shadowed ritual, A-section:open, bouncing groove driven by compas-méringue swing and elastic tropical sway, smiling mass vocals, B-section:stripped trance state, circular pulse, breathy khöömii-style overtone harmonies drifting like steppe wind, Esperanto-only lyrics, clear vowels, percussive consonants, chant-friendly flow, call-and-response hooks expanding from solo to full collective chorus, polyphonic throat-resonance layers without aggression, autotuned ritual choir blending childlike brightness and solemn ceremony, organic hand drums and skin percussion lead rhythm, bass moving in slow spirals, synthetic sparkles bloom, then fracture into jittering edits, micro-chime clicks woven musically, not novelty, mood oscillates:joy→trance→joy, festival lights↔sacred dusk, cinematic scale, ecstatic yet uncanny, dancefloor as shared rite