2:34

Big Energy
v5.5
High-key heavy rap-phonk with 808 sub-bass saturating the mix, distorted Memphis-style cowbells, blown-out kick, and crunchy clap on a slow 90–100 BPM bounce, Dark minor-key synth lead, chopped vocal ad-libs, wide stereo hats, tape grit, and aggressive sidechain punch keep it hard, glossy, and menacing
4:06

Stay On Que
v5.5
High-energy glitch-phonk at 124 BPM with rapid-fire vocal chops, syncopated triplet hats, distorted 808 sub-bass, and chopped Memphis-style samples through bitcrushing and tape stop effects, Aggressive kick-snare punch, stutter edits, reverse fills, and gritty synth leads create a hypercharged, frenetic club mix
3:07

Earn That Glow
v5.5
90s alternative rock meets groovy fast drum and bass and phonk: 172 BPM breakbeats, punchy live drums, distorted electric guitar riffs with chorus and slapback, thick reese sub-bass, vinyl crackle, cowbell accents, turntable scratches, and male/female vocal tradeoffs with stacked harmonies, dry verses, and a hook that lands like a gut punch on second listen
3:53

Hold it Close
v5.5
Tense major key, high pitch neo-psychedelic groove with thick sub-bass and a resonant analog bass synth anchoring the low end, High-fidelity phone-recorded lead vocals cut through close-miked bathroom acoustics, natural tile reverb, phased delay trails, tape echo, and stereo chorus, Crisp high-end detail, cramped room tone, plus percussive spoken phrasing and clipped consonants woven into the rhythm
2:53

Sniper Man
v5.5
150 BPM EDM fused with blaster-phonk, featuring a razor-edged 808 sub, distorted kick layers, and rattling hat rolls, Male distorted talk-sung lead is chopped into staccato phrases with formant shifts, plus call-and-response synth stabs, tape saturation, aggressive sidechain pump, huge bass drops, gritty vocal chops, and tight bathroom-room reflections with hard slapback and metallic tile reverb
4:38

Bow Down
v5.5
Melancholic, serious neo-psychedelic groove in a tense minor key, built on thick sub-bass and a resonant analog bass synth, High-fidelity phone-recorded lead sits in close-miked bathroom acoustics with natural tile reverb, phased delay trails, tape echo, and stereo chorus, Crisp high-end detail, cramped room tone, hypnotic pulse
2:49

Boom-bap rap at a slow, tense 88 BPM with a nursery-rhyme hook reworked into a minor-key piano line, thick vinyl crackle, and dusty SP-1200-style drums, Deep 808 sub, dry snare, and sparse jazz guitar stabs leave lots of space, while a half-spoken, laid-back West Coast bounce meets East Coast grit, Heavy bar lands in the quietest break
2:28

Go Go Go
v5.5
Aggressive phonk and pip-rap at 140 BPM with crunchy 808s, distorted cowbells, and chopped Memphis-style vocal chops, Hard snares, sliding sub-bass, and tight trap hats drive the verses, while the chorus opens with revved engine samples, drifting tire screeches, low-pass rumble, and wide stereo ambience for a tense, street-level texture
3:30

Here We Go Again
v5.5
Opening hit from distorted tape-stop FX into glitchy alt-hip-hop/nu-metal crossover: crunchy down-tuned guitars, aggressive palm-muted chugs, slap bass, broken breakbeats, 808 sub drops, scratched samples, and filtered synth hooks, Verses are dry and punchy; chorus explodes with gang vocals, tight tom fills, and wide stereo crunch
