2:32

Power Pig
v4.5-all
power pop, polished pop rock, 132 BPM, jangly electric guitar, palm-muted rhythm guitar, melodic bass guitar, bright synth pads, handclap backbeat, stacked harmonies, tom fills, tambourine accents, SSL compression, plate reverb, glossy stereo mix, anthemic lift, bittersweet euphoria, four-on-the-floor kick, 2000s radio pop, stereo guitar double track
3:44

Supercow's Lament
v4.5-all
Atmospheric progressive rock, alternative rock, and post-hardcore with 7-string drop-tuned guitars, syncopated odd-meter riffs, clean-to-screamed dynamics, and layered vocal harmonies, Polyrhythmic drums, punchy tom fills, sub-heavy bass, ambient synth pads, delay-drenched leads, and wide stereo choruses create a tense, expansive, high-impact mix
3:46

Wonder Chick
v4.5-all
power pop, polished pop rock, 120 BPM, handclap backbeat, layered electric guitars, chiming octave riff, syncopated bass guitar, piano stabs, tambourine accents, stacked harmonies, lead synth hook, crisp snare, stereo drum room, plate reverb, multiband compression, radio ready mix, celebratory uplift
3:13

Rowster Booster
v4.5-all
power pop, polished pop rock, 120 BPM, handclap backbeat, layered electric guitars, chiming octave riff, syncopated bass guitar, piano stabs, tambourine accents, stacked harmonies, lead synth hook, crisp snare, stereo drum room, plate reverb, multiband compression, radio ready mix, celebratory uplift
2:55

Iron Chickon
v4.5-all
power pop, polished pop, late 90s pop rock, Mandarin vocals, acoustic guitar strums, chiming electric guitar, punchy bass guitar, arena snare, layered gang harmonies, stereo chorus, plate reverb, tape saturation, radio compression, four-on-the-floor kick, driving 4/4, anthemic celebration, nostalgic warmth, bright synth accents
3:06

Black Sheep Bandit
v4.5-all
2000s pop rock, Japanese hip-hop, trap percussion, punchy live drums, syncopated hi-hats, thunderous sub-bass, textured bass stabs, chopped guitar riffs, synth brass stabs, octave bassline, crowd chant hooks, call-and-response ad-libs, tape saturation, sidechain pumping, wide stereo chorus, verse-drop contrast, halftime breakdown, anthemic energy
