Remixes

Progressive rock, retro-prog 70s & modern prog fusion, Inspired by Genesis (Foxtrot, Selling England by the Pound), Emerson, Lake & Palmer ( 70s), with modern clarity, Key instruments: Moog synthesizer arpeggios & melodic leads, Hammond organ riffs & wide chords, Drums: jazz-influenced, syncopated, with odd-time signatures, Bass: pedal tones and counter-melodies, driving but fluid, Guitars: clean to slightly overdriven, textural and melodic, not heavy metal, occasional solos but secondary to keys, Harmony: modal (mixolydian/dorian), avoid pop cadences (no I–V–vi–IV), Use I–bVII–IV progressions, pedal bass with changing upper chords, sus2/add4 voicings, Mood: epic, optimistic, adventurous, exploring, Structure: dynamic contrasts, instrumental interludes, Moog vs, Hammond call & response, atmospheric fade-out, dry to moderately dry, close-mic, slightly gritty/edgy, Narrative, prog-rock style

Opening with fast Spanish guitar and lively Flamenco claps, the song settles in verse 1 quickly into a progressive rock section where heavy, dynamic drums and bluesy distorted guitar intertwine in shifting time signatures, Verse 2 mellows with acoustic warmth, The chorus explodes with wide, open-cymbal prog rock, then urgency rises in Verse 3 as rhythm intensifies, The bridge brings a psychedelic synth haze under an impassioned female sprechgesang-vocal, with guitars veering into hard djent textures before resolving

A raw folk arrangement begins with deep bass vocals and expressive, weathered lead, surrounded by intimate a cappella harmonies treated with dry, subtle reverb, Sparse brushed acoustic guitar, gentle home toms, and a child's box-tapping rhythm layer warmth and authenticity

A progressive psychedelic dreamscape at 95 BPM opens with swelling analog synths, Wurlitzer and Hammond harmonies, and gentle bass pulses, Airy, multilayered female vocals—German shifting into English—drift with lush reverb and delay, Subtle Les Paul guitar solos weave in, glockenspiel-like synths sparkle, and organic instruments tangle with electronics as the song flows from a lullaby’s hush to soaring, dreamlike peaks, vocals echoing like memory fragments

The track opens with Japanese flutes and Irish whistles layered over lush nature ambience, Starts with Japanese haiku recitations and a Gregorian choir, Verses feature airy female vocals in Irish jig patterns, later growing richer, Alternating Mongolian drums, medieval ornaments, and pulsing techno-dubby bass thread transitions, Choruses expand with full haiku choir, hitting a midpoint peak of crushing doom guitars and wobbling bass, The climax weaves soaring synths and blended east-west textures, then drops to an outro of flutes, nature, and airy haiku choir, Tempo shifts dynamically from 70 to 120 bpm throughout

The rap-punk rock fusion launches with forceful, syncopated electric bass and aggressive distorted guitars, driving a relentless tempo, Verses feature rapid, half-shouted rap vocals over percussive glitch synths, The chorus expands with lush ambient pads, soaring chords, and bold vocals, ‑Schlager

Progressive Pop/Rock, with touch of NDW Falco in the Verse Tempo: ~120-140 BPM, 4/4 time signature Chorus elaborates more progressive epic, avoid hymn Instrumentation: electric guitars (Telecaster for solos), analog synths, punchy drums, bass, layered vocal harmonies, handclaps Production Notes: Aim for a polished, retro 1980s sound with dynamic transitions, synth flourishes, and a balance of rock energy and melodic hooks, Prioritize retro sounds—Telecaster guitars, analog synths, and lush pads, ‑-Schlager, ‑-Charts-Pop

The song opens with haunting piano backed by soft lo-fi drums and ambient textures, Whispered synth pads weave through sparse, distorted bass, The verse features manipulated field recordings, while the chorus subtly layers glitched electronics for an immersive, unsettling atmosphere Will be joined by different choirs from the different countries in their languages, Climaxing in the chorus to one big choir, And a solo voice of a clean male voice

double walking bass inro and muted trumpet long notes, west-African harp or Kora, deep frame drums, no other percussion, Female vocals, choir, world jazz

This 70s British Art Rock track bursts open with stately piano, lush layered vocal harmonies, and orchestrated guitars evoking tall ships, Melodic, harmonized lead guitars sweep in Brian May-style, interplaying with tight real drums, Dramatic shifts propel each section, balancing grandeur and introspection, rich in theatrical dynamics and complex vocal textures