Моя классика/ mes classiques

Instrumental classical piece in 18th-century French Baroque opera-ballet style, strongly dance-like, inspired by the ceremonial drum rhythms of the Grand Calumet scene, Focus on percussion: prominent field drums, tambourins and small drums playing a steady, repetitive ostinato with accented beats, almost tribal but still baroque, The rhythm must be very danceable and continuous from start to finish, without speeding up, Tempo: moderate dance tempo, not too fast, closer to Andante/Moderato than Allegro, no frantic or rushed feel, Above the drums, use baroque orchestra (strings, flutes, oboes, bassoon, natural trumpets) with simple, catchy patterns and short, ornamented melodies, Atmosphere: festive, processional, ritual and irresistible for dancing, No vocals, no modern or electronic sounds

Instrumental classical piece for solo piano: a dark, dramatic D minor fantasy with clear tempo progression and emotional development, Style: late-18th-century Viennese minor-key rhetoric, deep and expressive, no modern harmony, Tempo plan: begin Andante, solemn and searching, with bold minor chords, pauses and chromatic tension; then move into Adagio, introspective and cantabile, with a singing right-hand melody over flowing arpeggios; only after that switch to Presto, extremely virtuosic with rapid runs, wide arpeggios, trills, octaves, hand-crossings and sharp dynamic contrasts, leading to a luminous, cathartic coda in D major, Do not start fast, No vocals, only acoustic grand piano

Instrumental classical piece for solo piano: a dark D minor fantasy in a late 18th century Viennese style, The beginning must be very slow and mysterious: tempo Largo or very slow Andante, no faster, soft dynamics, wide pauses, sparse notes, dark harmonies, like walking through fog, Stay slow and enigmatic for a long introduction, at least the first half of the piece, with a singing melody and delicate arpeggios, Only after that, gradually move into a deeper Adagio, still slow but more emotional and expressive, Near the end, you may finally build to a short, brilliant fast climax with virtuosic runs and arpeggios, then return to a calm, resolved ending, No vocals, only acoustic grand piano, no modern or electronic sounds, ```

Instrumental classical piece for pipe organ in the style of a dramatic Baroque toccata and fugue in D minor, Begin with a powerful free toccata section: bold D minor chords, rapid arpeggios, dramatic pedal notes, sudden pauses, strong rhythmic gestures and dark cathedral ambience, Use full organ registration with rich, imposing sound, After the toccata, transition into a strict fugue: clear subject in D minor, contrapuntal voices entering one by one, steady pulse, rising tension, sequences, and pedal participation, Build to a majestic climax with full organ and powerful harmonic resolutions, No vocals, no modern instruments, only authentic pipe organ timbre in a grand acoustic space