4:35

Romantic Acoustic, catchy guitar peck on each verses &, but builds up rock on last adlib then an heavy emotional agressive double chorus ending with 2nd voice crosovers
4:24

Chalance
v4.5-all
Filipino indie-electronic, Up Dharma Down style, dreamy indietronica, atmospheric 80s synth pads and arpeggios, groovy driving basslines, subtle trip-hop beats at 98-105 bpm, post-rock shimmering guitar textures and swells, emotional female vocals with heavy reverb and longing melancholic tone, heart-wrenching introspective mood that's melancholic yet quietly danceable, polished intimate production, mid-tempo groove
3:17

3:54

Ver.2 Dungga Intawn, Inday
v4.5-all
folk, Bright romantic Vispop ballad with male vocals, gentle acoustic guitar as the backbone, light percussion and warm electric piano pads, Verses stay intimate and storytelling, pre-chorus adds syncopated strums and subtle bass, chorus blooms with layered male harmonies and soft shakers, Overall arc moves from tender longing to hopeful lift, keeping the hook front and center, bright, male vocals, acoustic pop, romantic
3:33

Puso Lang Ba Talaga 1
v4.5-all
pop, Glossy OPM synth-pop meets melodic R&B, midtempo groove, Clean electric piano and airy synth pads over a tight, bouncy drum pocket; subtle guitar licks in the verses, Male vocals start intimate and conversational, then soar in a lush, hooky chorus with stacked harmonies and a soft vocoder layer on key phrases, Bridge strips back to keys and vocal, then final chorus blooms with extra ad-libs and reverb tails for emotional lift, opm, r&b, male vocals, emotional
3:39

Lihim
v4.5-all
male vocals, filipino, blending acoustic guitar with subtle electronic textures for a modern yet raw emotional feel, electronic, heartfelt
3:54

Ghost in Daylight
v4.5-all
pop, Glossy 80s synthwave OPM vibe, male vocals bathed in plate reverb, Tight Linn-style drums and pulsing bass arpeggio keep it driving but spacious, with warm chorus guitars weaving in and out, Verses sit close and intimate, sparse keys and echoing tom fills; chorus blooms with stacked Tagalog-English harmonies and big gated snare, Final refrains pull instruments away, leaving vocal, pad, and a single nostalgic lead line to linger, opm, male vocals
3:39

pop, Glossy 80s synthwave OPM vibe, male vocals bathed in plate reverb, Tight Linn-style drums and pulsing bass arpeggio keep it driving but spacious, with warm chorus guitars weaving in and out, Verses sit close and intimate, sparse keys and echoing tom fills; chorus blooms with stacked Tagalog-English harmonies and big gated snare, Final refrains pull instruments away, leaving vocal, pad, and a single nostalgic lead line to linger, opm, male vocals
4:20

Hinga Sa Hangin
v4.5-all
pop, Retro 80s synthwave ballad, male vocals; glassy arps and warm analog pads over a steady mid-tempo drum machine groove, Verses stay hushed and close, bass pulsing like a heartbeat; choruses bloom with bright synth leads, stacked tagalog/english harmonies, and wide reverbs, Bridge strips to pad and vocal, then last chorus hits with octave-doubled lead and ad-libbed adoring runs, opm, romantic, male vocals
4:34

Hinga Sa Hangin
v4.5-all
pop, Retro 80s synthwave ballad, male vocals; glassy arps and warm analog pads over a steady mid-tempo drum machine groove, Verses stay hushed and close, bass pulsing like a heartbeat; choruses bloom with bright synth leads, stacked tagalog/english harmonies, and wide reverbs, Bridge strips to pad and vocal, then last chorus hits with octave-doubled lead and ad-libbed adoring runs, opm, romantic, male vocals
3:55

Ver.1 Dungga Intawn, Inday
v4.5-all
folk, Bright romantic Vispop ballad with male vocals, gentle acoustic guitar as the backbone, light percussion and warm electric piano pads, Verses stay intimate and storytelling, pre-chorus adds syncopated strums and subtle bass, chorus blooms with layered male harmonies and soft shakers, Overall arc moves from tender longing to hopeful lift, keeping the hook front and center, bright, male vocals, acoustic pop, romantic
2:59

Hi Kate
v4.5-all
folk, Playful bedroom pop on bright acoustic guitar and soft shaker groove, breathy male vocals up close on the mic, Verses stay intimate and conversational; chorus jumps with claps, stacked “ba-ba” harmonies, and a bouncing bass, Light synth pads bloom on the bridge before dropping back to just guitar and voice for a cheeky last hook, acoustic, pop, breathy, male vocals, romantic
2:19

Pahinungod Kang Katy
v4.5-all
folk, Bright acoustic bedroom vispop with male vocals; percussive nylon-string guitar, soft kick thump on the 2 and 4, and playful claps, Verses stay intimate and near-whispered, close-mic to catch every smile; chorus pops with stacked “gang vocal” hooks and sly Gen Z ad-libs, Light synth pad blooms under the bridge for a dreamy lift, then everything strips back to guitar and voice for the final hook, acoustic, bright, male vocals
3:18

Butterflies and Side-Eyes
v4.5-all
folk, Bouncy OPM pop with a playful retro shuffle groove; bright rhythm guitar and warm electric piano riding a walking bass, Male vocals up front, easy smile in the verses, then a big, sticky hook with stacked harmonies, Snappy drum fills lead into each chorus; middle-eight softens with airy pads before a key-lift final chorus and ad-libbed runs, pop, playful, opm, world, contemporary



