Пропаганда 🧲 glitchpunk [RU] · Vira L.

Begin with whisper-dominant female vocals, theta/alpha binaural tones, soft ambient pads (300–1000 Hz), and deep low-frequency pulses, At 2 min, layer in subtle angular guitars, minimal synth arps, and lightly modulated pads, From 4 min, light guitar distortion, micro-percussion, and a soft-clear vocal overlay emerge as intensity subtly builds, By 6 min, transition into an alt-pop/post-hardcore and pop-punk section—dynamic live drums, soaring guitars, anthemic hooks, and expressive vocals—while persistent mantra loops, micro-pauses, and gradual swells ensure an immersive, evolving texture throughout the 8-minute journey, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

Pop / Alternative Pop / Pop-Rock, full song, dynamic structure with calm and intense sections, energetic riffs and drums, melodic basslines, hooks designed for impact, expressive and controlled female vocals, tension and empowerment conveyed through phrasing, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

A mid-tempo adult alt-pop / pop-punk track built around a short, repeating rhythmic core that remains constant throughout the song, Tight live drums and a locked kick-bass pattern establish a stable groove with no tempo changes, The same rhythmic motif subtly returns in every section to create familiarity, Guitars stay muted and percussive in verses, opening slightly in choruses without full distortion or dramatic contrast, Synth layers are minimal, textural, and secondary, Energy increases only through small changes in density and layering, never through drops or explosive releases, Breaks are brief and controlled, preserving continuity, Vocals are close-mic’d, steady, and intimate, delivered at a consistent intensity with minimal effects, maintaining a sense of proximity and continuity until the end, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

This adult alt-pop / alt-rock track sits at mid-tempo with clean chorus guitars picking sparse patterns, understated dry drums and soft, pulsing bass, The arrangement leans minimal, layering textures subtly—gentle pads, muted percussion touches—without dramatic changes, Close, relaxed vocals float over short instrumental pauses, letting moments of silence create understated tension, The song closes with open voicings, instruments pulling back, leaving the mood unresolved yet quietly self-assured, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

This Russian alt‑rock/pop‑punk track sits at a rigid mid‑tempo 95 BPM with syncopated drums, driving bass pulses, and incisive chorus guitars that avoid solos entirely, The arrangement builds constant pressure: dry, close‑mic vocals without reverb, sharp percussive attacks, and strategic silences (1‑ to 4‑beat cuts) that act as structural breaks rather than fades, Compression is aggressive—5:1 on vocals, 10:1 in the bridge—creating a coercive, frontal sound, The chorus hits with full band intensity, drops to bass‑only for two bars, then returns with layered vocals pitched down, The bridge features saturated bass drone and whispered vocals close‑mic, The track ends with an abrupt instrumental fade, leaving no resolution yet quietly self‑assured, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

This Russian alt-rock track sits at a slow, rigid 85 BPM with atmospheric pads, minimal percussion, and deep subliminal theta tones at 5 Hz, The arrangement is intentionally sparse: no dramatic crescendos, no harmonic releases, Close-mic female vocals are deadpan, flat, with no vibrato and minimal reverb (0, 5s max), Delivery is quasi-spoken on verses with subtle layering (2 voices in canon) on choruses, Strategic silences structure the track: 2-beat pauses, 3-second drops to near-silence, and 4-bar instrumental sections with muted vocals, Compression is moderate (4:1 on vocals), The bridge pivots aggressively to full alt-rock/pop-punk/post-hardcore: distorted guitars, driving drums at 95 BPM, saturation spike (8:1) and 2-second total silence cut, The final chorus becomes an anthemic mantra repeated 3 times consecutively with triple vocal layering, no dynamic drop, distorted guitars, and abrupt drums cut at outro, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

This Russian alt-rock/pop-punk track sits at a rigid 85 BPM with muted percussion, dry bass pulse, atmospheric pads, acoustic guitar fingerpicking, and 5 Hz theta subliminal tones, Close-mic female vocals are deadpan, flat, with no vibrato and minimal reverb (0, 5s max), Delivery is quasi-spoken on verses and whispered on pre-choruses, Strategic silences structure the track: 1‑bar pauses, 2‑beat drops, 3‑second instrumental cuts to pads only, The bridge pivots aggressively to full alt‑rock/pop‑punk/post‑hardcore: distorted guitars, driving drums at 115 BPM, saturation spike (8:1), anthemic hooks, and 2‑second total silence cut, The final chorus becomes a mantra repeated 3 times consecutively with triple vocal layering (canon), distortion, no dynamic drop, and abrupt drums cut at outro, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

This Russian alt-rock/pop-punk track sits at a military 115 BPM with muted percussion, dry bass pulse, atmospheric pads, acoustic guitar fingerpicking, and 5 Hz theta subliminal tones, Close-mic female vocals are deadpan, flat, with no vibrato and minimal reverb (0, 5s max), Delivery is quasi-spoken on verses and whispered on pre-choruses, Strategic silences structure the track: 1‑bar pauses, 2‑beat drops, 3‑second instrumental cuts to pads only, The bridge pivots aggressively to full alt‑rock/pop‑punk/post‑hardcore: distorted guitars, driving drums at 115 BPM, saturation spike (8:1), anthemic hooks, and 2‑second total silence cut, The final chorus becomes a mantra repeated 3 times consecutively with triple vocal layering (canon), distortion, no dynamic drop, and abrupt drums cut at outro, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues

The song features close-miked, undistorted spoken vocals captured in an open, candid ambient setting—no reverb or glitch, only the essence of pure voice and quiet room sounds, Verses are driven by dynamic, syncopated, hook-laden pop punk fingerpicked acoustic guitar, intimate and percussive, with no drums, maintaining steady momentum and raw immediacy throughout, ‑deep male voice, ‑opera, ‑classical, ‑jazz, ‑blues