MURDER.AI | Stream 1

Pablocore, moaning, 67, 69, CorvusLikesDuck, So do I, blast

Pure bronze-age symphonic world-folk at a grand, ritual scale: Hurrian and Anatolian modes led by bone flute, droning mouth whistles, frame drums, hand claps, tribal group chants, and layered ahhhs, Mesopotamian low drones, bowed strings, lyre, oud, and ritual percussion build a dramatic, crowd-chant chorus in unison, ‑screaming, ‑squeeling, ‑screeching

pirate metal, folk metal, djent, progressive metal

Cinematic orchestral ballad featuring a prominent solo violin lead, The arrangement is built around a grand piano and a lush string section, The solo violin performs a lyrical, expressive melody with frequent vibrato and legato phrasing, The piano provides harmonic support with arpeggiated chords and steady quarter-note rhythms, The string ensemble enters with sustained pads and counter-melodies, building in dynamic intensity, A subtle glockenspiel adds high-frequency accents during melodic peaks, The piece is in 4/4 time with a tempo of 72 BPM in the key of G Major, The production features a large hall reverb, creating a wide stereo image and long decay tails on the violin and piano

Full Song, deathcore, technical death metal, aggressive male vocals

Ultra Brutal Technical Nu Metalcore, 95 BPM, Determined, Heavy, Drop C# Down-tuned Guitar, Deep Raw Guitar Tone, Controlled Distortion, Midrange Presence, Tight Low-End, Punchy Bass, Technical Drumming, Snare Ghost Notes, Tom Driven Grooves, Minimal Cymbals, Cymbal Accents Only, Punchy Transients, Wide Stereo Guitars, Controlled Reverb, Instrumental, ‑NO blues

trap, evolving, rap, hip hop, eerie, guitar, music box, harmonic, west coast rap

nu-metalcore, djent, metalcore, enraged deep vocals, powerful ringing vocalist, electric guitar chugging, distorted bass riffs, grand gothic melody, grim defiance, ominous fury mood, call and response, dark industrial

Raptor house, minimal techno, Venezuelan barrio underground, latin groove, BPM 133–137, hypnotic and stripped, Deep sparse house bassline locked in a dark latin groove, syncopated and rolling, Subtle 303 acid synth line, low in the mix, slowly morphing through filter sweeps, Minimalist four-on-the-floor kick, dry and precise, Afro-Venezuelan clave rhythm driving the percussion, maracas shaking softly, conga undertones felt beneath the mix, Timbales ghost hits, sparse and deliberate, Cold industrial synth pads, long and atmospheric, Silence used as tension, Vocals: whispered intimate Spanish ad-libs — "¡Dale suave, ", "¡Siente el ritmo, ", "¡Mueve el cuerpo, ", "¡Poco a poco, ", "¡Eso es, bailalo, " — hypnotic, close, warm, Slow gradual builds, no explosive drops, Deep latin soul, dark dancefloor, Minimal raptor house energy

nu-metalcore, djent, metalcore, Visual-gay, animecore, EDM/Electric death metal, K-pop, poggersive, deathcore, hypercore

Theatrical heavy metal in a minor key with galloping palm-muted riffs, eerie lead phrasing, and ominous clean guitar arpeggios, High-gain rhythm guitars clash with baroque organ and harpsichord flourishes, while drums toggle between restrained pulse and march-like grooves, Rooted bass, tension breaks, and dramatic lead vocals with sinister narration and piercing high-register belts

nu-metalcore, djent, metalcore, thall, industrial deathcore, nu-metalcore, 8-string djent, downtuned chugs, pick scrapes, dissonant ambience, glitch cutups, abrupt dead-stops, pitch shifted ambience, whistle screams, operatic wails, guttural lows, syncopated breakdowns, 140 BPM half-time, machine room reverb, stereo detune, cybernetic horror, apocalyptic defiance

Alt punk rock, indie rock, theatrical breathy male vocal, theatrical, silly, jazz, distorted guitar, waltz, half time

funky and catchy spooky upbeat symphonic and synth rock with ectofolk pop-like metal (non screamo) punch: semi-clean drop-tuned 8-string guitars, tight palm-muted chugs and horror film scores and symphonic influences, syncopated timpani kick-snare edits, subby 808s and 909s, glitch fills, and hard sidechain, Coldwave and Darkwave fused 80s synth-pop/new wave layers add analog Halloween polysynth pads and reverbed FM synth bell plucks, arpeggiated cellos and synths, cold icy synthwave leads, vocoder hooks, huge processed 80s chorus vocals, ‑live, ‑screamed, ‑screamo core, ‑screaming

Overdriven Fuzz Bass · Gritty Tube Bass, baroque rock colliding with urgent theatrical emo rock and pulsing synth chaos, Starts restrained but tense with harpsichord, chamber strings, Mellotron choir, tremolo guitar, Overdriven Fuzz Bass · Gritty Tube Bass, close dry vocal, tape hiss, sweet harmonies, and a quiet analog synth pulse, No piano, no accordion, The calm cracks quickly: downstroked guitars, fuzz bass, hard snare, marching toms, dirty claps, darker chord turns, distorted vocal doubles, and vocoder ghost layers answering key lines, Keep it raw, fast-breathing, black-suit energy, not polished musical theatre, Bridge drops to voice, clock ticks, low synth drone, then slams into urgent space rock: huge analog arps, wide distorted guitars, gang shouts, cracked high vocals, pounding drums, and a double-time final chorus, Baroque textures stay buried inside the noise, Calm ego sermon becomes a rough, desperate dominion anthem, Strange, catchy, damaged, urgent, 3:30 target

nu-metalcore, djent, metalcore

Powerviolence grindcore, ‑Pop Anthemic Choir Singalong

acoustic, emo, Indie pop with elements of alternative rock, Features a clean, slightly overdriven electric guitar playing a rhythmic, syncopated riff, A melodic bass guitar follows the chord progression with occasional slides, Drums consist of a tight snare, hi-hats, and a steady kick, Male vocals are delivered in a conversational, slightly deadpan style, shifting to a more melodic and layered chorus, The tempo is 115 BPM in the key of G major, The arrangement is sparse in the verses and builds with vocal harmonies and additional guitar layers in the chorus, The track ends with a repetitive vocal refrain over a minimalist guitar and bass accompaniment

Raw Acoustic, Vocal Trio, Harmonies, Intricate, Desert Nubidian Acoustic Heavy nu-metal, Dark Electro-steamfunk Dystopian, Arachnophobia, Spider Horror

2020s Era, 150 BPM, 4/4 Groove, Genre: Technical Thrash Metal, Brutal Thrash, Sub Genre: Nu Death Metal, Aggressive, High Energy, Acoustic Drums, Tight Precision, Fast Double Kick, Snappy Snare, Frequent Cymbal Accents, Technical Drumming, Complex Fills, Ghost Notes, Syncopated Kick Patterns, Ride Bell Accents; Drop C# Electric Guitars, High Gain Distortion, Raw Tube Amp Sound, Tight Low-End Control, Dense Low-Mids, Bright Aggressive Mids, Fast Alternate Picking, Palm Muting, Complex Riffing, Gallop Rhythms, Chromatic Runs, Technical Lead Runs, Rapid Downpicking, Syncopated Thrash Riffs, Sharp Stops, Dual Guitar Harmonies, Strong Pick Attack, Defined Note Separation; Bass: Prominent, Mid-Forward, Slight Grit, Independent Movement, Locks with Kick, Not Buried, Supports Low-End Weight; Vocals: Male, Aggressive Thrash Shout, Fast Rhythmic Delivery; Mood: Intense, Urgent; Mix: Punchy, Clear, Guitar Forward, Balanced Low-End, Humanized Timing, ‑clean vocals, ‑falsetto, ‑pop vocals, ‑edm, ‑synths, ‑electronic beats, ‑trap drums, ‑808s, ‑hip hop, ‑rap, ‑dj effects, ‑orchestral, ‑cinematic, ‑ambient pads, ‑autotune, ‑vocal chops, ‑metalcore, ‑djent, ‑progressive metal, ‑technical death metal, ‑blast beats, ‑tremolo picking, ‑slow tempo, ‑lo-fi, ‑soft rock, ‑acoustic ballad, ‑glossy production, ‑polished mastering