
UNMADE: Pieces of the Fractured Son
DEATHCORE // VOIDCORE // DOWNTEMPO // LEASH-SNAPPED // CATHARSIS
·
12 songs
3:14

Decay and Static
v4.5+
“Instrumental only, Slow, disgustingly heavy deathcore/beatdown track, 0F tuning, loose chugs, detuned, filthy bass, No melody, Include static, feedback, TV noise, breathing, household sounds (bottle, chair creak, arguing voices, retching/gagging), sub-bass drops, breakdowns, Pure filth, maximum discomfort, no groove or relief, ”, ‑cleans, ‑pop, ‑clean vocals, ‑synth, ‑EDM
4:34

3:43

UNSPOKEN // UNHOLY
v4.5+
This deathcore hybrid starts with TV static, warped home-video sample, and a heartbeat bass pulse, Drop F 8-string guitars grind with loose, rubbery chugs, off-pitch slides, and scraping dissonance, Overdriven bass stomps with bends, Sparse drums: echoey toms, a fractured snare, abrupt silences, Verses crawl with feedback and distorted samples, Breakdowns erupt with explosive chugs, sub-bass drops, reverse cymbal swells, and knife-edge dead stops, ‑cleans, ‑pop, ‑clean vocals, ‑synth, ‑EDM
3:00

Woundspitter
v4.5+
Style: deathcore x rap metal x industrial noise, BPM ~155, Tuning: Drop F, Guitars: filthy low-end chugs, panic chords, dissonant tremolo; sludge riffs for breakdowns, Bass: distorted clank, seismic subs on downbeats, Drums: frantic blastbeats, syncopated grooves, halftime slams; stuttering fills, Vocals: shouted rap flow, guttural lows, piercing highs; whispered venom layered in stereo, FX: radio static, glitch bursts, reversed breathing, metallic crashes, noise swells, Structure: ominous feedback intro → percussive verse → slam chorus → frantic rap verse → body-horror bridge → sludge breakdown → feedback/noise outro, Influence: Spite, Ghostmane, Traitors, Darko US, ‑cleans, ‑pop, ‑clean vocals
3:24

Ashes || Vile
v4.5+
‑Pop, ‑clean vocals, ‑cleans, ‑synth, ‑edm, ‑clean singing, ‑melody, ‑calm
4:26

5:25

Dirty Bloodline
v4.5+
Genre: Slamming Nu-Deathcore / Industrial Hybrid
Tempo: 86 BPM with halftime feel
Key: D Drop Tuning (Drop G or A)
Start with a distorted static hum and heartbeat pulse
First verse kicks in with a dragging, doom-drenched guitar riff — dissonant bends, chugs, ambient industrial noise layering
Bass slams beneath with synth grind — low, growling tone
Chorus hits with stacked chugs, layered screaming and gang vocals
Bridge features sudden drop-out, high-pitch synth screech, then an explosion of beatdown breakdown drums + gutturals
Breakdown groove is angular, unpredictable — like rusted metal tearing
Final outro ends with a looping warble, like an abandoned tape machine glitching into silence
4:49

Deathcore, 7 string guitar, blast beats, aggressive, hardcore, dynamic, complex, polyrhymthmic, perfect mixing, pig squeals, Demonic growls, female low growls in Chorus as backup
2:55

Came and Went
v4.5+
Drop F# deathcore guitars: slam riffs, panic chords, dissonant bends, Bass: clanking distortion + sub drops, Drums: machine-gun kicks, slam breakdowns, chaos fills, Vocals: guttural lows, piercing highs, venomous rap screams, stereo layering on chorus, FX: reversed hospital beeps, static swells, glitch noise, distortion collapse, Structure: spoken intro → chaotic verse/chorus → slam breakdown → outro static/verdict, Influences: Traitors, Darko US, VCTMS, Boundaries, Spite
2:31

At 4:30am
v4.5+
Drop F tuning, Guitars: dissonant slam riffs, glitch-picked panic chords, and low-end breakdown chugs, Bass: distorted, clanking, with sub drops mimicking heartbeat spikes, Drums: rapid blast beats, half-time gravity breakdowns, and machine-gun kick patterns layered under glitch FX, Vocals layered stereo: whispered spoken intro, guttural lows for verses, shrieked highs in choruses, FX: 4:30AM voicemail sample (degraded), reversed breathing, hospital static, old SMS notification pings, distorted female voice ("Are you eating right?"), Outro collapses into static and abrupt silence, Style: cinematic industrial deathcore + nu-metalcore venom, Influences: Traitors, VCTMS, Paleface Swiss, Spite, Sworn In, Darko US, ‑cleans, ‑pop, ‑clean vocals
4:16


