Best Artists~

moody sweet female vocals, psychedelic darkwave, Dark Bubblegum Pop, Alt pop, dark trap, electro emo beats, Charming instrumental, Lo-fi, deep base, chill dark lullaby, old music box

Rap, orchestral beats, orchestral instruments, melodic, smooth voice, deep bass, rapid-fire vocals, effortless, but still hits hard, heavy bass, powerful bass, cinematic, sad rap

A bold fusion: the track opens with jagged alt metal riffs and unpredictable time signatures, layered over spacious post-rock atmospherics, Avant-garde textures, polyrhythmic drums and guitar chugs—prepared piano, synth glitches—interlace with art rock dynamics, building from brooding verses to explosive, complex crescendos, Sound stage of heavy reverb

a song about a silly but crazy friend group teen like female vocals back and forth conversations like "hey look over there!" and back in forth into singing, slow start "hey pookie, " slower verses in upbeat bubbly chorus, crazy bridge into slower final chorus, into soft outro last line "THAT'S MINE" crazy :style; dark bubble gum pop, teen girls, madness, bounce drop, guitar, soft electric beats

Fabloo, dark bubblegum pop, bubblegum pop, electro swing, witch house, show tunes, darkwave, high energy, prog rock, mutation funk, absurd, chaos, alt pop, melodic dubstep, touhou, catchy melody

fast, witty alt-pop/nerdcore hybrid in E minor groove with a playful ii–V–I–vi chord cycle, The production is cartoonish and tongue-in-cheek: accordion leads, kazoo bursts, plunky synth stabs, and clattering percussion provide the comedic backbone, Vocals are delivered with rapid-fire patter and corny bravado, balanced by gang-shout choruses and exaggerated audience groans layered into the mix, The overall sound is both bouncy and awkwardly theatrical — a deliberate parody of comedy-rap bravado, leaning into its own cheesiness

female vocals, emotional, dark pop

Dark Dubstep, Sweet Melody, Dark Swing Pop, Electro Dance Pop, Dark Pop, Glitch Pop

dark Pop, Chaotic Electro Swing, jazz piano alt pop, Ominous dubstep, 1930s radio show, sampled sounds, catchy musical, charming male radio host singer, jazzy vocals, insane show tunes, weirdcore, glitchcore, horrorcore

sweet but sad female vocals, Playfully ominous pads and filtered vocal chops pulse over heavy, dark dubstep-influenced drums, setting a chilling tone, Verses meld glitchy alt pop synths with warped textures, Pre-chorus swells into lush future bass with kawaii blips, playful house rhythms, and eerie music box and psychotic synth stabs in a creepy-kawaii rave

acoustic guitar, dark bubblegum Pop, catchy, dark Wave, whimsical, dark synths, music box, alt pop, psychedelic, experimental, melancholic, bedroom Pop

Dark bubblegum Pop, catchy, experimental, alt pop, psychedelic, madness, chaotic, playful, trance, dark rave, witch house, ambient, lo-fi female singer

soft, moody, emotional female vocals, A catchy darkwave alt pop track opens with a playful music box motif, layered with delicate acoustic guitar plucks and a cute mbira riff, The nursery ambiance seeps in through softly panned baby toy percussion—rattles, bells, click-clacks—creating an eerie yet whimsical sonic landscape

Alt Pop, Babycore, Music Box, Creepy-cute synths, Playful Beats, Shy, sweet, female singer, charming ambiance, Dark Bubblegum Pop, Yume Kawaii, melancholic lullaby, haunting nursery rhyme, baby piano

A dark bubblegum dream pop duet between two female singers, both with fragile, emotional little-girl-style vocals, The first voice (GOD OF ANIME) sings in a soft, crying style, innocent but dramatic, The second voice (CUPCAKE) is also little-girl-like, but slightly sweeter and melodic, The song is structured as a back-and-forth conversation — each girl takes turns singing verses, then they join together in the chorus (BOTH), Lyrics focus on social anxiety, feeling out of place wanting to be more popular and seen the right way, instruments: soft electric beats, pop, catchy, emo, electric piano, both voices fade out on the last word popular, sad but with a little more confidence

female vocals, dark pop, slow, electronic

emotional metallic female vocals, dark bubblegum pop, soft

soft emotional female vocals, soft pop, slow, emotional

Sweet yet ominous vocals, warped with eeriaggressivdistortion and doubled by demonic echoes, float over playfully ominous pads and chopped, glitched vocal fragments that stutter like corrupted tapes, Everything pulses atop pounding horrorcore percussion, distorted electro-rave bass, and cinematic noise walls that slam into nu-metal crunch, Verses twist glitchy alt-pop into warped VHS textures, layered with toy piano jingles, carnival synths, and subtle tape hiss, Mascot-like vocal chops weave through, detuned and unsettling, as though the song itself is “smiling too wide, ” Pre-chorus surges upward into lush future bass, shimmering with glitchy blips, static bursts, and cute-screamo interjections, Playful house rhythms clash with psychotic synth stabs, while childlike music box melodies bend and distort, unraveling into something monstrous, The chorus detonates in eerie rave chaos, a collision of distorted melodies, screaming dubstep drops, VHS rewinds, and tape warps that stretch the

Progressive House, Deep house, EDM, Clubhouse, Echoing vocals FX, deep, trance, The track opens quietly and then becomes energetic

Seductive Dark-Pop / Electro-Dance, 120 BPM – smooth, hypnotic club pulse, Young male—rich lower register with falsetto lifts and sly whispers, Dark electro-pop / sultry dance-pop with a subtle R&B shimmer, Deep sub-bass, shimmering synth arpeggios, crisp electronic drums, airy reverb on whispers, Smooth young male lead; falsetto lifts on “Ring of Pride, ” layered background chants for an earworm effect, A slow-burn build with each section, ending in a glittering, endless fade that feels like being pulled deeper into temptation

Jumpy melody, flamboyant acute female vocal, alt art pop, waltzy EDM, dark hyperpop, subtle electro swing, experimental, pop punk, aesthetic, darkwave, dark bubble gum trap

Dark Jazz, Swing with a touch of Horror Cabaret, Upbeat yet sinister swing rhythm (think 1920s jazz mixed with eerie undertones), Upright bass plucking a walking line, Brassy trumpets with occasional growls, Ragtime piano with staccato flourishes, Subtle theremin and eerie choral whispers for a supernatural feel, Playful yet menacing, charmingly chaotic—like a carnival in Hell, Vocals should alternate between smooth, charismatic crooning and playful, sinister cackles, Occasional distorted radio static overlays to make it feel like it’s broadcast from Hell itself, young male voice, soft voice

dark pop, pop punk, pop, female vocals, raw guitar-driven energy with pulsing synth undertones; emotionally charged with a haunting edge, emo

electro flamboyant, playful, soft male vocals, sultry darkwave, dark bass, upbeat hyperpop, dark fusion, sensual EDM, madness, subtle tecno jazz, wonderland vibes, summer pop, catchy dark Indie pop, yandere, Creepy Playful House, ominously whimsical, random percussion

Begin with a delicate music box intro, layered with a baby piano and distant, tinkling childish synths, Playful, almost toy-like percussion meets experimental, ambient textures, The shy, sweet female vocal floats softly above a foundation of dark bubblegum pop beats, balancing melancholic lullaby motifs with a rare, charming, creepy-cute flair, Each section blends alt pop currents and yume kawaii dreaminess, all tied together by haunting nursery rhyme elements and catchy, playful hooks

Lo-fi dark bubblegum pop meets alt pop, Melodic Drum’n’Bass track with Brostep and glitch accents, featuring high-pitched airy female vocals with breathy whispers and melodic vocal chops, bounce drop, dubstep experimental, glitchy overlapping beats, Erie music box, creepy nursery rhyme, catchy

Emo Pop, Alt Pop, Dark Bubblegum Pop, Yami Kawaii, J-Pop, Darkwave, Female Vocals, Haunting Synths, passionte female vocals, melancholic

Fingerpicked acoustic guitar, sparse piano, low organ drones, upright bass, minimal percussion (brushes, soft taps), subtle synth pads, male vocals

Dark bubblegum pop, Japanese pop, introspective girl alone in a cozy dimly lit room, neon lights casting soft glows, diary and scattered papers around, headphones on, melancholy but whimsical

Opening with playful, bouncy bass and airy house rhythms, soft flamboyant male vocals ride atop warped hyperpop textures, Percussive hits and emotional, eerie synth flourishes inject bursts of randomness, while dark EDM undercurrents and catchy indie pop hooks drive a manic yet melancholic, exuberant rave groove

dark Pop, Chaotic Electro Swing, jazz piano alt pop, Ominous dubstep, 1930s radio show, glitchcore, sampled sounds, catchy musical, charming male radio host singer, jazzy vocals, insane show tunes, weirdcore, horrorcore

Ominous synths, Psychedelic Alt Pop, throbbing bass, EDM, High male vocals, seductive rave, reverb glitchcore, acid breaks, emotional rage, experimental

Dark bubblegum pop, alt rock, sadcore, catchy, sweet with a creepy vibe, dark, sweet female kid voice, dark, slow, creepy background piano, emo, piano, violin

[Music Tags: West Coast Hip Hop, G-Funk Bounce, Dubstep Bass, Horror Swing, Sinister Brass, Creepy Toybox Melodies, Playful Vocals, Distorted 808s, Glitch FX, VHS Noise, Music Box Horror, Sleigh Bells Rhythm, Christmas Hip Hop, Brutal Wub Drops, Dark Pop, Haunted Choir Layers, Monster Toy Mix]

Lo-fi chill pop with skweee undertone Very relaxed, dusty, imperfect texture Strong vinyl wobble, tape flutter, subtle hiss No cinematic feeling, purely cozy and minimal Lyrics focus only on marshmallow and hot chocolate Tempo / Key BPM: 69–71 (don't settle for too much, as it will have a certain amount of movement) Key: F Major (slightly muted chord feel) *G Major has more subdominants Instruments: Soft electric piano (slight pitch fluctuation) Ukulele (low cut + light compression) Warm sub bass (round, short) Lo-fi drums Muted kick Brushed/snapped clap Shuffled hi-hat with swing Vinyl noise / tape hiss (always faint) Arrangement Notes: Light quantization Vocals slightly behind the beat Don't add too many notes, even in the chorus Strip down the drums in the bridge to focus on noise