Arabeskler 2

[Genre: Classic Arabesk + Arabic/Misr fusion] [Tempo: 74 BPM] [Time Signature: 4/4] [Key: Kürdi with expressive Hicaz transitions] [Instruments: bağlama (dominant, wide stereo feel), kanun (expressive), ney (ambient), keman (emotional vibrato), darbuka & bendir (live Arabic feel)] [Mix: mono, vintage Turkish cassette vibe, saturated tape color, bağlama forward] [Vocal: Female, expressive, nostalgic Turkish arabesk tone, no autotune, no harmony, strong vibrato] [Prompt strictly embedded, never vocalized]

[Genre: Classic Turkish Arabesk with Arabic/Misir influence] [Tempo: 76 BPM] [Time Signature: 4/4] [Key: Hicaz scale with Kürdi motifs] [Instruments: bağlama (foreground and emotional), klarnet (melodic and expressive), kanun, ney, keman, darbuka, bendir] [Mix: mono, tape-saturated, vintage Turkish cassette sound] [Vocal: Male, broken and emotional tone, classic Turkish arabesk style, no harmony, no autotune] [Prompt is strictly embedded and never vocalized]

[Genre: Klasik Damar Arabesk/Arabic Style] [Time Signature: 4/4] [Tempo: 70 BPM] [Key: E minor] [Instruments: Bağlama, Keman, Ney, Kanun, Darbuka, Bendir] [Vocal: Eski tarz slow kadin vokal, yoğun vibrato, içli ve yürek yırtan ton]

[Genre: Klasik Damar Arabesk] [Time Signature: 4/4] [Tempo: 66 BPM] [Key: E minor (Hüzzam makamı)] [Style: Arabic Arabesk, Egyptian Arabesk] [Instruments: Bağlama (ön planda, derin tremolo), Keman (melismatik, ağlayan ton), Ney (slow taksimler), Kanun (hafif glissando), Darbuka (hafif syncopated), Bendir] [Vocal: Eski tarz slow erkek vokal, yoğun vibrato, içli ve yürek yırtan ton] [Mix: Mono vibe, analog tape, eski kaset sesi gibi]

[Genre: Klasik Damar Arabesk] [Time Signature: 4/4] [Tempo: 74 BPM] [Key: E minor] [Instruments: Bağlama, Keman, Ney, Kanun, Darbuka, Bendir] [Vocal: Eski tarz slow erkek vokal, yoğun vibrato, içli ve yürek yırtan ton]

[Genre: Klasik Damar Arabesk / Fantazi Arabesk] [Makamsal Yapı: Hicaz Makamı] [Tempo: 70 BPM] [Key: D minor] [Time Signature: 4/4] [Instruments: Bağlama (yoğun, önde), Keman (dolgun yaylar), Ney (ara geçişlerde), Kanun (arka plan), Darbuka, Bendir] [Vocal: Kadın vokal, içli, kırık ve hafif yanık tonlu, 90’lar kaset dönemi havasında, yoğun vibrato] [Mix: Mono vibe, analog tape hissiyatı, kaset dönemi lo-fi mix]

[Genre: Klasik Damar / Fantazi Arabesk] [Makamsal Yapı: Hicaz Makamı] [Tempo: 70 BPM] [Key: D minor] [Time Signature: 4/4] [Instruments: Bağlama (ön planda), Ney (hüzünlü taksimlerde), Keman (yoğun yaylar), Kanun (arka plan), Darbuka, Bendir] [Vocal: Kadın vokal, 1980’ler/90’lar nostaljik içli ton, güçlü vibrato, hiçbir efekt veya autotune olmadan] [Mix: Mono vibe, analog tape, kaset dönemi havasında]

[Genre: Klasik Damar Arabesk / Fantazi Arabesk] [Makamsal Yapı: Hicaz Makamı] [Tempo: 70 BPM] [Key: D minor] [Time Signature: 4/4] [Instruments: Bağlama (hüzünlü ve önde), Keman (yoğun yaylar), Ney (taksimlerde), Kanun (arka plan), Darbuka, Bendir] [Vocal: Kadın vokal, içli ve güçlü, hafif yanık ton, yoğun vibrato ile 90'lar arabesk tarzında)] [Mix: Mono vibe, analog tape hissiyatı, kaset dönemi boğuklukta, net solo vokal vurgusu]

[Genre: Turkish Arabesk, Intro with electronic bağlama, Female vocal, rich and emotional, mid-range tone (not high-pitched), Instrumental solos: kanun, ney, violin, Rising transitions, Tempo: ~74 BPM, ]

[Genre: Classic Turkish Arabesk] [Female vocal – soft but powerful, mid-tone, emotional] [Intro: Electronic bağlama solo] [Instruments: Keman, Kanun, Ney taksim – sequential solos] [Tempo: 74 BPM – not too slow] [Transitions: Emotional rise between verses] [Mix: Mono-style cassette sound, nostalgic, slightly muffled tone] [Outro: Instrumental only – no vocal] [Style: Inspired by 80s–90s female arabesk singers, dramatic delivery]

[Genre: Classic Turkish Arabesk] [Female vocal – soft, mid-low register, deeply emotional] [Intro: Electronic bağlama solo] [Instruments: Keman, Kanun, Ney – emotional taksim in sequence] [Tempo: 74 BPM] [Transitions: Gradual emotional lift between sections] [Mix: Mono-style, cassette-era sound, slightly muffled for nostalgia] [Outro: Instrumental only – no vocal] [Style: Heavy 80s/90s arabesk influence, dramatic and broken-hearted tone]

[Genre: Classic Turkish Arabesk Duet][Vocal 1: female, warm and expressive, mid-low register][Vocal 2: male, deep and emotional, slightly cracked tone][Intro: Electronic bağlama solo][Taksims: Keman → Kanun → Ney sequential solos in interludes][Tempo: 75 BPM][Structure: emotional build-ups, rising transitions][Mix: Mono nostalgic tape vibe][No vocal section labels or names in lyrics]

[Genre: Classic Turkish Arabesk Duet][Vocal 1: female, strong and broken emotional tone][Vocal 2: male, deep, cracked and dramatic][Intro: Electronic bağlama solo][Instruments: Bağlama dominant, Taksims: Keman → Kanun → Ney sequential in bridges][Tempo: 76 BPM][Mood: Harsh, bitter, dramatic][Mix: Mono tape style, cassette-era feel][No vocal section labels or names in lyrics]

[Genre: Classic Turkish Arabesk Duet][Vocal 1: female, expressive, slightly sarcastic tone][Vocal 2: male, hurt yet composed, deep emotional tone][Intro: Electronic bağlama intro][Instruments: Bağlama upfront, Keman → Kanun → Ney Taksims in bridges][Tempo: 77 BPM][Mood: Sarcastic, bitter-sweet, emotionally heavy][Mix: Mono nostalgic tape style][No vocal section labels or names in lyrics]

[Genre: Classic Turkish Arabesk][Vocal: female, mid-range, emotional and cracked tone][Intro: Electronic bağlama solo][Instruments: bağlama, keman, kanun, ney taksim (in separate transitions)][Tempo: 76 BPM][Mood: strong, bitter, sorrowful][Mix: mono, nostalgic cassette style][No vocal section labels in lyrics – everything should flow as poetry]

[Genre: Classic Turkish Arabesk][Mood: emotional, melancholic, nostalgic][Tempo: 72 BPM][Instruments: bağlama, kanun, keman, ney, darbuka, bendir][Vocal: male, broken and heartfelt tone, like Müslüm/Ferdi][Mix: mono, cassette tape texture][Structure: no vocal section labels, lyrics flow continuously][Intro/Outro: no vocals, only instrumental][Transitions: emotional rises with kanun/ney taksims]

[Genre: Classic Turkish Arabesk][Mood: melancholic, emotional, tragic][Tempo: 72 BPM][Instruments: bağlama, kanun, ney, keman, darbuka, bendir][Vocal: male, broken, Müslüm/Ferdi style][Mix: mono, cassette-era style][No vocal section labels in lyrics][Instrumental intro and outro][Dynamic transitions with kanun and ney solos]

[Genre: Classic Turkish Arabesk][Mood: emotional, broken, longing][Tempo: 72 BPM][Instruments: bağlama, kanun, ney, keman, darbuka, bendir][Vocal: female, soft but emotional, low register][Mix: mono, cassette-era style][No vocal section labels in lyrics][Instrumental intro with kanun][Mid-section taksim with ney and keman][Outro enstrümantal only]

[style] Deep and emotional classic Turkish arabesk, 90s cassette vibe, no modern elements, [instrumentation] Acoustic bağlama, kanun, ney, keman, darbuka, bendir, No synth, no guitar, [vocal] Broken and emotional male voice, Müslüm Gürses/Ferdi Tayfur style, mono texture, [structure] Naturally flowing verses, no labels in lyrics, No intro/outro tags, [tempo] 74 BPM, slow but steady, not dragging, [mix] Mono nostalgic cassette feel with soft muffled highs, warm low-end, [mood] Dark, heartbroken, proud yet destroyed

[Genre: Classic Turkish Arabesk Duet][Vocal 1: female, warm and expressive, mid-low register][Vocal 2: male, deep and emotional, slightly cracked tone][Intro: Electronic bağlama solo][Taksims: Keman → Kanun → Ney sequential solos in interludes][Tempo: 75 BPM][Structure: emotional build-ups, rising transitions][Mix: Mono nostalgic tape vibe][No vocal section labels or names in lyrics]

Create a deeply emotional and passionate Turkish ballad inspired by Mustafa Keser’s "Tutku, " The song should be in D minor with a tempo of approximately 95 bpm, reflecting the Hicaz makam’s melancholic and dramatic mood, Use a 4/4 rhythmic pattern with traditional Turkish instruments such as kanun, oud, violin, and darbuka, blended seamlessly with modern piano and bass for a rich harmonic texture, The vocal must be a powerful, expressive male voice with nuanced dynamics, conveying intense love, longing, and burning passion, Include vocal techniques like subtle vibrato and emotional phrasing to capture the heartfelt essence of the song, Structure the composition with an emotive intro, alternating verses and choruses, a reflective bridge, and a stirring final chorus that leaves a lasting impression, The melody should be memorable and evoke a sense of yearning and deep connection, just like the original "Tutku, "

Create a deeply emotional and passionate Turkish ballad inspired by Mustafa Keser’s "Tutku, " The song should be in D minor with a tempo of approximately 95 bpm, reflecting the Hicaz makam’s melancholic and dramatic mood, Use a 4/4 rhythmic pattern with traditional Turkish instruments such as kanun, oud, violin, and darbuka, blended seamlessly with modern piano and bass for a rich harmonic texture, The vocal must be a powerful, expressive male voice with nuanced dynamics, conveying intense love, longing, and burning passion, Include vocal techniques like subtle vibrato and emotional phrasing to capture the heartfelt essence of the song, Structure the composition with an emotive intro, alternating verses and choruses, a reflective bridge, and a stirring final chorus that leaves a lasting impression, The melody should be memorable and evoke a sense of yearning and deep connection, just like the original "Tutku, "

[Genre: Classic Turkish Arabesk Duet][Vocal 1: female, warm and expressive, mid-low register, rising intensity][Vocal 2: male, deep and emotional, slightly cracked tone with anger][Intro: Electronic bağlama solo][Taksims: Keman → Kanun → Ney sequential solos in interludes][Tempo: 75 BPM][Structure: emotional build-ups, rising transitions, sharp dynamic contrasts][Mix: Mono nostalgic tape vibe][No vocal section labels or names in lyrics]

[Genre: Classic Turkish Arabesk] [Vocal: female, emotional and cracked, mid-low register] [Tempo: 74 BPM] [Instruments: bağlama (intro & pre-chorus transitions), kanun, ney, keman, darbuka, bendir] [Structure: bağlama intro, bağlama pre-chorus motifs, interlude taksims: keman → kanun → ney] [Mood: broken, regretful, heavy emotional atmosphere] [Mix: mono, nostalgic cassette-era style] [No vocal section labels or character names in lyrics] [No vocal reading of instructions – technical prompt only]

[Genre: Classic Turkish Arabesk] [Vocal: male, emotional, cracked and deep tone] [Tempo: 74 BPM] [Instruments: bağlama (dominant in intro, pre-chorus and outro), kanun, ney, keman, darbuka, bendir] [Structure: bağlama intro, bağlama pre-chorus transitions, outro with bağlama fade] [Mood: broken, regretful, heavy and dark] [Mix: mono nostalgic tape-style, 90s arabesk cassette atmosphere] [No vocal section labels in lyrics, no instruction reading]

[Genre: Classic Turkish Arabesk] [Vocal: female, emotional and cracked, mid-low register] [Tempo: 74 BPM] [Instruments: bağlama (intro & pre-chorus transitions), kanun, ney, keman, darbuka, bendir] [Structure: bağlama intro, bağlama pre-chorus motifs, interlude taksims: keman → kanun → ney] [Mood: broken, regretful, heavy emotional atmosphere] [Mix: mono, nostalgic cassette-era style] [No vocal section labels or character names in lyrics] [No vocal reading of instructions – technical prompt only]

[Genre: Classic Turkish Arabesk] [Vocal: male, deep, broken, emotional tone] [Tempo: 73 BPM] [Instruments: bağlama (intro, pre-chorus & outro emphasis), keman, kanun, ney, darbuka, bendir] [Structure: bağlama-heavy intro, bağlama cues before emotional peaks, ending with bağlama solo fade] [Mood: tired, defeated, emotionally heavy] [Mix: mono nostalgic tape-style, 90s cassette quality] [No vocal section labels in lyrics, no instruction reading]

[Genre: Classic Turkish Arabesk] [Mood: broken, emotional, lonely] [Tempo: 74 BPM] [Instruments: bağlama (lead), kanun, ney, keman, darbuka, bendir] [Vocal: female, soft, cracked emotional tone] [Mix: mono, cassette-style] [Instrumental intro with bağlama] [Taksim section between verses: kanun → ney → keman solos (not sung)] [Outro: bağlama-only instrumental]

[Genre: Classic Turkish Arabesk] [Mood: emotional, lonely, broken] [Tempo: 73 BPM] [Instruments: bağlama (front and center in intro, choruses, outro), kanun, ney, keman (supportive), darbuka, bendir] [Vocal: female, soft but emotional, low register, dramatic delivery] [Mix: mono, cassette-era nostalgic tone] [No vocal section labels or musical directions should appear in lyrics] [Instrumental intro with bağlama only – no yaylıs] [Bağlama emphasized before and after each chorus] [Outro: bağlama-led enstrümantal fade]

[Genre: Classic Turkish Arabesk] [Mood: emotional, broken, hopeless, smoky] [Tempo: 72 BPM] [Instruments: bağlama (main and solo), kanun, ney, keman, darbuka, bendir] [Vocal: male, emotional, cracked tone] [Mix: mono nostalgic cassette style] [Intro: extended bağlama solo] [Section transitions with bağlama solos] [Mid-section taksim with ney and keman, sequential solos] [Outro: bağlama instrumental only] [No vocal section labels or prompt data should appear in lyrics]

[Genre: Classic Turkish Arabesk] [Mood: broken, emotional, lonely, sincere] [Tempo: 72 BPM] [Instruments: bağlama (main and solo), kanun, ney, keman, darbuka, bendir] [Vocal: female, soft but emotional, low-mid register] [Mix: mono nostalgic cassette style] [Intro: extended bağlama solo] [Nakarat ve geçişler bağlama sololarıyla belirginleşmeli] [Mid-section taksim with keman → kanun → ney, in sequence] [Outro: bağlama instrumental only] [No vocal section labels or prompt data should appear in lyrics]

Türkçe romantik düet, Kadın ve erkek vokal, Bağlama ön planda, yaylılar eşlik etsin, Sevecen, duygusal, Aşağıdaki sözleri kullan, [ ] içindeki başlıklar asla okunmasın

[Genre: Classic Turkish Arabesk] [Mood: painful, bitter, heavy heartbreak] [Tempo: 72 BPM] [Instruments: bağlama (solo intro, interludes, outro), darbuka, bendir – deep hits] [Vocal: female, cracked emotional tone, strong low-mid register] [Mix: mono, cassette-era quality, slightly boomy] [Intro: bağlama solo, intense and sharp] [Interlude taksims: bağlama only, hard and expressive] [Outro: bağlama solo ending with an abrupt silence] [No modern instruments, no vocal prompt labels in lyrics]

[Genre: Classic Turkish Arabesk] [Mood: emotional, broken, longing] [Tempo: 74 BPM] [Instruments: bağlama (intro, interludes, outro), darbuka (light rhythmic layer), keman (subtle background)] [Vocal: male, emotional, slightly cracked, Müslüm/Ferdi style] [Mix: mono, cassette-era saturation, hiss and warmth] [Intro: bağlama solo – içli ve slow giriş] [Interludes: bağlama taksims – kısa ve hissiyatlı, altta hafif darbuka] [Outro: bağlama – fade-out, tek tek tınlayan ezgiler] [No vocal section labels or prompt text in lyrics]

[Genre: Classic Turkish Arabesk] [Mood: pişmanlık, sertlik, acı] [Tempo: 73 BPM] [Instruments: bağlama (intro, transitions, outro only), darbuka (light), ney (arka planda derinlik)] [Vocal: male, broken, low, ferdi baba tarzı] [Mix: mono, vintage cassette tone] [Intro: bağlama solo – tok ve sert giriş] [Mid transitions: bağlama – net geçişler, altta darbuka] [Outro: bağlama – kısa ve keskin final] [No vocal section labels or prompt text in lyrics]

[Genre: Classic Turkish Arabesk] [Mood: emotional, broken, longing] [Tempo: 72 BPM] [Instruments: bağlama (intro, geçiş ve outro), keman, kanun, ney, darbuka, bendir] [Vocal: female, soft but emotional, low register] [Mix: mono, cassette-era style] [No vocal section labels or instrument action in lyrics] [Instrumental intro, transitions and outro with bağlama only] [Mid-section taksims with keman, kanun, ney]

Genre: Classic Turkish Damar Arabesk Time Signature: 4/4 Tempo: 72 BPM Key & Makam: Hicaz Instruments: Dominant bağlama with a melancholic tone, rich violin (keman) with lush bowing, expressive ney solos between vocals, subtle kanun as background, darbuka and bendir for rhythm Vocal Style: Deep, emotional male vocal with intense vibrato, classic 70s-80s cassette era sound Mix Style: Mono vibe with analog tape saturation, nostalgic vintage feel, warm and intimate atmosphere No modern instruments (e, g, no electric guitar, synth, or drum kit) Prompt texts to remain hidden and not vocalized

[Genre: Classic Arabic Style Arabesk, Egyptian Damar Arabesk] [Time Signature: 4/4] [Tempo: 66 BPM] [Key: E minor (Hicaz Makam)] [Instruments: Electro bağlama (intro and fills), Ney (emotional solos), Soft background Keman, Kanun (subtle background texture), Classic Darbuka and Bendir rhythm] [Vocal: Deep, emotional, old-style female vocal with strong vibrato, reminiscent of 70s-80s Turkish arabesk] [Mix: Mono, analog tape, cassette vibe] [Style reference: Ferdi Tayfur – "Düştüm Yine Çaresiz Gurbetin Yollarına", Ahmed Adaweya – Egyptian arabesk feel]

[Genre: Classic Damar Arabesk] [Time Signature: 4/4] [Tempo: 76 BPM] [Key: E minor] [Instruments: Electronic Saz (Bağlama) dominant, Keman, Ney, Kanun subtle, Darbuka & Bendir rhythmic support] [Vocal: Male, deep & broken, intense vibrato, emotionally raw] [Mix: Mono, nostalgic tape-sound warmth] [Structure: Emotional build-ups, bağlama intro & interludes, no instrument actions in lyrics]

[Genre: Classic Damar Arabesk] [Time Signature: 4/4] [Tempo: 80 BPM] [Key: A Major] [Instruments: Bağlama (dominat), Keman, Kanun, Ney, Darbuka, Bendir] [Vocal: Male, nostalgic, deep emotional vibrato] [Mix: Mono, vintage tape warmth] [Prompt Visibility: Silent – never sung in lyrics]

[Genre: Classic Turkish Arabesk] [Style: 1980s cassette-era, heavy emotional, deep vibrato] [Tempo: 68 BPM] [Key: Kürdi] [Time Signature: 4/4] [Instruments: Electro bağlama intro & taksim, kanun, keman, ney, darbuka, bendir (no modern instruments)] [Vocal: Female, broken and dramatic voice, Bergen/Muazzez Ersoy style, full emotional expression] [Outro: Electro bağlama taksim fading slowly]

[Genre: Classic Turkish Arabesk] [Style: 1980s–90s Ferdi Tayfur & Müslüm style, heavy emotional] [Tempo: 72 BPM] [Key: Hicaz] [Time Signature: 4/4] [Instruments: Electro bağlama intro & taksim, kanun, keman, ney, klarnet, darbuka, bendir (no modern instruments)] [Vocal: Male + Female duet, dramatic & broken, emotional, Bergen & Müslüm style] [Outro: Electro bağlama taksim fading out]

[Genre: Classic Turkish Arabesk] [Style: Orhan, Müslüm, Ferdi Tayfur 1980s–90s style] [Tempo: 72 BPM] [Key: Hicaz] [Time Signature: 4/4] [Instruments: Electro bağlama intro & taksim (main lead), kanun (highlighted before chorus & mid sections), keman (long heavy strings), ney (background emotional phrases), klarnet (supporting fills), darbuka & bendir rhythm, No modern instruments, ] [Vocal: Female lead + Male duet, emotional, broken, kaset dönemi vibe, Bergen & Müslüm atmosphere] [Mix: Mono, slightly muffled, nostalgic tape cassette feel] [Outro: Electro bağlama taksim fading into silence]

Style: Classic Turkish Arabesk (Hicaz makam) Tempo: ~73 BPM, kaset dönemi mono vibe, boğuk ve nostaljik miks Vocals: Female & Male duet (dramatic, broken tones, strong emotions) Instruments: Electro bağlama (intro + interludes), Kanun (melodic lines, clearly audible), Keman (layered, crying texture), Ney (background support), Darbuka & Bendir (soft rhythmic base) Atmosphere: Heavy, dramatic, painful, traditional arabesk style (Orhan, Müslüm, Ferdi Tayfur influence) Arrangement: Electro bağlama intro → Female verse → Duet chorus → Male verse → Duet chorus → Kanun taksim → Bridge (female) → Final chorus (duet, powerful) → Fading bağlama outro

Classic Turkish Arabesk, female vocal, Hicaz mode, theme: longing (hasret), Arrangement: emotional, cassette-era mono vibe, dramatic and deep, Instruments: electro bağlama intro and interludes, kanun fills, keman section, ney background, darbuka and bendir for rhythm, Tempo: 73 BPM, Atmosphere: heavy, emotional, melancholic, deeply sorrowful, Mix: old-school arabesk, no modern pop elements, Outro: instrumental electro bağlama taksim fading out slowly

Female vocals, classical Turkish arabesk, Hicaz makam, heavy emotional style, slow tempo, traditional instruments only (baglama, kanun, ney, darbuka, bendir, violin optional), no modern instruments, Intro with electro-baglama motifs, instrumental bridges and outro only, Recording style: mono vintage, cassette-era warm tone, Emphasis on clear, powerful female voice, Background: Kanun fills, subtle ney passages, soft darbuka rhythms, BPM ~72-74, slow but flowing, dramatic yet clean arabesk mood, Do not include prompt in vocal or lyrics

Male vocals, classical Turkish arabesk, Hicaz makam, deep emotional style, slow tempo, traditional instruments only (baglama, kanun, ney, darbuka, bendir), no modern instruments, Intro with electro-baglama motifs, instrumental bridges and outro only, Recording style: mono vintage, cassette-era warm tone, Emphasis on clear, powerful male voice with deep, broken timbre, Background: Kanun fills, subtle ney passages, soft darbuka rhythms, BPM ~72-74, slow but flowing, dramatic and emotional arabesk mood, Do not include prompt in vocal or lyrics

Male vocals, classical Turkish arabesk, Hicaz makam, emotional love theme, slow to moderate tempo, traditional instruments only (baglama, kanun, ney, darbuka, bendir), no modern instruments, Intro with electro-baglama motifs, instrumental bridges and outro only, Recording style: mono vintage, cassette-era warm tone, Emphasis on clear, powerful male voice with deep, broken timbre, Kanun fills and subtle ney passages supporting the melody, BPM ~72-74, slow but flowing, dramatic and emotional arabesk mood, Do not include prompt in vocal or lyrics

Duet vocals: male and female, classical Turkish arabesk, Hicaz makam, theme of love and happy ending, moderate tempo, traditional instruments only (baglama, kanun, ney, darbuka, bendir), no modern instruments, Intro with electro-baglama motifs, instrumental bridges and outro only, Recording style: mono vintage, cassette-era warm tone, Emphasis on deep, broken male voice and sweet, emotional female voice, both clear and powerful, Kanun fills and subtle ney passages supporting the melody, BPM ~72-74, slow but flowing, dramatic yet joyful arabesk mood, Do not include prompt in vocal or lyrics