The Badfatler

ska pop, lo-fi emo trap, modern ska punk

emo, midwest emo, complex, twinkly guitar, raw emotional vocals, math rock

shoegaze, post-punk revival, dream pop, ballad, 78 BPM, B Minor, washed-out reverby guitars, layered ambient synth pads, floor toms+snare, melodic bassline, ethereal double-backed duet vocals

gothic grandeur, drift phonk, Psychotronic Music, aggressive industrial bass deep distorted bass, cyberpunk, twisted euphoria, grunge rock, distorted guitars over synth bass, gritty, emotional, vaporwave haze, post-rock dynamism, dynamic tempo shifts, low frequency drones, evolving soundscape, futuristic, dystopian, melancholic undertones, drift phonk, moody, psychedelic proto-punk, dark ambience, immersive, Hi-Tech, Low-Life, Hi-Fi Dolby Atmos Surround Sound

classic two-tone ska, 4th-wave American ska punch, modern Japanese ska precision, J-Jazz, Minor-key; brisk ~160 BPM two-step skankin, Tight horn section (trumpet/trombone/tenor sax) trading call-and-response riffs and unison runs; spring-reverb organ, offbeat guitar upstrokes, marimba accents, walking sub-bass with brief dub dropouts, smooth and rich baritone lead vocal, horrorpunk vocals; backing gang shouts, call-and-response ad-libs, theremin, vibraphone gliss, glockenspiel, subtle tape slapback; playful-eerie, campy-cinematic, punchy drums, bass forward, horns upfront, crisp guitars, end on big horn stabs with a crowd-chant tag, ‑harsh vocals, ‑screaming

tape hiss, acoustic midwest emo, acoustic emo rap verse, lo-fi indie, soft math rock, intimate

organic house, acoustic house, tribal, ritual, warm deep kick with earthy percussion, layered djembes, congas, shakers, and handclaps, woody bass groove, soft-mallet marimba and plucked synth textures, banjo, deep male lead vocals with call-and-response vocal hooks and distant crowd chants, subtle atmospheric field recordings, hypnotic and human