Jealousy Looks Good On You

• Young Male Voice • Natural, Conversational, Slightly Breathy But Controlled • Talk-Singing In Verses (Rhythmic, Thought-Like Delivery) • More Melodic But Still Grounded In Choruses • Acting-Focused (Storytelling Over Vocal Showiness) • Bridge Becomes Fully Sung, More Open And Emotional (Less Talk-Singing, More Sustained Notes And Lift) ⸻ Instrumentation: • Piano-Driven • Light Electric Guitar + Bass + Drums • Subtle Build (No Heavy Orchestral/Cinematic Swelling) • Keep It Clean, Modern, Slightly Indie Pop-Rock • Optional Light Ambient City Texture At The Start (Very Subtle) • Slight Instrumental Lift In Bridge (Fuller Drums, Warmer Guitar Layers, But Still Controlled — Not Explosive) ⸻ Tempo: Mid-Tempo (Walking Pace, ~85–100 BPM) Should Feel Like Walking Through New York While Thinking Out Loud

Male vocal, soft contemporary musical theatre ballad (Rent x Mean Girls vibe), Gentle piano-led with light strings, intimate and emotional, A quiet “walking home” moment after saying yes to a first date, while struggling with long-term unrequited love for a best friend he’s loved for years but knows he can’t have, Vocals: soft, conversational, slightly breathy with subtle emotional cracks, No big belting—keep it restrained and heartfelt, Structure: short intro → verse → catchy, repeatable chorus hook → brief emotional build → soft, unresolved ending, Chorus hook idea (important for melody): “Trying to move on / but it’s always you” or “I said yes to him / but I’m still with you” Mood: aching, nostalgic, longing, quiet heartbreak, growing up, unrequited love Style keywords: intimate, melodic, emotionally sticky, soft but impactful

chaotic musical theatre solo, female voice leaving a fast-paced comedic voicemail, witty sarcastic energy, conversational singing, playful chaos with emotional undertones, builds to heartfelt confession

Male vocal, teenage voice, emotional and slightly shaky but expressive, Style inspired by Rent, Mean Girls the Musical, and modern pop-rock musical theatre, Upbeat but chaotic energy with dynamic shifts between soft internal thoughts and explosive chorus moments, Piano-driven with layered guitars, light synth, and percussive build, Starts controlled and polite, gradually becomes frantic, messy, and overwhelmed, The song is about a boy on his first date trying to act normal, but his phone keeps blowing up with messages from his best friend, making him confused, flustered, and emotionally spiralling, Tone is humorous, chaotic, slightly panicked, with underlying emotional vulnerability and confusion about feelings, Include spoken-sung sections, fast lyrical pacing, and moments of internal monologue, Build intensity with each chorus, Bridge should slow down briefly for realization, then explode into final chorus, Key lyrical themes: first date awkwardness constant phone notifications “w

Upbeat theatrical pop, Broadway-style ensemble, inspired by Mean Girls Musical and Rent, fast-paced, witty, dramatic, comedic tone Mood: Chaotic, sarcastic, high-energy, emotionally confused but funny, building frustration with underlying care Tempo: Fast (140–160 BPM), rhythmic spoken-sung verses with explosive chorus Vocals: Male lead (teen/young adult voice), expressive, slightly exasperated, talk-singing in verses, strong melodic belts in chorus, occasional spoken lines for comedic effect Structure: Verse → Pre-Chorus → Chorus → Verse → Bridge → Break (spoken) → Chorus → Final Build → Outro Instrumentation: Punchy drums, bright piano, electric guitar accents, pop synth layers, theatrical stabs, dynamic rises into chorus Extra Details: • Emphasize sarcasm and internal monologue energy • Include pauses for comedic timing (“…Yes, ” / “…Oh no, ”) • Chorus should feel big, catchy, and slightly dramatic • Bridge softens briefly before ramping back up • Outro ends with a comedic

Style: Pop-rock musical theatre, Mean Girls meets RENT, male vocal, conversational and emotionally driven Mood: Awkward panic → overthinking → confusion → quiet, genuine realization Vocal style: Young male voice, talk-singing in verses (fast, slightly breathless, anxious), transitioning into more open, emotional singing in choruses and especially the bridge Instrumentation: Piano + light electric guitar + bass + drums, starting minimal and building gradually, with a stripped-back bridge and a soft amotional swell at the end

Style: Pop-rock musical theatre, Mean Girls meets RENT, male vocal, emotionally charged with sharp lyrical delivery Mood: Hurt → jealousy → frustration → controlled anger → quiet, petty confidence Vocal style: Young male voice, starts restrained and tight (almost holding emotion back), builds into raw, emotional power in choruses, slight edge/bitterness in tone Instrumentation: Piano + electric guitar + bass + drums, slow build from soft piano into fuller pop-rock sound, dynamic shifts (strip back in bridge, punchy final chorus), subtle 80s undertone Tempo: Mid-tempo (driven but emotional, not rushed) Key lyric hooks to include: “You said I was jealous” “And then you send me that” “It’s just a photo / just you and her” “You look happy” “yeah? i am” “doing everything right still hurts the most” “You don’t get to call me jealous / then prove me right” “felt cute, might ignore some people later, ” Balance controlled emotion with sharp delivery—this isn’t explosive at first, it simmers

Style: Pop-rock musical theatre fusion, Mean Girls Broadway meets RENT, male vocal, rhythmic and witty with emotional grit underneath Mood: Fast-talking denial, sarcastic humor, rising internal panic → cracks into genuine vulnerability and confusion Vocal style: Young male voice, talk-singing in verses (quick, clever, slightly breathless), building into more raw, open, emotional singing in choruses and bridge Instrumentation: Piano + electric guitar + bass + drums, upbeat pop-rock groove with occasional stripped-back moments, dynamic shifts between punchy sections and raw emotional beats Tempo: Mid-tempo (driving but with space for emotional pauses) ⸻ Theme / Story: Mike gets a notification—Will sent/posted a shirtless photo, He tries to joke it off and stay normal

Contemporary musical theatre, pop-rock Broadway style, inspired by Rent and Mean Girls musical, male vocal, youthful voice Mood: Desperate, frustrated, emotionally overwhelmed, confrontational, unresolved tension, late-night argument energy Vocal Style: Male singer, teenage voice, expressive and theatrical but still natural, clear diction, conversational phrasing in verses, emotionally strained vocals, controlled at first then more intense and urgent in chorus Instrumentation: Piano-driven with pop-rock elements, light electric guitar, steady drums building in chorus, minimal at start, builds dynamically like a stage musical number, no heavy electronic drops Structure: Verse → Pre-Chorus → Chorus → Verse → Chorus → Bridge (quiet, emotional break) → Big Final Chorus → Outro Final chorus should feel like an emotional breaking point, almost shouted but still musical, ”

Male vocal, emotional teenage voice, slightly shaky at first but builds into powerful belt, Style inspired by Broadway pop-rock musicals like Rent, Dear Evan Hansen, and Mean Girls the Musical, Tempo medium (around 95–110 BPM), Starts soft and conversational like a late-night text spiral, then builds into dramatic, emotional chorus with layered harmonies, Instrumentation: soft piano intro, subtle ambient pads, then electric guitar and drums build in during chorus, Add tension with strings in pre-chorus, Big emotional climax with full band, then quiet stripped-down outro, Mood: awkward, flustered, yearning, slightly panicked but heartfelt, Mix of humor and vulnerability, Feels like a teenage boy realizing his feelings in real time and trying to backtrack

Male vocal, soft, breathy, intimate tone, Style inspired by acoustic musical theatre ballads and indie-folk (like softer moments from Dear Evan Hansen mixed with gentle indie acoustic), Tempo: slow–medium (75–90 BPM), Instrumentation: • Fingerpicked acoustic guitar as the foundation • Soft piano layered underneath • Light ambient pads for warmth • Minimal percussion (or none until very late) • Maybe subtle strings swelling in final chorus Mood: quiet disbelief, fragile happiness, overwhelmed but trying to stay calm, Feels like a private moment, almost like he’s afraid to speak too loudly in case it disappears, Structure: • Verse 1 (very soft, almost spoken) • Pre-chorus (slight lift) • Chorus (gentle, emotional—not belted) • Verse 2 (a little warmer) • Chorus (slightly fuller) • Bridge (stripped back, vulnerable) • Final chorus (subtle swell, still controlled) • Outro (whisper-soft) Vocal direction: Breathy, close-mic feel, Slight voice cracks on emotional lines, No b

Male vocal, deep, gruff, rough-edged voice (middle-aged), Slightly raspy, worn-down tone, Not polished singing — more talk-singing, half-spoken delivery, Should sound like a man who does NOT sing but is doing it anyway because he’s annoyed, Style: gritty, comedic musical theatre / spoken-word hybrid, More grounded and natural than theatrical, Feels like a rant that accidentally turns into a song, Instrumentation: Simple piano with low, minimal chords, Add subtle bass and light percussion (kick/snare) to support rhythm, Keep arrangement sparse and slightly rough, Occasional low brass or strings for emphasis, but nothing too clean or polished, Song concept: A fed-up dad laying down strict, awkward rules to two teenage boys he suspects are getting too close, He refuses to say it outright, but he clearly knows something is going on and does NOT like it

Male vocal, soft emotional tone building into hopeful warmth, Style inspired by acoustic Broadway ballads (Dear Evan Hansen, The Notebook musical vibes) with indie-folk elements, Tempo: slow–medium (80–95 BPM), Instrumentation: • Gentle piano + fingerpicked acoustic guitar • Soft ambient pads (night travel vibe) • Subtle rhythmic pulse (like bus movement) • Light strings swelling in chorus • Minimal percussion until final section Mood: tender, anticipatory, nervous excitement, Feels like a quiet journey where everything is changing internally, Structure: • Verse 1 (quiet, reflective) • Pre-chorus (nerves building) • Chorus (hopeful, emotional) • Verse 2 (more excitement) • Chorus (fuller) • Bridge (vulnerable thoughts) • Final chorus (warm, certain) • Outro (soft, arrival feeling)

Male vocal, late teens/early 20s, expressive musical theatre voice with playful sarcasm and emotional warmth, Voice should feel animated, slightly exasperated, but clearly affectionate underneath, Capable of fast, talk-sung delivery and light, melodic singing, Style: upbeat contemporary musical theatre number with comedic timing, Inspired by Mean Girls the Musical, Rent, and modern Broadway pop, Energetic, witty, slightly chaotic but still romantic, Instrumentation: Piano-driven with light drums, bass, and rhythmic claps, Add playful staccato strings and upbeat tempo, Keep it bouncy and energetic rather than heavy, Build into a slightly bigger, fuller final chorus

Full cast ensemble (all voices together), fast-paced, energetic Broadway number, No solo lead—voices blend into a unified, bustling city sound, Style: upbeat Broadway pop with city energy, inspired by In the Heights, Rent, and Mean Girls the Musical ensemble numbers, Tempo: fast (120–140 BPM), Instrumentation: • Piano driving rhythm • Upbeat drums and percussion (syncopated, city pulse feel) • Bass groove • Bright brass accents (optional) • Light electric guitar • Layered ensemble harmonies Mood: vibrant, kinetic, alive, Feels like the streets of New York—busy, overlapping, full of stories, Joyful momentum with emotional undertone of growth and belonging, Vocal direction: All voices singing together in rhythmic, tight harmonies, Slightly conversational at times (like overlapping city chatter), but always musical, Energetic, punchy phrasing, Build to big, bright ensemble chorus

Male vocal (teen), intimate and anxious tone, No duet, solo voice only, Style: soft Broadway pop/indie ballad with subtle pop-rock elements, inspired by Dear Evan Hansen and quieter moments of Be More Chill, Focus on internal monologue and emotional realism, Tempo: medium-slow (85–100 BPM), steady pulse like pacing or restless movement, Instrumentation: • Repetitive piano motif (looping thoughts) • Light ambient pad for tension • Subtle electric guitar swells • Minimal percussion (soft kick or heartbeat-like rhythm introduced later) • No big explosive drop—keep it controlled Mood: restless, distracted, emotionally off-balance, Feels like boredom mixed with longing and overthinking, He can’t focus, everything feels slightly wrong because someone is missing, Vocal direction: Close-mic, conversational delivery, Slightly rushed phrasing in verses (overthinking), more open and emotional in chorus, Occasional voice cracks, Keep it natural, not overly polished, Structure: • Verse

Ensemble song with 3 distinct vocals: • one energetic nerdy male voice (Dustin type) • one grounded, slightly sarcastic male voice (Lucas type) • one female voice with a husky, slightly raspy, low-toned delivery (Max type — confident, dry, emotionally grounded) Style inspired by Mean Girls the Musical, Rent, and modern pop-rock musical theatre, High-energy, sarcastic, chaotic, and fast-paced with strong group harmonies, Instrumentation: piano-driven musical theatre base, electric guitar, light drums, claps, and rhythmic builds, Slight 90s/early 2000s alt-rock influence to match Max’s tone, Song concept: A chaotic, funny intervention where friends call out their best friend for spiralling over his NEW long-distance boyfriend who just went back to New York, He’s obsessively checking his phone, rereading texts, and overthinking everything, Vocal direction: • Dustin voice: fast, excitable, comedic timing • Lucas voice: dry, grounded, slightly exasperated • Max voice: husky, lower

Male vocal, late teens/early 20s, warm and expressive musical theatre voice, Tone should be soft, affectionate, and slightly awestruck, like he can’t quite believe how lucky he is, Gentle smile in the voice, Capable of light, airy phrasing with a bright, joyful lift in the chorus, Style: contemporary musical theatre love song, sweet and romantic rather than angsty, Inspired by Dear Evan Hansen (but happier), Heartstopper vibes, and soft Broadway ballads, Instrumentation: Piano-led with light strings and soft guitar, Gentle build with warm orchestration, Keep it intimate and glowing rather than dramatic, Final chorus should feel uplifting, not overwhelming, Song concept: A boy singing directly to his best friend turned boyfriend, overwhelmed in the happiest way by how much he loves him, He’s not panicking, he’s in awe, This is a soft, heartfelt “I can’t believe I get to love you” moment

Lead: single male vocal (teen, emotional, warm tone), Backing: full ensemble (mixed voices) providing harmonies, echoes, and swelling chorus moments, Style: Broadway pop-rock finale inspired by Dear Evan Hansen, Rent, and Mean Girls the Musical, but centered on one lead voice, Tempo: medium (100–110 BPM), Instrumentation: • Piano intro • Gradual build with guitar, bass, and light drums • Strings and pads swelling underneath • Full band + ensemble harmonies in final chorus Mood: emotional release, disbelief turning into joy, supported by the world around him, Feels like everything finally clicks into place, Structure: • Verse 1 (solo – Will) • Pre-chorus (ensemble softly joins) • Chorus (lead + light ensemble harmonies) • Verse 2 (solo, stronger) • Chorus (bigger ensemble support) • Bridge (ensemble echoes + callbacks) • Final chorus (full cast backing, powerful) • Outro (soft, resolved)

Male vocal, soft emotional tone that builds into bright, soaring excitement, Style inspired by Broadway pop musicals like Dear Evan Hansen, Be More Chill, and Mean Girls the Musical, with a hopeful, euphoric twist, Tempo: medium (100–115 BPM), Starts delicate and almost disbelieving, then grows into a joyful, energetic anthem, Instrumentation: • Gentle piano and ambient pads in intro • Light guitar picking in verse • Add drums and bass in pre-chorus • Chorus opens up with full band, bright synths, and layered harmonies • Bridge strips back again (heartfelt, almost whispered), then final chorus explodes