ENGLISH Covers - Navtik (Jazz etc.)
English covers of old Russian songs (Jazz & whatever)
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22 songs
4:02
Light piano shuffle, breathy seductive female vocals, minimal jazz band joining in: acoustic sliding bass, drums and accordion, Please keep original melody and harmony, but can experiment with arrangement
2:52
WW2 frontline concert jazz piece - jazz piano shuffle, sliding contrabass, drums and sax, breathy female vocals, harmony-choir female back-vocals
4:09
Jessica Rabbit piece - piano blues shuffle, breathy female vocals, stepping contrabass, drums, sax and blues harmonica solos, male back-vocals
2:59
Acoustic rock ballad with a melancholy tone, grunge-depressive male vocals and touch of reverberation, Back vocals, harp-reed-accordion counterpoints, acoustic bass
3:24
Acoustic jazz piece, smoked male vocals, fingerpicked guitar, syncopated contrabass and piano shuffle, drums, High-tone blues harmonica solo
4:24
1970 sunshine reggae in a minor key, with Marley-style male vocals and lots of female back-vocals, wah-wah guitar, multiple percussions and strong bass synth beats, Compressor-guitar and high-tone harmonica weeping solos
7:03
American midwestern blues, 1960-1970 vibes, semi-acoustic, smoked male vocals, blues guitar, high-tone blues harmonica, sliding bass, wooden percussion
8:08
Mellow semi-acoustic blues-rock, with smoked male vocals, seductive female second vocals, blues guitar and harmonica, slapping acoustic bass, wooden drums and percussion, Simple, clean and hearty sound of semi-acoustic live concert, Going into much more pop sound (like Ace of Base) in bridges, with multiple back-vocals joining in beautiful harmony, Keep close to original tempo of vocals, but feel free to play with blues-rock sound and arrangement
3:29
1960's midwestern blues, semi-acoustic, with semi-acoustic guitar, warm harmonica and smoked male midwestern blues vocals
4:36
American blues, 1960-1970 vibes, semi-acoustic, male vocals, harp and wooden percussion
8:10
Please keep the original tempo, pick male vocals as close to original as possible, add counterpart female vocals (jazzy seductive drawl) and female back-vocals, Make it a jazzy blues arrangement - with stepping bass, drums, percussion and harmonica solos, Overall impression - gangster chanson played by small but very professional blues/jazz band in a 1930's mob restaurant
3:42
Jazzy saloon romance with a coloring of 1960 British beat-rock, Three female voices with inter-weaving harmony, very clear and easily switching from low to very high tones (main voice routinely jumping to very high tones), Minimalistic band rendering with honky-tonk piano, sliding acoustic contrabass, cellos and multiple marimba percussions creating syncopated arpeggio beat, Rendering stays poly-rhythmic and arpeggiated, never going into "wall of sound"
4:28
Saloon romance with a touch of jazz ballad coloring, Three female voices with inter-weaving harmony, very clear and easily switching from low to very high tones (main voice routinely jumping to very high tones), Minimalistic band rendering with honky-tonk piano, sliding acoustic contrabass, arpeggiated cello and multiple marimba percussions creating syncopated arpeggio rhythm, Rendering stays restrained, arpeggiated, never going into fast beat
4:24
Mix of the sad blues (from original track) and an ironic insert bridge from a popular pop song in English, The general sound is blues-rock, two voices (male blues-rock and female jazz) conduct a dialogue, a semi-acoustic band, an arrangement between blues-rock and jazz, Keep the tempo close to the original, but vary the size for a light swing, in the spirit of bossa nova or blues shuffle
5:03
Indie blues live number, with minimal semi-acoustic band, organically mingling strong blues beats and jazzy sept-chords, going from calm melodic rhythm to wild passionate beat and back, Raspy male "crying blues" vocals, female back-vocals, honky-tonk piano, slapping bass and drums with wooden percussion, wild blues harmonica for fills, Male vocals easily and naturally switching from russian to english as needed by verse (same voice, bilingual), Tone going from matter-of-factly in 1st verse to maximum wild passion by 3rd verse, then back to calm, then back to passionate in outro, ‑sweet, ‑mellow
3:55
Indie blues live number, with minimal semi-acoustic band, organically mingling strong blues beats and jazzy sept-chords, going from calm melodic rhythm to wild passionate beat and back, Raspy male "crying blues" vocals, female back-vocals, honky-tonk piano, slapping bass and drums with wooden percussion, wild blues harmonica for fills, Male vocals easily and naturally switching from russian to english as needed by verse (same voice, bilingual), Tone going from matter-of-factly in 1st verse to maximum wild passion by 3rd verse, then back to calm, then back to passionate in outro, ‑sweet, ‑mellow
3:10
Roots-vibe industrial reggae, shiny breathy female vocals, multiple back vocals, Bass, sax and strong reggae vibes with marimba percussions and vocal-beatbox
3:02
Grunge with a reggae -beat coloring, a lot of guitar strums and a hearty слабая-доля beat, Grunge male voice, calm and restrained but a bit bitter and sarcastic toward the end, Semi-acoustic band, slapping contrabass, brass beats and high-tone harmonica
3:43
Sunny reggae-industrial romance in a minor key, Caribbean reggae male vocals, guitar beat and blues harmonica, Funky sliding semi-acoustic bass, multiple percussions and marimbas, gospel-choir back vocals, lots of reggae vocal cries and alliterations
3:43
Acoustic folk-blues ballad with a breathy ethnic female vocals, multiple female choir back-vocals, Acoustic guitar, acoustic reverberating bass, ethnic R&B effects, reverberating hall effects, ethnic flutes and reeds, maracas and finger snaps instead of drums