3:27

I Know Your Type
v5.5
minimalist arrangement, A clean electric guitar plays a repetitive four-chord progression using palm-muted downstrokes on the eighth notes, A sub-bass synth follows the root notes of the guitar progression with sustained whole notes, The drums consist of a dry kick on every beat and a sharp snare on beats two and four, Female vocals are layered with a slight doubling effect and moderate plate reverb, The track is in the key of G Major at 110 BPM in 4/4 time, 70s funk, ‑indie, ‑pop
2:10

Don’t Be Salty
v5.5
indie IDM, organic digital hybrid, motorik groove, asymmetrical drum fills, analog pulse synths, granular percussion, vinyl crackle, tape saturation, sidechain pumping, stereo microdelays, muted electric guitar, processed hand percussion, melodic bass ostinato, sparse pre-chorus, dynamic build-drop, clipped chant hooks, restless momentum
3:32

Left Myself Open
v5.5
Indie pop with a minimalist arrangement, A clean electric guitar plays a repetitive four-chord progression using palm-muted downstrokes on the eighth notes, A sub-bass synth follows the root notes of the guitar progression with sustained whole notes, The drums consist of a dry kick on every beat and a sharp snare on beats two and four, Female vocals are layered with a slight doubling effect and moderate plate reverb, The track is in the key of G Major at 110 BPM in 4/4 time, ‑indie, ‑pop
4:06

All a game
v5.5
indie IDM, organic digital hybrid, submerged textures, motorik pulse, syncopated drum machine grooves, glitch percussion, analog synth decay, detuned arpeggios, sampled found sounds, spring reverb, tape saturation, sidechain pumping, bright major-key topline, bittersweet nostalgia, 92 BPM, sparse verse build, drop-heavy chorus, wide stereo imaging
3:15

4:46

Blow Your Mind
v5.5
Industrial phonk fusion with distorted drum machines, metallic percussion hits, gritty synth bass, processed trumpet stabs, and aggressive saturation, Driving mid‑tempo groove, hypnotic loops, mechanical ambience, and dark, club-ready energy with heavily effected, edgy vocals
3:16

Southern gothic electropop, casino noir dance music, swamp-lit art pop revivalism, Mid-tempo pulse (~104 BPM), Rubbery analog synth bass with humid sub pressure, Syncopated drum machine layered with brushed snare, racetrack percussion, woodblocks, chain rattles, and distant thunder toms, Neon-drenched organ stabs and warped gospel chords, Steel guitar and tremolo guitar ghosts buried low in the mix, Sparse harmonica-like synth textures stretched into atmosphere, Male/female layered vocals: detached murmured verses escalating into ecstatic televangelist crescendos, Spoken-word commentary fragments panned like sports announcers drifting through smoke, Chorus blooms with euphoric gang vocals and decaying tape saturation, Bridge becomes ritualistic: stomps, claps, distorted revival chants, preacher cadence dissolving into near-manic release, Wide stereo field but claustrophobic center, Heavy plate reverb, humid room reflections, analog delay trails smearing into feedback
3:39

My Own Voice
v5.5
Indie Idm, Organic Digital Hybrid, Motorik Groove, Asymmetrical Drum Fills, Analog Pulse Synths, Granular Percussion, Vinyl Crackle, Tape Saturation, Sidechain Pumping, Stereo Microdelays, Muted Electric Guitar, Processed Hand Percussion, Melodic Bass Ostinato, Sparse Pre-Chorus, Dynamic Build-Drop, Clipped Chant Hooks, Restless Momentum






