
THE RED EYE REVELATIONS
NASA has a budget, I have a Suno.
The complete collection of Truth Music by The-Red-Eye-Jedi. From the aggressive Industrial Metal of Tear Down the Curve” to the ethereal calm of Sapphire Ceil
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20 songs
3:34

Ethereal Wave, Dream Pop, Ambient, Cinematic Ballad, Soft Female Vocals, Whisper, Haunting, Melancholic, Piano and Cello, Slow Tempo, Reverb
5:42

Dark Psytrance, Industrial Techno, 145 BPM, Seductive Female Vocals, Aggressive Male Vocals, Rolling Bassline, Dark Atmosphere, Biblical, Horror Synth, Duet, unusual, radio, symphonic, reese bass, explosion, many voices
8:14

Cinematic Alt-Rock, Orchestral Rock, Heavy Drums, Melodic Male Vocals, Atmospheric, Build-up, Deep Bass, Epic, Revelatory
3:19

Dark Synthwave, Industrial Metal, Aggressive Phonk, Heavy Distortion, Guttural Growling Vocals, Screaming, Cinematic, High Tempo, 160 BPM
3:41

male vocals, female vocals, dark Goth psytrance upbeat catchy, electronic, experimental, female singer, (Tempo: 145 BPM — Dark Psy-Phonk / Ethereal Blend)
(Style: Opens with a distorted, slowed-down vocal and a heavy bass pulse, then accelerates into a rolling triplet bassline with high-pitched glitchy echoes, )
[INTRO - The Empty Pouch]
(The sound of a lighter clicking repeatedly, failing to catch, A deep, slowed-down voice rumbles under a crystalline, high-pitched melody, )
4:01

male vocalsStyle of Music:
Dark Synthwave, Retrowave, Upbeat, Catchy, Biblical, Conspiracy, Prophetic, Driving Bass, Male Vocals, 135 BPM
Lyrics:
[Intro]
(Synthesizer melody that sounds like a twisting snake)
(Whispered, sibilant voice)
It started in the Garden, With a whisper in the ear, "Did God really say?"
"You shall be as gods, "
(Beat drops hard) dark, synth, epic
3:47

Upbeat pop punk, 2000s skate punk, high energy, catchy melodic guitar riffs, clean male vocals, energetic drums, synthesizer intro
Step 2: The "Lyrics" Box
Paste this version below, I have replaced your descriptive text with Meta Tags (brackets like [ ]) which Suno understands as instructions rather than lyrics, [Start with Sci-Fi Synth Drone]
3:17

male vocals, atmospheric, synth, happly catchy pop
Fast tempo pop punk, heavy distortion, melodic hardcore, rebellious male vocals, energetic drumming, catchy anthem chorus
Lyrics Box:
[Intro]
[Sound of a film projector clicking]
[Feedback squeal]
[Fast Drum Fill]
1, 2, 3, Go!
4:06

This means Fast-Paced Power Metal (150+ BPM), catchy keyboard hooks (bells/choir), a galloping rhythm, and a desperate, heroic tone, It treats the believer as a soldier making a final stand against ancient evil, Style of Music:
Epic Power Metal, "The Last Stand" Style, Fast Galloping Beat (152 BPM), Synthesizer Bell Melody, Gruff Baritone Vocals, Massive Choir, Dark and Heroic, Urgent
Lyrics:, male vocals, ambient synthwave rock fusion, heavy logdrum, blackmetal, belting, unique voice
4:23

This version leans hard into that ultra-dramatic 1994 training montage sound, Imagine a guy in a headband doing high-kicks in a shed while the lyrics tackle the serious problem of a man who hasn't bought his own tobacco since the mid-90s, Title: THE ROACH RECKONING (NO MORE FREE J'S)
Style: 1994 Melodic Synth-Action / Paul Gilreath Inspired
Vibe: Very serious, very loud, very "martial arts movie climax, "
(Intro: A ticking clock sound, then a massive, gated-reverb drum hit: CRASH-BOOM! High-pitched synth brass begins to play a heroic, minor-key melody, )
3:28

bubbles in space
v4.5
male vocalsStyle of Music Box:
Fast tempo 2000s pop punk, catchy guitar hooks, driving bassline, energetic male vocals, gang vocals in chorus, rebellious anthem
Lyrics Box:
[Intro]
[Sound of sonar pinging]
[Sound of bubbles bubbling]
[Guitar Pick Slide]
Let’s go! Genre 1: Pop punk
Genre 2: Melodic hardcore
Vocal Style: Rebellious vocals
3:17

80s Pop Rock, Power Pop, Anthemic, Soaring Female Lead Vocals, Driving Drum Beat, Synthesizers, Electric Guitar, Melodic, Emotional, Arena Rock, Polished Production, 122 BPM
4:22

Uptempo Hard Rock, Alternative Rock, Fast Driving Beat 150 BPM, Galloping Bassline, Soaring High-Pitched Male Vocals, Nasal Vocal Tone, Melodic Synthesizer Lead, Cinematic Montage, Urgent, Dramatic, 80s Arena Rock, male choir, symphonic classical progressive, dark
7:59

Psychedelic Rock, 60s Acid Rock, Trippy Mellotron, Fuzz Bass, Hypnotic Male Vocals, Echoing Whispers, Slow Grooving, Reverb, Sitar, Reverse Tape Effects, Dreamy, emotional female voice, legendary
4:24

This energetic pop track features a deep, pulsing bass foundation and crisp programmed drums propelling the rhythm, Soft, airy tenor vocals glide atop, supported by lush pads and delicate synth touches, Swelling textures with gentle melodic motifs infuse a sense of melancholic depth, melancholic atmosphere, lots of bass, synthwave, afrobeat
5:15

Future Ragga, Melodic Dubstep, Fast Tempo 140 BPM, Soulful Reggae Vocals, Euphoric Drop, Heavy Sub-Bass, Gospel Choir Samples, High Energy, Uplifting, Electronic, Atmospheric Intro, emotional synthwave, synthwave
5:30

5:11

male vocalsStyle: Modern Worship / Upbeat Pop-Rock
Tempo: Fast, Driving (130 BPM)
Instrumentation: Electric Guitars, Heavy Kick Drum, Synthesizers
Vibe: Anthemic, Confident, loud
(Intro)
(Driving electric guitar riff with a heavy four-on-the-floor kick drum)
Oh-oh-oh! Oh-oh-oh!
Yeah!, synth
3:07

Here is a song written in the style of High-Energy Pop-Punk / Rock
This is fast, loud, and rebellious, It’s about "crashing the system, " rejecting the programming of the world, and the adrenaline rush of finally seeing the truth, Title: System Crash
Style: Pop-Punk / High-Octane Rock
Tempo: Very Fast (170 BPM)
Instrumentation: Distorted Electric Guitars, Fast Drum Fills, Gang Vocals
Vibe: Rebellious, Fun, Adrenaline-pumping
(Intro)
(Feedback squeal, then fast, chugging guitar riff)
1, 2, 3, 4!
(Explosive drums kick in)
Whoa-oh-oh! Whoa-oh-oh! happy catchy joyful happy, male vocals, synth
6:52

female vocalsStyle: 80s Italo-Disco / Synth-Pop, Tempo: Driving, nocturnal beat (approx, 107 BPM), Vibe: Dramatic, mysterious, heavy synthesizer bass, with that iconic echoing vocal effect, "Self-Obsessed"
(Intro)
(That iconic, chugging synth-bass line starts: Dum-dum-dum-dum-dum-dum, )
(A sharp, dramatic guitar riff cuts in)
(James is humming to himself)
