Latter-Day Soul

Christian blues, gospel blues, soulful blues, slow blues, 12-bar blues, Hammond organ, electric guitar, upright bass, brushed drums, gospel choir, call and response, emotional vocals, heartfelt, reverent, southern soul, church revival, bluesy guitar solo, male or female lead vocal, 70-80 BPM, E major, uplifting, vintage tone, soulful

A soulful Christian blues reinterpretation of the hymn “Come, Come, Ye Saints” titled “All Is Well (Saints Blues), ” Slow gospel-blues tempo with emotional male or female lead vocals, Hammond B3 organ, clean electric blues guitar, upright bass, brushed drums, and backing gospel choir, The song should feel like a Southern church revival meets Delta blues jam — rich organ swells, bending guitar notes, deep groove, and call-and-response on “All is well, ” Lyrical themes of endurance, faith, and heavenly hope, Include soulful vocal ad-libs (“Yes, Lord, ” “We’re gonna make it, ” “All is well”), End with a warm choir fade repeating “All is well, ” Christian blues, gospel blues, soulful revival, slow blues, Hammond organ, electric guitar, gospel choir, call and response, emotional vocals, southern soul, 12-bar blues, church revival, uplifting, reverent, heartfelt, vintage tone, brushed drums, upright bass, soulful guitar solo, 72–78 BPM, A major

A slow, soulful Christian blues arrangement of “A Child’s Prayer” titled “He Hears My Prayer (A Child’s Prayer Blues), ” 66–70 BPM in F major, Male or female lead vocal with tender gospel choir harmonies, Hammond B3 organ, soft electric blues guitar, upright bass, brushed drums, and light piano, The song should feel intimate, reverent, and heartfelt — like a slow Southern church prayer put to blues music, Include gentle call-and-response on lines like “Pray, He is there” and “He hears your prayer, ” Add soulful vocal ad-libs (“Yes Lord, ” “He’s listening, ” “Thank You Father”) and end with a quiet fade repeating “He hears my prayer, ” Christian blues, gospel blues, soulful blues, southern soul, Hammond organ, gospel choir, electric guitar, upright bass, brushed drums, call and response, emotional vocals, church revival, heartfelt, reverent, slow blues, spiritual music, vintage tone, worshipful

A slow, soulful Christian blues adaptation of “I’m Trying to Be Like Jesus” titled “Trying to Be Like Jesus, ” 68–72 BPM in G major, Emotional male or female lead vocal with soft gospel choir harmonies, Hammond B3 organ, clean electric blues guitar, upright bass, brushed drums, and gentle piano, The tone should feel warm, reverent, and heartfelt — a Southern gospel blues ballad about living like Christ and showing love, Include soulful vocal ad-libs (“Yes Lord, ” “Help me love, ” “I’m trying, Jesus”) and call-and-response on the line “Love one another as Jesus loves you, ” End with a slow fade repeating “Trying to be like Jesus, ” Christian blues, gospel blues, soulful blues, southern soul, Hammond organ, gospel choir, electric guitar, upright bass, brushed drums, slow blues, emotional vocals, heartfelt, reverent, vintage tone, worshipful, spiritual, church revival, slide guitar, call and response

A slow, soulful Christian blues version of “I Love to See the Temple” titled “House of God Blues, ” 65–70 BPM in E major, Male or female lead vocal with soft gospel choir harmonies, Hammond B3 organ, clean electric blues guitar, upright bass, brushed drums, and gentle piano, The tone should be reverent, warm, and heartfelt — a Southern gospel blues ballad about preparing for God’s house and eternal family, Include call-and-response on “house of God, ” soulful vocal ad-libs (“Yes Lord, ” “I’m goin’ home someday, ” “Thank You Father”), and end with a slow gospel fade repeating “I love to see the temple, ” Christian blues, gospel blues, soulful blues, southern soul, Hammond organ, gospel choir, electric guitar, upright bass, brushed drums, call and response, emotional vocals, heartfelt, reverent, worshipful, slow blues, vintage tone, spiritual music, church revival

A slow, soulful Christian blues version of “When I Am Baptized” titled “Washed by the Rain (When I Am Baptized Blues), ” 68–72 BPM in F major, Male or female lead vocal with gospel choir harmonies, Hammond B3 organ, clean electric blues guitar, upright bass, brushed drums, and light piano, The mood should be warm, reflective, and full of grace — a Southern gospel blues ballad about renewal, forgiveness, and spiritual cleansing, Include call-and-response on “Washed by the rain” and “Made new again, ” and gentle vocal ad-libs like “Thank You Lord, ” “Wash me clean, ” “Make me new again, ” End with a slow gospel fade repeating “As the earth after the rain, ” Christian blues, gospel blues, soulful blues, southern soul, Hammond organ, gospel choir, electric guitar, upright bass, brushed drums, emotional vocals, call and response, heartfelt, reverent, slow blues, worshipful, spiritual music, vintage tone, redemption song

An upbeat, soulful Christian blues revival version of “Follow the Prophet” titled “He Knows the Way (Follow the Prophet Blues), ” 90–100 BPM in E major, Male or female lead vocal with energetic gospel choir call-and-response, Hammond B3 organ, electric blues guitar, piano, upright bass, shuffle drums, tambourine, and optional horns, Fun, joyful, and full of southern soul — like a gospel blues revival with clapping and shout choruses, Include energetic vocal ad-libs (“Yes Lord!”, “He knows the way!”, “Follow on now!”) and crowd-style call-and-response on the chorus, End with a full gospel fade repeating “He knows the way, ” Christian blues, gospel blues, upbeat gospel, southern soul, Hammond organ, gospel choir, electric guitar, shuffle drums, handclaps, tambourine, energetic, joyful, revival, church band, soulful, call and response, vintage tone, worshipful, lively

An upbeat, soulful Christian blues version of “I’ll Walk With You” titled “I’ll Walk With You (Christian Blues Version), ” 92–98 BPM in G major, Male or female lead vocal with joyful gospel choir harmonies, Hammond B3 organ, electric blues guitar, piano, upright bass, shuffle drums, tambourine, and handclaps, The song should sound fun, uplifting, and full of soul — a Southern church groove with compassion and love at its heart, Include call-and-response on “I’ll walk with you” and “I’ll talk with you, ” and energetic vocal ad-libs like “Yes Lord, ” “That’s love, ” “I will, ” End with a joyful gospel fade repeating “I’ll walk with you, ” Christian blues, gospel blues, soulful blues, southern soul, upbeat gospel, Hammond organ, gospel choir, electric guitar, piano, upright bass, handclaps, tambourine, shuffle drums, call and response, joyful, heartfelt, energetic, church revival, vintage tone, worshipful

A bold, powerful, and soulful Christian blues anthem based on “Dare to Do Right, ” titled “Dare to Be True (Christian Blues Anthem), ” 88–94 BPM in A minor, Full band performance with passionate male or female lead vocal, gospel choir, Hammond B3 organ, blues electric guitar, piano, upright bass or electric bass, shuffle drums, tambourine, and optional horns, The sound should be gritty, bold, and inspiring — like a Southern gospel revival meets classic electric blues, Include energetic call-and-response on “Dare, dare, dare to do right” and “Dare to be true, ” with soulful ad-libs (“Stand strong, ” “Yes Lord, ” “Hold on, child”), End with a dramatic final chord, Christian blues, gospel blues, southern soul, bold gospel, blues rock, Hammond organ, electric guitar, gospel choir, shuffle drums, horns, tambourine, call and response, emotional vocals, church revival, energetic, powerful, vintage tone, worshipful, uplifting, soulful anthem

A powerful, soulful Christian blues anthem based on “We’ll Bring the World His Truth, ” titled “The Lord’s Truth (Army of Light Blues), ” 80–86 BPM in D major, Male or female lead vocal with full gospel choir harmonies, Hammond B3 organ, electric blues guitar, piano, upright or electric bass, tambourine, and shuffle drums, The tone should feel strong, soulful, and reverent — like a gospel revival with blues-rock energy, Include call-and-response on “We are the army of Helaman” and “We’ll bring the world His truth, ” Add powerful vocal ad-libs (“Yes Lord, ” “We’ll go forth, ” “Send us now”), and end with a triumphant gospel fade repeating “We’ll bring His truth, ” Christian blues, gospel blues, soulful blues, southern gospel, Hammond organ, gospel choir, electric guitar, shuffle drums, piano, tambourine, horns, emotional vocals, call and response, bold, powerful, uplifting, church revival, vintage tone, worshipful, anthem

A powerfully convicting Christian blues-soul anthem based on “Called to Serve, ” titled “Called to Serve (King of Glory Blues), ” 82–88 BPM in E major, Full-band arrangement with passionate lead vocal (male or female), Hammond B3 organ, electric blues guitar, piano, bass, shuffle drums, tambourine, and gospel choir, Sound should be bold, soulful, and driving — a Southern revival anthem about courage, calling, and faithful service, Include call-and-response on “Onward, ever onward” and “Called to serve our King, ” plus powerful ad-libs (“Yes Lord, ” “Send me, ” “Glory to the King”), End with a strong gospel chord and final choir hit on “King, ” Christian blues, gospel blues, southern soul, anthem, Hammond organ, electric guitar, gospel choir, shuffle drums, call and response, energetic, bold, powerful, church revival, vintage tone, worshipful, soulful, inspirational

A soulful Christian blues duet titled “Walk in the Light (Teach Me to Walk in the Light), ” 70–75 BPM in F major, Features alternating vocals between a child voice and an adult voice, joined by a warm gospel choir in the final verse, Arrangement includes Hammond B3 organ, clean electric blues guitar, upright bass, brushed drums, piano, tambourine, and soft choir harmonies, The tone should be gentle, soulful, and heartfelt — a Southern gospel conversation between child and parent about following God’s light, Include call-and-response lines like “Teach me / walk in the light, ” and emotional ad-libs (“Thank You Lord, ” “Show us the way”), End with a warm gospel fade repeating “Walk in the light, ” Christian blues, gospel blues, southern soul, duet, Hammond organ, gospel choir, electric guitar, upright bass, brushed drums, call and response, heartfelt, reverent, family faith, vintage tone, spiritual, warm, worshipful

A soulful Christian blues gospel revival based on “Israel, Israel, God Is Calling, ” titled “Come to Zion (God Is Calling Blues), ” 72–78 BPM in A minor, Male or female lead vocal with full gospel choir harmonies, Hammond B3 organ, slide blues guitar, upright bass, brushed drums, tambourine, and piano, The tone should be prophetic, emotional, and powerful — a Southern gospel blues call to repentance and redemption, Include call-and-response on “Come to Zion, ” expressive vocal ad-libs (“He’s calling now, ” “Come home, child, ” “Hallelujah”), and end with a dramatic gospel chord and choir sustaining “praise, ” Christian blues, gospel blues, soulful blues, southern gospel, revival, Hammond organ, gospel choir, slide guitar, upright bass, tambourine, emotional vocals, call and response, prophetic, powerful, church revival, worshipful, vintage tone, heartfelt, Tempo: 72–78 BPM Key: A minor (or G minor for deeper tone) Style: Soulful Christian Blues / Southern Gospel Revival

A soulful gospel rendition of “Families Can Be Together Forever, ” titled “Together Forever (Family Gospel Soul Rendition), ” 68–72 BPM in F major, Emotional male or female lead vocal with full gospel choir harmonies, Hammond B3 organ, Rhodes piano, electric bass, soft drums, clean electric guitar, and warm string or horn pads, The mood should be heartfelt, reverent, and uplifting — like a modern gospel-soul ballad about eternal family love, Include gentle call-and-response between soloist and choir on “Families can be together forever, ” and ad-libs like “Yes, He has, ” “Thank You, Lord, ” and “Forever through His plan, ” End with a tender gospel fade repeating “Together forever through His plan, ” Gospel soul, Christian soul, southern gospel, soulful ballad, Hammond organ, gospel choir, Rhodes piano, call and response, emotional vocals, heartfelt, reverent, worshipful, uplifting, family, faith, vintage tone, smooth gospel, worship ballad, Tempo: 68–72 BPM, Key: F Major or E♭ Major

A tender and deeply soulful gospel soul rendition of “O My Father, ” titled “When I Come Home (O My Father – Gospel Soul Rendition), ” 66–70 BPM in E♭ major, Female lead vocal with rich emotional expression, accompanied by Hammond B3 organ, Rhodes piano, soft electric guitar, upright bass, light drums, and warm gospel choir, The tone should be heartfelt, intimate, and spiritual — a prayer of longing and homecoming, Include soft call-and-response with the choir near the end on lines like “Let me come and dwell with You, ” Add soulful ad-libs like “Yes Lord, ” “I’m coming home, ” and “Thank You for my heavenly home, ” End with a quiet gospel fade repeating “I’ll dwell with You, ” Gospel soul, Christian soul, soulful worship, Hammond organ, gospel choir, Rhodes piano, female vocal, emotional, heartfelt, reverent, spiritual, slow gospel, southern soul, call and response, vintage tone, worship ballad, Key: E♭ Major or D Major (warm female range) Style: Gospel Soul Ballad / Sacred R&B Worship

A Christian gospel-blues rendition of “I’ll Go Where You Want Me to Go” titled “Where You Want Me to Go, ” Starts slow and prayerful at 72 BPM, building to 90 BPM with joyful conviction, Female or male lead vocal with gospel choir harmonies, Hammond B3 organ, electric blues guitar, piano, upright bass, shuffle drums, tambourine, and handclaps, Tone: heartfelt, soulful, and triumphant — begins as a humble prayer and ends as a joyful declaration of faith and obedience, Include call-and-response on “I’ll go where You want me to go” and ad-libs like “Yes Lord, ” “I’ll follow You, ” and “Lead me on, ” End with a powerful gospel cadence, Christian blues, gospel blues, southern soul, gospel choir, Hammond organ, electric guitar, shuffle drums, handclaps, revival, joyful, worshipful, emotional, call and response, powerful, uplifting, vintage tone, soul anthem

An upbeat, powerful Christian blues revival version of “Hope of Israel, ” titled “Hope of Israel (Watch and Pray Blues), ” 102–108 BPM in E major, Male or female lead vocal with energetic gospel choir, Hammond B3 organ, electric blues guitar, piano, upright bass, shuffle drums, tambourine, and handclaps, The sound should be joyful, fiery, and full of energy — like a Southern church revival with blues groove, Include call-and-response between lead and choir on “Rise in might, ” “Watch and pray, ” and “Hope of Israel, ” Add vocal ad-libs (“Yeah Lord, ” “We’re marching on, ” “Hallelujah!”), End with a strong gospel cadence on “Shine your light!” Christian blues, gospel blues, southern gospel, upbeat gospel, Hammond organ, gospel choir, electric guitar, shuffle drums, handclaps, tambourine, energetic, revival, joyful, powerful, church band, call and response, vintage tone, worshipful

A soulful, energetic Christian blues revival rendition of “Count Your Blessings, ” titled “Count Your Blessings (Gospel Blues Revival), ” 96–104 BPM in G major, Upbeat shuffle groove with joyful handclaps, Hammond B3 organ, electric blues guitar, piano, upright bass, tambourine, and gospel choir harmonies, Sound should be soulful, fun, and full of conviction — a Southern church revival feel with call-and-response vocals on “Count your blessings; name them one by one, ” Include vocal ad-libs (“Yes Lord, ” “Thank You Jesus, ” “He’s been good to me”), End with a joyful fade of handclaps and choir shouting “See what God has done!” Christian blues, gospel blues, southern gospel, upbeat gospel, Hammond organ, gospel choir, electric guitar, shuffle drums, handclaps, tambourine, joyful, energetic, revival, call and response, church band, vintage tone, soulful, worshipful

A joyful, upbeat Christian blues revival rendition of “There Is Sunshine in My Soul Today, ” titled “Sunshine in My Soul (Christian Blues Revival), ” 110–115 BPM in A major, Male or female lead vocal with energetic gospel choir, Hammond B3 organ, electric blues guitar, piano, upright bass, shuffle drums, tambourine, and handclaps, Tone: happy, soulful, and full of praise — a fast Southern church celebration with call-and-response on “There’s sunshine, blessed sunshine, ” Include ad-libs like “Got that joy!” and “Thank You, Jesus!” and end with a big gospel hit on “There’s sunshine in my soul!” Christian blues, gospel blues, southern gospel, upbeat gospel, Hammond organ, gospel choir, shuffle drums, handclaps, tambourine, joyful, energetic, revival, worshipful, call and response, vintage tone, soulful, praise music, Tempo: 110–115 BPM (fast, joyful shuffle), Hammond B3 organ, electric blues guitar, piano, upright or electric bass, shuffle drums, tambourine, handclaps, full gospel choi

A soulful, reflective Christian gospel blues rendition of “Have I Done Any Good?” titled “Do Something More (Gospel Blues Rendition), ” 74–78 BPM, starting in D minor and modulating to D major, Male or female lead vocal with gospel choir harmonies, Hammond B3 organ, Rhodes piano, electric blues guitar, upright bass, slow drums, and light strings, The mood should be heartfelt, convicting, and hopeful — a bluesy soul prayer that builds from reflection to joyful resolve, Include call-and-response on “Wake up and do something more” and ad-libs like “Yes Lord, ” “Use me, ” and “Let me serve, ” End with a powerful gospel fade repeating “A blessing of duty and love, ” Christian blues, gospel blues, soulful ballad, Hammond organ, gospel choir, Rhodes piano, electric guitar, emotional, reflective, heartfelt, convicting, uplifting, worshipful, vintage tone, southern gospel, church soul

A slow, soulful Christian blues ballad version of “A Poor Wayfaring Man of Grief, ” titled “The Stranger’s Hands, ” 60–66 BPM in A minor, Male lead vocal accompanied only by expressive electric guitar — no choir, percussion, or band, The tone should be tender, reverent, and intimate — a spiritual story told through one man’s voice and guitar, The playing should use soft fingerpicking, slow bends, and warm reverb, The vocal delivery should feel confessional, emotional, and human, expressing awe, sorrow, and redemption, End with a single sustained guitar chord fading into silence, Christian blues, acoustic blues, solo guitar, emotional vocal, soulful, reflective, reverent, slow blues, heartfelt, worshipful, intimate, minimalist, vintage tone, storytelling ballad, spiritual

A soulful solo Christian blues ballad version of “I Stand All Amazed, ” titled “Wonderful to Me, ” 68–72 BPM in E major, Male lead vocal accompanied only by electric blues guitar, The tone should be tender, reverent, and emotionally raw — a heartfelt reflection on the love and sacrifice of Jesus, The guitar should be expressive and intimate, using slow bends, fingerpicking, and occasional light fills between vocal lines, No band or choir — just one voice and one guitar, Capture the feeling of a late-night prayer sung alone, End with a sustained, quiet guitar chord, Christian blues, acoustic blues, soulful blues, solo guitar, emotional vocal, intimate, reverent, worshipful, reflective, slow blues, heartfelt, vintage tone, minimalist, spiritual ballad, Tempo: 68–72 BPM (slow, blues shuffle) Key: E Major (open and warm) Style: Soulful Acoustic/ Electric Blues Ballad Instrumentation: Solo male vocal and electric guitar only — no band, no choir, Tone: honest, reverent, emotional

A soulful Christian gospel blues ballad version of “I Believe in Christ, ” titled “I Believe in Christ (Gospel Blues Rendition), ” 68–74 BPM in C major, Female lead vocal accompanied by piano, with gentle background instrumentation: upright bass, light brushed drums, soft Hammond B3 organ pad, and subtle electric guitar fills, The tone should be heartfelt, reverent, and soulful — a personal testimony of faith sung with deep emotion, The piano should lead with expressive gospel chords, while the percussion and band stay soft and steady in support, Include vocal ad-libs such as “Yes Lord, ” “I believe, ” and “You are my King, ” End quietly with a sustained piano chord, Christian blues, gospel blues, piano gospel, soulful ballad, female vocal, Hammond organ, electric guitar, upright bass, slow gospel, emotional, heartfelt, reflective, worshipful, vintage tone, Southern soul, faith song

A fast, joyful Christian gospel-blues revival version of “Praise to the Man, ” titled “Hail to the Prophet (Gospel Blues Revival), ” 108–114 BPM in A major, Female or male lead vocal with full gospel choir, Hammond B3 organ, electric blues guitar, piano, upright bass, shuffle drums, tambourine, handclaps, and optional horns, The sound should be energetic, soulful, and full of conviction — like a Southern revival celebration, Include call-and-response on “Hail to the Prophet, ” “Praise Him, ” and “Death cannot conquer again, ” Add joyful vocal ad-libs (“Glory hallelujah, ” “Lift Him high, ” “He lives again”), End with a powerful gospel chord and choir shout “Amen!” Christian blues, gospel blues, southern gospel, revival, upbeat gospel, Hammond organ, gospel choir, electric guitar, shuffle drums, handclaps, tambourine, joyful, energetic, powerful, call and response, church band, vintage tone, worshipful, praise anthem

A soul-searching Christian blues rendition of “Lead Kindly Light, ” titled “One Step Enough, ” 62–66 BPM in D minor, Solo male vocal with a tired, gravelly tone accompanied by one instrument only — either electric guitar, harmonica, or simple upright piano, No choir, no band, The mood is intimate, weary, and deeply dependent on the Lord — a prayer from someone lost who has learned to trust completely, The performance should feel slow, reflective, and emotional, with gentle pauses and expressive phrasing, End with a long, soft fade of the final note, Christian blues, acoustic blues, solo performance, emotional vocal, gravelly voice, electric guitar, harmonica, piano, reflective, worshipful, intimate, heartfelt, weary, slow blues, spiritual, confession, minimal

A reflective and happy Christian blues song inspired by “Can You Count the Stars in Heaven, ” titled “He Knows and Cares, ” 78–82 BPM in G major, Solo vocal with fingerpicked acoustic or electric guitar, optional light harmonica fills, The tone should be gentle, warm, and soulfully reflective — expressing peaceful faith in God’s love and care, The vocal should feel intimate and heartfelt, with light blues phrasing and joyful simplicity, End with a soft fade and a gentle smile in the final note, Christian blues, acoustic blues, soulful blues, reflective, happy, fingerstyle guitar, harmonica, solo performance, heartfelt, warm, intimate, simple joy, faith, worshipful, porch blues, folk gospel, Tempo: 78–82 BPM (laid-back swing), Key: G Major, Style: Reflective & Happy, Christian Blues, Instrumentation: Solo male or female vocal with fingerpicked acoustic or electric guitar, soft harmonica fills optional, Mood: reflective, simple joy, peaceful trust

A fast, joyful Christian gospel blues anthem titled “Jesus Is the Way, ” 100–108 BPM in A major, Full gospel choir with call-and-response vocals, bluesy lead singer, electric guitar, Hammond B3 organ, upright bass, drums, tambourine, and optional horns, The tone should be powerful, soulful, and full of conviction, celebrating Jesus as the Way, the Truth, and the Life, Include strong clapping, energetic choir harmonies, and revival-style instrumentation, The lead singer should deliver passionate ad-libs like “Come in through Him!” and “He’s the Way!” End with a full gospel choir shout of “Jesus is the Way!” Christian blues, gospel blues, soul gospel, gospel choir, Hammond organ, electric guitar, tambourine, handclaps, revival, upbeat, worshipful, joyful, southern gospel, powerful, call and response, energetic, church choir

A joyful gospel blues soul anthem titled “Standing on the Promises (Gospel Blues Revival), ” 105–110 BPM in A major, Full gospel choir with powerful call-and-response, Hammond B3 organ, electric guitar, upright bass, drums, tambourine, and optional horns, The tone is energetic, soulful, and full of conviction — a lively church revival celebrating faith and perseverance, Include call-and-response on “Standing!” “On His promises!” and “Christ my Savior!” Use dynamic gospel phrasing, strong handclaps, and vocal ad-libs like “I’m still standin’!” End with a powerful full-choir shout “Standing on the promises of God!” and a sustained organ chord, Christian blues, gospel blues, soul gospel, revival, Hammond organ, gospel choir, tambourine, handclaps, electric guitar, energetic, powerful, worshipful, joyful, southern gospel, call and response, church praise, Tempo: 105–110 BPM, Key: A Major, Style: Gospel Blues Soul Revival, Mood: Joyful, bold, revival energy, full of conviction

A slow, soulful gospel blues choir song titled “Holding Hands (Gospel Blues Choir Rendition), ” 85–88 BPM in G major, Full gospel choir with male and female harmonies, call-and-response vocals, Hammond B3 organ, clean electric guitar, upright bass, slow gospel drums with brushed snare, and tambourine, The mood is happy but reflective, with deep soul and a feeling of unity and togetherness, Include call-and-response on “Holding hands around the world, ” “Led by His light, ” and “We are building the kingdom of God, ” The lead should have a warm, soulful tone with subtle ad-libs, End with a gentle fade on the choir humming “Mmm… holding hands around the world, ” Christian blues, gospel blues, soul gospel, Hammond organ, gospel choir, blues guitar, slow gospel, reflective, warm, togetherness, worshipful, southern gospel, soulful, church choir, unity, hopeful, Mood: Warm, unifying, hopeful, deeply soulful — a song of togetherness and faith, G Major, Style: Gospel Blues / Soulful Choir Anthem

A slow, deeply personal Gospel Blues rendition of “His Eye Is on the Sparrow, ” titled “He Watches Me, ” Solo male vocal with gravelly, heartfelt tone accompanied only by harmonica, No other instruments, The harmonica should alternate between verse lines, echoing and answering the singer’s phrases with emotional bends and breathy vibrato, The mood is reflective, intimate, and full of faith — a man alone with his God, testifying through weary hope, End with a soft harmonica sustain that fades into silence, Christian blues, gospel blues, solo performance, harmonica, emotional vocal, gravelly voice, soulful, slow blues, reflective, intimate, worshipful, heartfelt, porch blues, minimal, confessional, vintage tone, Tempo: Slow and free (no strict beat; breath-led), Style: Solo Gospel Blues, Instrumentation: Harmonicas only — the player sings and plays between phrases, Tone: Impactful, personal, reverent, full of gratitude and quiet conviction, Key: D Minor

A soulful gospel blues choir anthem titled “The Lord Is My Light, ” 98–104 BPM in B♭ major, Full gospel choir with call-and-response vocals, Hammond B3 organ, electric guitar, upright bass, gospel drums, tambourine, and optional horns, The song should be soulful, strong, and full of conviction — a testimony of faith and joy, Include call-and-response on “The Lord is my light, ” “He leads me along, ” and “He is my joy and my song, ” The tone should build throughout the song with emotional power, rising choir harmonies, and dynamic organ swells, End with a bold full-choir “Amen” and organ sustain, Christian blues, gospel blues, soul gospel, Hammond organ, gospel choir, revival, electric guitar, tambourine, handclaps, joyful, worshipful, southern gospel, call and response, church choir, energetic, powerful, Mood: Soulful, confident, and full of conviction — a declaration of trust in the Lord, Key: B♭ Major (strong, bright, and soulful), Style: Gospel Blues / Soul Anthem

A soulful reflective Gospel Blues hymn titled “In the Grove (Joseph’s Prayer), ” 66–70 BPM in D major, Lead male or female vocal with small gospel choir, Instrumentation includes soft fingerpicked electric guitar, gentle Hammond organ pad, upright bass, and light brush drums only near the end, The tone is reverent, calm, and spiritual, conveying the sacred story of Joseph Smith’s First Vision with humility and awe, The choir should remain quiet and soulful, humming or gently harmonizing beneath the lead, evoking reverence rather than power, End with a soft, sustained organ chord fading into silence, Christian blues, gospel blues, reflective, soulful hymn, Hammond organ, gospel choir, acoustic blues, worshipful, intimate, reverent, slow blues, emotional, storytelling, spiritual, sacred, Mood: Reverent, intimate, full of awe and spiritual reflection, Style: Reflective Gospel Blues / Soulful Hymn, Sparse arrangement, Tempo: 66–70 BPM Key: D Major

A slow, unaccompanied Christian Negro Spiritual rendition of “Bless Our Dear Prophet, ” titled “Bless Our Dear Prophet (A Soulful Prayer Song), ” 60 BPM in A minor, Deep, soulful choir voices with one lead singer, No instruments except for soft handclaps or a low hum, The tone should be reverent, prayerful, and full of heart — a community blessing sung in harmony and faith, Include gentle call-and-response lines and occasional spoken phrases, End quietly with the choir humming “Amen, ” Christian blues, gospel blues, negro spiritual, acapella, choir, prayer song, unaccompanied, soulful, reverent, slow gospel, deep harmonies, faith, worshipful, intimate, unity, Tempo: Slow, free time (around 60 BPM) Key: A Minor (soulful, humble), Style: Unaccompanied Negro Spiritual / Christian Soul Hymn, Instrumentation: Voices only (optional single drone note from low male voices or hum), Mood: Prayerful, reverent, united, deeply heartfelt

A slow, soulful Christian gospel choir song titled “Thank You, Lord, for a Prophet, ” 78–82 BPM in G major, Full gospel choir (SATB) with call-and-response between a soulful lead singer and the choir, Instrumentation includes Hammond B3 organ, upright bass, light gospel drums, electric guitar, and tambourine, The tone is grateful, reverent, and full of love — joyful yet restrained, expressing deep gratitude to God, Include soft handclaps and gentle vocal ad-libs like “Thank You, Lord, ” “We praise Your name, ” and “We thank Thee this day, ” End with a quiet choir “Amen, ” Christian soul, gospel blues, gospel choir, Hammond organ, soul gospel, reflective joy, grateful, worshipful, slow gospel, church choir, call and response, faith, reverent, Style: Christian Soul / Gospel Blues Choir, Mood: Grateful, reverent, warm, heartfelt — joyful but humble, Instrumentation: Hammond B3 organ, soft electric guitar, upright bass, light gospel drums with brushed snare, tambourine, and full gospel choir

A loud, joyful, soulful Christian gospel blues revival song titled “High on the Mountain Top, ” 106–112 BPM in A major, Full gospel choir with call-and-response vocals, Hammond B3 organ, blues electric guitar, upright bass, gospel drums, tambourine, handclaps, and optional horns, The tone is powerful, happy, and filled with gratitude — a revival anthem celebrating God’s promises and the light of Zion, Include energetic call-and-response sections (“High on the mountain top!” “Hallelujah!” “We’ll serve the Lord!”) and strong choir harmonies, End with a triumphant full-choir “Praise to our God, our Savior, our King!” followed by a bold organ chord, Christian blues, gospel blues, gospel choir, revival, Hammond organ, handclaps, tambourine, horns, joyful, powerful, soul gospel, southern gospel, praise anthem, worshipful, energetic, faith, Mood: Loud, soulful, happy, full of gratitude, energy, and power, Key: A Major (bright and triumphant), Style: Gospel Blues Revival / Christian Soul Anthem

A powerful, loud, uplifting Christian Soul Choir anthem titled “The Spirit of God (Soul Fire Revival Anthem), ” 94–98 BPM in A major, Full gospel choir (SATB) with Hammond organ, electric blues guitar, upright bass, gospel drums, tambourine, handclaps, and horns, The song should feel filled with the Holy Spirit — passionate, joyful, and reverent, Include strong call-and-response between lead and choir, building energy in each chorus, End with a massive, emotional “Amen” that feels like a soul revival finale, Christian soul, gospel blues, gospel choir, Hammond organ, horns, revival, powerful, uplifting, soulful, Holy Spirit, praise anthem, faith, joyful, blues gospel, call and response, worship, Mood: Powerful, loud, uplifting, and Spirit-filled, Style: Gospel Soul Choir / Christian Revival Anthem, Instrumentation: Hammond B3 organ, electric guitar (blues phrasing), upright bass, full gospel drums, tambourine, horns (trumpet + sax), full choir (SATB), Key: A Major (bright and anointed)

A 2-minute 45-second live Christian Soul Choir anthem titled “The Spirit of God (Soul Fire Revival Anthem)” in A major, 96 BPM, Full gospel choir (SATB) with Hammond B3 organ, blues guitar, upright bass, gospel drums, tambourine, handclaps, and horns, Begins reverent and slow, then builds into a loud, powerful revival anthem filled with the Holy Spirit, Include strong call-and-response vocals (“Fire in Zion!” “Hosanna!” “He’s alive!”), powerful modulations, and a climactic “Amen” ending with organ sustain, The tone should be joyful, passionate, and soul-stirring — like a live gospel revival filled with the presence of God, Christian soul, gospel blues, gospel choir, Hammond organ, revival, worship anthem, powerful, Holy Spirit, joyful, uplifting, call and response, live church, soul fire, praise, Vocal dynamic: Lead: commanding, raspy, Spirit-driven, Choir: alternating full-bodied bursts and tender hums, Feels like a testimony that erupts into prais, Starts gentle → builds strong

A joyful, soulful Dixieland Jazz gospel anthem titled “Do Something Good (Have I Done Any Good?)” 104–108 BPM in F major, Full brass band with trumpet, trombone, clarinet, upright bass, drums, piano, and gospel choir, The song should swing like a New Orleans parade with soulful call-and-response vocals, lively brass riffs, and a message about helping others and doing good, Include moments of spoken ad-lib (“Come on now — go do some good!”), strong handclaps, and a celebratory “Amen!” ending, Tone should be joyful, spirited, and full of heart, Dixieland jazz, gospel blues, New Orleans brass, swing, gospel choir, Christian jazz, joyful, soulful, faith, service, call and response, upbeat, revival, Mood: Joyful, soulful, purpose-driven — a New Orleans parade of gratitude and service, Key: F Major (classic warm brass tone), Style: Dixieland Jazz / Soul Gospel, Trumpet, clarinet, trombone, upright bass, snare with brushes (then full swing), banjo or jazz guitar, piano, tambourine

A bright, fun Dixieland Jazz gospel anthem titled “Scatter Sunshine (Dixieland Revival Anthem)” 112–116 BPM in Bb major, Full New Orleans brass band with trumpets, trombone, clarinet, tuba, banjo, piano, snare drum, tambourine, and gospel choir, The tone should be joyful, soulful, and full of energy, Include lively brass riffs (trumpets: Da-da, da-da, da-da-da-da!), swinging drums, call-and-response vocals, and a big final parade-style ending, The song celebrates spreading love and kindness, blending gospel soul with Dixieland joy, Dixieland jazz, gospel blues, New Orleans brass, swing gospel, gospel choir, joyful, upbeat, parade, revival, sunshine, kindness, faith, service, Christian jazz, second line, Dixieland Jazz / New Orleans Gospel Swing, Bb Major (classic brass key), Mood: Fun, bright, upbeat, full of laughter, joy, and gratitude, Trumpets, clarinet, trombone, tuba (or upright bass), banjo, piano, tambourine, handclaps, full gospel choir, snare & kick (brushed swing beat)

A soulful, hopeful Dixieland Jazz gospel song titled “Where Can I Turn (Did You Think to Pray?)” 92–106 BPM in G major, Starts slow and reflective, then builds to a bright Dixieland swing, Full brass band with trumpet, trombone, clarinet, upright bass, piano, banjo, drums, tambourine, and gospel choir, The tone should be both spiritual and uplifting — a story of inner conflict and finding peace through prayer, Include expressive brass riffs (trumpets: Da-da, da-da, da-da-da-da!), call-and-response vocals, and a hopeful final chord, Style reminiscent of a deeply soulful song yet joyful, Dixieland jazz, gospel blues, New Orleans brass, soulful gospel, prayer, reflection, hope, swing, Christian jazz, faith, worship, revival, jazz gospel, brass band, uplifting, Mood: Soulful, questioning, yet bright with faith — hopeful despite struggle, trumpets, clarinet, trombone, upright bass, brushed drums, banjo, piano, tambourine, light choir (SATB), G Major

A fun, bright, soulful electro-swing jazz gospel song titled “Choose the Right (Electro Swing Gospel Jazz Rendition), ” 118–122 BPM in Bb major, Features trumpets, clarinet, trombone, upright bass (swing loop), brushed drums with electronic swing beat, piano, jazz guitar, handclaps, tambourine, and gospel choir, Style is upbeat and playful, with vintage swing horns and modern electro groove elements, Include soulful call-and-response vocals, short horn riffs (trumpets: Da-da, da-da, da-da-da-da!), and scatting interludes, The song should feel classy, joyful, and faith-filled — like a 1930s swing revival with gospel soul energy, electro swing, jazz gospel, Dixieland, gospel soul, swing jazz, gospel choir, upbeat, bright, playful, Christian jazz, New Orleans, big band, joyful, faith, vintage revival, Mood: Fun, bright, jazzy, and soulful — danceable but reverent, Style: Electro Swing / Soul Jazz Fusion, Tempo: 118–122 BPM, Key: Bb Major

A joyful ragtime jazz gospel song titled “’Til We Meet Again (Ragtime Gospel Farewell)” 96–102 BPM in F major, Features stride piano, trumpets, clarinet, trombone, upright bass, brushed drums, banjo, and light gospel vocals, The tone is fun yet tender — a bright spiritual goodbye filled with faith and hope, Include syncopated piano riffs, horn responses (trumpets: Da-da, da-da, da-da-da-da!), call-and-response vocals, and a classic ragtime ending, Make it sound like a 1910s church parlor celebration that ends with joy and smiles, ragtime jazz, stride piano, Dixieland, New Orleans gospel, vintage swing, gospel jazz, bright, farewell, faith, hope, joy, Christian jazz, old-time revival, Stride piano, upright bass, brushed drums, clarinet, trumpet, trombone, banjo, tambourine, and light vocal trio (SAT), Mood: Playful yet tender; joy in parting, not sadness — vintage gospel optimism, Key: F Major, Style: Ragtime Jazz / Early Gospel Swing, Tempo: 96–102 BPM (classic ragtime two-step)

The voice is the instrument — rough, lived-in, trembling with fatigue and faith, Use long pauses between phrases — the silence is part of the prayer, The slide guitar (or single-hand piano chords) should never compete; it breathes with the singer, Each repetition of “Behold, it’s eventide” should feel more like surrender — less strength, more soul, A slow, soulful blues solo titled “Abide With Me (’Tis Eventide Blues)” 64 BPM in D minor, Minimal instrumentation — just a gravelly, weary male vocal and one sparse accompaniment (either slide guitar or upright piano), The tone is intimate, tired, and heartfelt — like a late-night prayer whispered to God, Include deep emotional phrasing, space between lines, and soft slide guitar bends that echo the singer’s weariness, Ends with a long, fading note and silence, blues soul, gospel blues, delta blues, solo vocal, minimal, spiritual, prayer, weary, reflective, slide guitar, emotional, slow tempo, late night, Christian blues, vocal is gravelly

A powerful gospel blues revival song titled “He Is Risen (Gospel Blues Revival Anthem)” 96 BPM in G major, Features Hammond organ, gospel choir, electric guitar, upright piano, bass, drums, tambourine, and horns (trumpets: Da-da, da-da, da-da-da-da!), Big soulful choir harmonies, hand claps, and call-and-response vocals, Style combines Southern gospel revival with blues soul and church energy, Build from a preaching intro to full choir crescendos, Emphasize joy, conviction, and the Holy Spirit, gospel blues, revival, southern soul, gospel choir, Hammond organ, handclaps, uplifting, spiritual, Easter, resurrection, joyful, powerful, praise, Christian soul, Mood: Triumphant, loud, soul-stirring, filled with Holy Spirit fire and joy, Instrumentation: Hammond organ, electric guitar (clean gospel tone), upright piano, bass, drums with rim snaps and tambourine, full gospel choir (SATB), hand claps, call-and-response leader, Style: Gospel Blues Revival / Southern Soul Choir, Key: G Major

A 1930s jazz swing gospel song titled “Redeemer of Israel (The Holy Swing Blues)” in the style of Cab Calloway’s Minnie the Moocher, 105 BPM in F minor, Big band swing arrangement with trumpets, trombone, clarinet, stride piano, upright bass, brushed drums, and gospel choir, Include lively call-and-response between the lead singer and the choir, scat phrases (“hi-de-hi-de-ho”), and playful horn riffs (trumpets: Da-da, da-da, da-da-da-da!), Blend gospel blues and jazz club energy with sacred lyrics about redemption, Zion, and freedom, swing jazz, big band gospel, Cab Calloway, Minnie the Moocher, gospel blues, revival jazz, church swing, brass band, New Orleans jazz, gospel choir, call and response, redemption, Mood: Playful yet reverent — jazz swagger meets spiritual deliverance, Style: Big Band Jazz / Swing Gospel Fusion, Instrumentation: Big brass band — trumpets, trombone, clarinet, upright bass, brushed drums, stride piano, muted trumpet solo, and gospel backing singers

A 1930s jazz swing gospel song titled “The Angel Flew Down (Swingin’ From On High)” in the style of Cab Calloway’s Minnie the Moocher, 108 BPM in E♭ minor, Full big band with trumpets, trombone, clarinet, upright bass, stride piano, brushed drums, tambourine, and gospel backup singers, Playful call-and-response between the lead singer and the choir with scat sections (“hi-de-hi-de-ho”) and brass riffs (trumpets: Da-da, da-da, da-da-da-da!), Blend gospel revival lyrics with lively jazz storytelling and strong swing rhythm, swing jazz, Cab Calloway, Minnie the Moocher, big band gospel, gospel blues, Harlem jazz, revival swing, jazz gospel, New Orleans gospel, call and response, trumpet riffs, 1930s jazz, gospel choir, Mood: Joyful, jazzy, prophetic — heavenly swing with gospel grit, Instrumentation: Trumpets, trombones, clarinet, upright bass, stride piano, brushed drums, gospel backup trio, tambourine, and call-and-response vocals, Style: Big Band Gospel Jazz / Swing Revival, E♭ minor

A fast, fun 1930s swing jazz song titled “Follow the Prophet (Swingin’ With the Lord)” in the style of Cab Calloway’s Minnie the Moocher, 118 BPM in B♭ major, Big band arrangement with trumpets, trombone, clarinet, stride piano, upright bass, brushed drums, tambourine, and gospel choir, Includes lively call-and-response between the lead and choir, scat sections (“hi-de-hi-de-ho”), brass riffs (trumpets: Da-da, da-da, da-da-da-da!), and playful preacher-style vocals, The song should be joyful, quick, repetitive, and fun — a jazzy gospel message about following God’s prophets, swing jazz, Cab Calloway, big band gospel, gospel blues, 1930s jazz, jazz gospel, New Orleans swing, call and response, scat, gospel choir, revival jazz, Mood: Fun, jazzy, repetitive, snappy — holy swing with humor and joy, Style: 1930s Swing Jazz / Big Band Gospel Cabaret, Instrumentation: Trumpets, trombone, clarinet, stride piano, upright bass, brushed drums, tambourine, gospel choir and scatting leader, B♭ Major

A joyful New Orleans Dixieland jazz revival song titled “Call Me On a Mission (Dixieland Revival Swing)” 124 BPM in F major, Features brass band instrumentation with trumpets, trombone, clarinet, tuba, banjo, stride piano, parade drums, tambourine, and gospel call-and-response vocals, Bright, fun, and energetic with syncopated brass riffs (trumpets: Da-da, da-da, da-da-da-da!), marching snare patterns, and clarinet runs, The tone is youthful and full of faith, like a missionary parade through New Orleans celebrating service, joy, and the gospel, New Orleans jazz, Dixieland, gospel swing, brass band, big brass, joyful gospel, missionary song, revival jazz, call and response, parade music, faith, fun, upbeat, youth, Style: New Orleans Dixieland Jazz Revival, Instrumentation: Trumpets, clarinet, trombone, tuba, banjo, drums with snare & parade beat, stride piano, tambourine, gospel quartet for group shouts, Mood: Joyful, playful, youthful, energetic, full of call-and-response energy

A joyful New Orleans Dixieland jazz gospel song titled “Love One Another (Dixieland Jubilee of Love)” 120 BPM in B♭ major, Features trumpets, trombone, clarinet, tuba, banjo, upright bass, stride piano, snare parade drums, tambourine, and gospel choir, Include bright brass riffs (trumpets: Da-da, da-da, da-da-da-da!), call-and-response vocals, clarinet solos, and rhythmic clapping, The tone is fun, energetic, and spiritual — a swinging gospel celebration about loving one another like Jesus did, with joyful brass and a revival parade energy, New Orleans jazz, Dixieland gospel, gospel swing, jazz revival, parade brass band, joyful, uplifting, love, gospel choir, brass harmony, call and response, faith, Christian jazz, spiritual joy, Instrumentation: Trumpets, clarinet, trombone, tuba, banjo, upright bass, stride piano, snare drum with brushes and tambourine, call-and-response gospel choir, Mood: Fun, uplifting, spiritual joy — the sound of community, kindness, and sunlight, B♭ Major

A slow, stripped-down Christian gospel ballad titled “There Is a Green Hill (Simple Gospel Prayer)” 62 BPM in D major, Performed by a solo female vocalist with a soulful, gentle tone, Accompaniment is only soft, minimal piano chords — spacious, reverent, and emotional, The song should feel prayerful and tender, expressing deep love and faith in Christ’s sacrifice, Emphasize vocal emotion and breath, not instrumentation, End with a soft fade on a sustained piano chord, The vocal delivery should feel deeply personal — as if sung to oneself in prayer, Christian gospel, soul ballad, solo female vocal, piano only, minimalist, tender, reflective, worship, prayer, Holy Week, intimate, emotional, faith, Use rubato (free tempo), Avoid gospel riffs — let the purity of the melody carry the emotion, The final verse should feel like release, not climax — surrender, not performance, Piano voicing: simple triads, gentle suspensions, sustain pedal throughout, Solo female vocal, soft piano, D Major