1:34
Afro-Cuban Santería chant, rhythmic foundation is provided by a trio of batá drums (iyá, itótele, and okónkolo) performing complex, interlocking polyrhythms in a 12/8 meter, uses a call-and-response structure, delivering phrases with a resonant, chest-voice timbre, The drums utilize open tones, slaps, and muted strokes to create a dense percussive texture, The tempo is approximately 115 BPM, The recording has a dry, acoustic room ambiance with minimal post-processing
1:53
Afro-Cuban Santería chant, rhythmic foundation is provided by a trio of batá drums (iyá, itótele, and okónkolo) performing complex, interlocking polyrhythms in a 12/8 meter, clave, uses a call-and-response structure, delivering phrases with a resonant, chest-voice timbre, The drums utilize open tones, slaps, and muted strokes to create a dense percussive texture, The tempo is approximately 115 BPM, The recording has a dry, acoustic room ambiance with minimal post-processing
1:15
Afro-Cuban Santería chant, rhythmic foundation is provided by a trio of batá drums (iyá, itótele, and okónkolo) performing complex, interlocking polyrhythms in a 12/8 meter, clave, uses a call-and-response structure, delivering phrases with a resonant, chest-voice timbre, The drums utilize open tones, slaps, and muted strokes to create a dense percussive texture, The tempo is approximately 115 BPM, The recording has a dry, acoustic room ambiance with minimal post-processing