
アルバム「ラグ・ジェネシス」 Feedlamia
Feedlamiaのコンセプト・アルバム。
7人は、少しだけ世界線のずれた「もうひとつの世界」へ、ばらばらに迷い込んだ。
それぞれの場所で、それぞれの一年を過ごし、やがて再会する。
知らない街、知らない日常、ライブ、新しい出会い、そして別れ。
もう一度7人で音を鳴らして、元の世界へ帰るまでの物語。
行きと同じ七人で。
行きとは違う七人で。
Feedlamia
『ラグジェネシス』
·
19 songs
3:03

ハイエースで行こう
v5.5
Female alto vocals, slightly husky tone, conversational singing style, modern ska pop, 2-Tone ska, busy hi-hats, ghost notes, driving drum groove, pocket groove, syncopated drum fills, melodic walking bass, bass-driven rhythm section, percussive upstroke guitar, muted guitar chops, off-beat Hammond organ, clarinet lead, understated alto saxophone, layered backing vocals, bright major key, clean studio production, wide stereo mix, organic instruments
melancholy
2:44

スタジオ・ラグジェネシス
v5.5
Maximalist pop, modern ska, clarinet lead, melodic bass hooks, art pop, street-eccentric grooves, energetic rhythm guitar, dance Hip Hop, syncopated beats, surreal festival atmosphere, cheerful chaos, cinematic, quirky, electric, female vocals, progressive arrangements, unexpected transitions, ever-changing arrangements
1:11

Immediate development, rapid deconstruction, no extended solos, no verse-chorus repetition, Experimental British progressive rock, dark and edgy art rock, BPM 92, a semi-instrumental piece in through-composed form, an aggressive 7/4 opening riff, dry acoustic drums, distorted melodic bass, edgy electric guitar, interlocking polyrhythmic ostinatos, instruments gradually shifting into incompatible time signatures, jarring clarinet, dissonant accordion clusters, Mellotron-style chorus, analog tape saturation, extreme dynamic contrasts, a cold studio atmosphere, restrained overlapping female whispers, short track
3:41

めぐるり線
v5.5
orchestral art pop, upbeat offbeat groove, ska, clarinet lead, lush strings, cinematic, whimsical, warm optimistic future, melodic female vocal, progressive
2:34

八月第三日曜日
v5.5
Maximalist pop, organized madness, catchy guitar hooks, catchy guitar hooks, art pop, street-eccentric grooves, energetic rhythm guitar, dance Hip Hop, syncopated beats, carnival-style percussion, cello beats, surreal festival atmosphere, cheerful chaos, cinematic, quirky, electric, female vocals, progressive, ever-changing arrangements
4:13

Mode Genesis
v5.5
Maximalist pop, modern ska, sax lead, melodic bass hooks, art pop, street-eccentric grooves, energetic rhythm guitar, cello beats, dance Hip Hop, syncopated beats, surreal festival atmosphere, cheerful chaos, cinematic, quirky, electric, female vocals, progressive arrangements, unexpected transitions, ever-changing arrangements
4:18

Instrumental psychedelic big beat performed by a virtuoso ensemble, drum-dominated jazz-fusion breakbeats, flamenco rasgueado guitar loops, distorted Hammond organ, wild Moog synthesizer, analog synth bass, hypnotic dance repetition, expressive lead clarinet as the singer, restrained low clarinet motif opening into a powerful melodic refrain, late clarinet-and-drum chase, massive physical groove, abrupt drops, no vocals, no spoken word, no rock guitar, no ska
3:54

Port Genesis
v5.5
Hook-driven British jazz-funk art pop, modern large-ensemble jazz fusion, fluent native-level British English female vocal, subtle contemporary London accent, clear natural diction, singing fretless electric bass, expressive bass harmonics and slides, recurring melodic bass hook, deep syncopated pocket, tight dry drums, Fender Rhodes, Hammond organ, clavinet, crisp clean rhythm guitar, clarinet-led unison lines, subtle odd-meter accents, restrained melodic chorus, dynamic live-band arrangement
4:35

非破壊のスーパースター
v5.5
A Japanese female solo vocalist who excels at both rapping and singing, Her music is an intellectual and playful brand of alternative hip-hop, BPM 98, Clear, crisp, conversational rap verses; smooth city pop and neo-soul-style choruses; a warm Fender Rhodes playing major 7th chords; a bouncy, melodic bassline; dry, laid-back breakbeats; catchy electric guitar (Telecaster); a clarinet solo, subtle metallic percussion, a melodic hook spanning the low to mid-range, restrained and straightforward vocals, and soft, overlapping female harmonies heard only in the chorus, orchestral art pop, upbeat offbeat groove, ska, clarinet lead, lush strings
3:49

また同じ部屋で
v5.5
Japanese female vocal, sophisticated 1980s Japanese adult contemporary pop, midtempo around 86 BPM, relaxed straight-eighth groove, conversational low-to-mid register vocal, narrow melodic range, syllabic phrasing, gently syncopated melody, understated flowing chorus with a subtle descending contour, warm acoustic piano, Fender Rhodes, clean electric guitar arpeggios, melodic electric bass, light dry live drums, subtle accordion counter-melody, elegant jazz-pop chord changes, soft female backing harmonies, bittersweet, lightly playful, restrained and intimate, controlled dynamics, no belting
3:24

また集まろう
v5.5
Japanese female vocal, Intimate Piano Pop, Contemporary Singer-Songwriter, Warm Grand Piano, Subtle Strings, Soft Brush Drums, Warm Acoustic Bass, Studio Recording, Close Microphone, Dry Vocal, Natural Dynamics, Emotional but Restrained, No Audience, No Live Ambience, Cinematic Build, Heartfelt Singalong Chorus, 72 BPM
5:31

渋谷宮下渋滞中
v5.5
Up-tempo gypsy jazz conversational pop, playful theatrical swing, driving acoustic rhythm guitars, walking upright bass, crisp brushed snare, lively violin and clarinet responses, rhythmic spoken-sung Japanese female ensemble, seven distinct female voices trading and interrupting lines naturally, witty conversational timing, fast stop-start accents, sudden ensemble hits, handclaps, humorous musical commentary, catchy singalong refrain, bustling reunion atmosphere, light-footed controlled chaos, warm live-room sound, clear Japanese diction, modern polished recording, no rap, no hip-hop, no rock drums, no brass section
3:44

ライブをやろう!
v5.5
Japanese ska, 2 tone ska, energetic female vocal, festival anthem, live band, punchy brass section, clarinet, trombone, trumpet, walking bass, upbeat electric guitar, driving drums, audience singalong, call and response, joyful, playful, explosive chorus, modern high fidelity
3:19

Live Band, Live Recording, Festival Atmosphere, Audience Claps, Audience Participation, Natural Stage Ambience, Room Ambience, Organic Performance, Raw Energy
Japanese female vocal, dance pop, Latin dance, tropical groove, funky brass, clarinet hooks, congas, percussion driven, infectious rhythm, modern festival anthem, crowd singalong
3:18

Another World
v5.5
Japanese female vocal, uplifting ska rock, modern 2 tone ska, emotional live anthem, festival finale, warm brass section, expressive clarinet, trumpet, trombone, rhythmic upstroke guitar, melodic walking bass, dynamic live drums, audience choir, singalong chorus, emotional finale, hopeful, cinematic, spacious, high fidelity
3:34

タンバリンみたいな月
v5.5
Japanese female & male duet, sophisticated city pop, jazzy pop, mellow funk groove, syncopated bass, tight drums, electric piano, clean rhythm guitar, expressive clarinet, warm vocal harmonies, conversational duet, airy, bittersweet, after-show atmosphere, refined pop, late night, high fidelity
2:39

Modern ska art pop, tight mature ensemble, precise band interplay, locked-in bass and drums, confident rhythm section, crisp ensemble breaks, synchronized accents, expressive clarinet counterpoint, tasteful instrumental responses, controlled dynamics, clean guitar interplay, warm piano, female vocals, subtle hip hop groove, sophisticated musicianship, purposeful arrangement, organic live band energy, minimal effects, natural room sound
4:16

ハイエースでもどろう
v5.5
orchestral art pop, upbeat offbeat groove, ska, clarinet lead, lush strings, cinematic, whimsical, warm optimistic future, melodic female vocal, progressive
3:26

また集まろう(LIVE)
v5.5
Japanese female vocal, Jangle Pop, Indie Folk Rock, Chamber Pop, Anthemic Indie Pop, Bright Live Band, Chiming Electric Guitars, Acoustic Guitar, Warm Melodic Bass, Energetic Drums, Clarinet, Handclaps, Group Vocals, Youthful, Open-Air Feeling, Bittersweet but Uplifting, Catchy Singalong Chorus, Gradual Ensemble Build, 116 BPM
Modern studio recording, natural female lead vocal, clear conversational verses, emotionally open chorus, organic live instrumentation, wide ensemble sound, warm clean mix, polished mastering
