AIU After Party | Late Late Nyte w/DizzleByte | #10
10th edition of Late Late Nyte with @DizzleByte, Hosted LIVE on our Twitch channel at https://www.twitch.tv/aiunderground
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18 songs
4:58
voice test 4
v5.5
lets get some emo screamo
solo acoustic guitar
minimalism
singer songwriter vibes, 50% cleaned up vocals
pace and volume can vary greatly depending on the emotion of the lyrics, emotional
soulful
despair
anger, ‑breath intake noise, ‑same, ‑boring, ‑flat vocal delivery
5:29
High-energy comedic hard rock track with a driving 4/4 beat at 135 BPM, The arrangement features distorted electric guitars playing syncopated power chord riffs, a prominent funky bassline, and aggressive acoustic drums with heavy snare hits, The lead vocals are performed by a gritty, theatrical male tenor who utilizes bluesy growls, soaring belts, and rhythmic delivery, The song structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format, The bridge features a shift in intensity with more melodic vocal lines before returning to the high-octane chorus, Production is polished with modern rock compression, slight reverb on the vocals, and a wide stereo field for the layered guitars, The harmonic language is rooted in blues-rock and hard rock, utilizing minor pentatonic scales and chromatic passing tones
3:27
The Runway Battle
Custom
Nasal Vocal, GRUNGE VOCAL, ENERGIC, melodic metalcore, rock, scream, emo, emotion, rap and hip hop
3:18
5:25
Progressive Metal and Alternative Metal, Prog Rock, Sci-Fi
6:47
speed garage, 135 BPM, swung four-on-floor, chopped vocal stabs, syncopated sub bass, distorted kick transients, crisp shaker loop, organ bass riff, filtered rave synth, metallic percussion accents, short plate reverb, stereo delay throws, tight club mix, tense release, late-night drive, peak-hour energy
4:59
Safe
v5.5
Cinematic Melodic Dubstep, Ambient IDM, Lydian Mode, Double Harmonic Scale, Cascading Microtonal Synths, Staccato Square Wave, Pitch-bent Arpeggios, Organic Hand Percussion, Syncopated Male Lead Vocal, Female Lyrical Vocals, Ethereal Plucked Harp, Warm Rolling Sub-bass, Expansive Canyon Reverb, Powerful Wall of Sound, Beautiful Dissonance, Flowing Polyrhythms, Granular Stutter-edits, Uplifting, 90bpm
3:07
Chew The Signal
v5.5
A cinematic glitch-driven soundscape where synthetic and organic elements constantly negotiate control, Pulsing synths, corrupted orchestral textures, and restrained industrial rhythms form a flexible backbone that can escalate or decay as instructed, Choirs appear as distorted signals or synthetic congregations, never purely human, Basslines feel infrastructural—like power routing through a failing system, Guitars, when present, cut surgically rather than dominate, Glitch artifacts, timing slips, and digital decay are used musically, not chaotically, The overall tone is ominous but playful, authoritative but self-aware—equal parts cosmic sermon, system error, and defiant performance, Designed to adapt to genre shifts, tempo changes, and narrative beats without breaking character
1:34
slower down tempo west coast boom bap, more melodic but still with punch and aggression, male vocals, deeper, bit aggro, maybe industrial rock from eary 2k
5:51
disco, dubstep, emotional, techno, rock, face melting guitar solos, face melting guitar riffs throughout song, aggressive, beats, vocal, distorted 808s, indie rock, guitar-driven, edm, soothing, subtle lo-fi beats, raspy male vocals with explosive energy; fat deep analog bass, deep, blues, minor chord progressions with emotional outbursts, dreamy reverb layering over a relentless hyper-2-step rhythm; indie rock meets electronic chaos, lo-fi, vocal jazz, downtuned guitars
4:37
Nu-metal and rap-rock fusion at 110 BPM in E minor, Distorted electric guitars play syncopated power chord riffs with heavy palm muting, A slap bass guitar follows the kick drum patterns, The drum kit features a crisp snare with high-frequency snap and a punchy kick, Turntable scratches and digital glitch effects are layered throughout, Male vocals alternate between melodic singing in the verses and aggressive, shouted delivery in the choruses, Synthesizer textures include high-pitched sine wave leads and filtered saw-tooth pads, The production uses frequent tape stops and stutter edits
3:37
Dark pop rock with brooding electric bass in the verses, spacious reverb-soaked guitar arpeggios, eerie analog synth pads, and whispery reverse FX under an immersive horror atmosphere, Choruses erupt with wall-of-guitars, crash-heavy drums, and powerful lead vocals, then pull back to a half-volume emotional peak with ghostly harmonies and cavernous delay
3:19
Dark folk, Folk Rock, Opens with a pulsing kick drum and fingerpicked acoustic guitar, establishing a steady, earthy tempo, Verses feature a Dylan-esque vocal—nasal, conversational, and slightly raspy—layered over sparse slide guitar and rhythmic acoustic strumming, Upright bass enters subtly, joined by light trumpet accents, As the chorus hits, instrumentation swells with group harmonies, floor toms, The bridge strips down to upright bass, organ pad, and reverbed lead vocal, creating a meditative, spacious atmosphere, Final chorus returns with full instrumentation and vocal intensity, Outro extends the group chant with harmonica lines and kick drum drive, fading out over layered folk textures
4:48
UK Indie, Lo-Fi Shoegaze, Indie Acoustic Demo, Fingerpicked & Softly Strummed Detuned Guitar, Reverb-Drenched Tone, Gentle Tape Hiss, Mic Hum, Room Noise Texture, Dreamy Layered Male Vocals, Half-Whispered Delivery, Doubled Chorus with Heavy Delay/Reverb, Shoegaze Guitar Swells, Ambient Organ Pad Bridge, Nostalgic Bittersweet Mood, Bedroom Cassette Recording Feel
4:17
6:34
Dark ambient evolving into cinematic orchestral, solo female lead vocal only, No male vocals, no growls, no duet, First half: no drums or defined rhythm—low drones, sub-bass pulses, distant atmospheric textures, minimal strings, vast negative space, Mood ancient, ominous, inevitable, At the revelation (“It beat in someone’s name”), strip to near silence; intimate vocal with slight crack, then brief stillness, Afterward tone turns cold and controlled, Gradually introduce slow tectonic percussion and low strings; rhythm emerges late and mechanical, Final third expands into restrained orchestral weight, not chaotic, Ending ancient and dreadful—low sustained harmony with subtle unresolved tone, long resonance fade, no triumphant swell