Images: GAAIA Project

Minimal cyclical structure with repetition, Short intro hook, chorus first, two short verses, optional light pre-chorus, final chorus extends the hook, Vocals reflect GiR identity: four female voices, soft, youthful, breathy, close to mic, Verses alternate lines, subtle call-and-response pre-chorus, unison chorus with thin harmonies, Hook is “Like a wave, ” repeated, smooth rising-falling contour, light elongated vowels, Vocals dry, clear, upfront in mix, never buried, Minimal short reverb only, Harmonies thin, airy, shimmering, Mix clean, modern, spacious, balanced, Instrumental minimal and percussive, space for vocals, Rhythm stylish at 134–136 BPM: dry kick, crisp clap, syncopated hats, gentle sub-bass, No heavy drops or big builds, ‑belting, ‑diva ballad vocals, ‑shouting, ‑gospel runs, ‑theatrical vibrato, ‑chant hooks, ‑rap, ‑childlike chants, ‑robotic autotune, ‑distorted vocals, ‑EDM vocal chops, ‑supersaws, ‑dubstep growls, ‑heavy drops, ‑risers, ‑cinematic booms, ‑rock guitars, ‑orchestral swells, ‑lo-fi filters, ‑wall-of-sound pads, ‑harsh compression, ‑long reverb tails, ‑cluttered percussion

Minimal cyclical structure with repetition, Intro hook, chorus, two short verses, light pre-chorus, chorus repeats, short bridge, final chorus extended, Four K-pop female voices, soft, youthful, breathy, close to mic, Verses alternate, pre-chorus light call-and-response, chorus in unison with thin transparent harmonies, Melody must be beautiful, elegant, memorable, with a short catchy hook, graceful rising-falling contour, lightly elongated vowels, Vocals clear, dry, upfront, never buried, minimal short reverb only, Harmonies thin, airy, shimmering, Mix clean, modern, balanced, wide space around vocals, Percussion minimal but stylish: syncopated kick, crisp clap, light hats, deep gentle sub-bass, Add subtle Afrobeat groove: off-beat percussion accents, rolling hi-hat patterns, soft wooden textures, No heavy drops, risers, lush pads, or thick synth leads, Atmosphere dreamy, restrained, modern, intimate, focused on repetition and flow

Four female Vocals are intimate, whispery, and dry upfront with minimal reverb, never belted, Mix is clean, spacious, elegant, highlighting delicate delivery, breath sounds, Begin very minimal in Verse 1 with only soft piano and faint ambient pad, no drums or bass, In Verse 2, gently add acoustic guitar strums, soft bass, and light brushed percussion, with children’s laughter faintly layered in the background, Bridge builds with strings swelling and ambient park sounds (birds, wings flapping) while still avoiding heavy drums, Outro becomes the emotional climax: vocal harmonies, fuller piano, guitar, strings, and soft percussion layered warmly, but no strong kick or snare, Maintain an intimate, reflective mood throughout, with dynamics gradually rising section by section, ending in a natural fade with park ambience

Acoustic blues-pop ballad with full orchestration and jazz vocal lead, Vocal is close-mic, soft and breathy, intimate tone, almost spoken in parts, minimal vibrato, natural phrasing, Humming and scat appear only as ad libs, not fixed lyrics, Mixing keeps the vocal always in front, dry with a touch of short plate reverb, light compression with natural dynamics preserved, Rhythm section (drums, bass, guitar, piano) mixed warm and centered, Orchestra spread wide but placed behind the vocal: strings smooth and broad, brass only gentle accents, woodwinds light counterlines, Overall sound is warm, midrange-focused, with natural hall ambience, ‑synths, ‑electronic pads, ‑sub-bass, ‑trap hats, ‑supersaws, ‑EDM effects, ‑electronic percussion, ‑overdriven rock guitar solos

Studio recording of a collaboration between a traditional blues band and four female vocalists, Blues rhythm section with drums (brushed snare, warm swing), upright bass, acoustic and electric guitar, and piano, Lead vocal is soft, breathy, close-mic with natural phrasing, minimal vibrato, almost spoken in parts, Other voices provide thin transparent harmonies and light unison lines, Humming and scat only as light ad libs, Mixing keeps vocals always in front, dry with short plate reverb, light compression, Band is warm and centered with natural studio ambience, Optional orchestration: smooth strings, gentle woodwind counterlines, subtle brass accents, Overall sound is warm, midrange-focused, polished studio tone, ‑synths, ‑electronic pads, ‑sub-bassBelting, ‑power-ballad vocals, ‑supersaw synths, ‑EDM risers, ‑gated reverb snare, ‑trap hats, ‑boomy sub-bass, ‑large choir or gospel chorus, ‑trapBelting, ‑power-ballad vocals, ‑supersaw synths, ‑EDM risers, ‑gated reverb snare, ‑trap hats, ‑boomy sub-bass, ‑large choir or gospel chorus hats, ‑supersaws, ‑EDM effects, ‑electronic percussion, ‑overdriven rock guitar solos

Modern Funky Jazz-Funk in the style of contemporary acid jazz, strong and danceable groove with punchy kick, tight snare and funky hi-hats, driving electric bass line with deep groove, electric piano and Rhodes with jazzy chords, crisp synth leads blending with brass textures, shimmering atmospheric pads, Dorian modal flavor, minimal chord changes, stylish and energetic, polished and clean modern mix, punchy low-end, clear separation, wide stereo field, club-ready funky vibe, smooth and highly accessible, ‑retro funk, ‑vintage 70s fusion, ‑lo-fi, ‑old-school, ‑cinematic scoring, ‑big band

minimal dream-pop electronica with warm pads, soft pulse bass and clear geomungo, modern, emotional and repeat-friendly, no fusion jazz, no club EDM, no heavy reverb, no heavy kick, full-length track, keep the long intro and outro from step1, do not shorten any section, same arrangement as step1 with no changes to structure, transitions, instruments, mix, reverb, kick or bass, no rebuilding, geomungo must stay clearly audible through the whole track without dominating, light background glitch only in the later part of the song, never in the intro, instrument-driven track, the instrumental must continue after vocals instead of ending quickly, instrumental-only intro, no vocals in intro or verse1, vocals enter only after the second chorus and stay behind the instrumental with soft Korean breathy tone, ‑EDM festival, ‑deep house, ‑trap, ‑dubstep, ‑fusion jazz, ‑smooth jazz, ‑cinematic

Keep the full structure and full length exactly as in the audio, Do NOT alter or shorten any section, Do NOT add any vocal sound in the intro; the intro must be purely instrumental, Do NOT add any humming, ooh, ahh, “la la”, or wordless vocalizing in the intro, Refine the mix in a modern cold R&B style, Make the guitar clearer and tighter: very dry, thin high-mid, near-mono, short muted strokes with no warmth or shimmer, Keep drums minimal but crisp: tight soft kick, dry snare, thin hats with light syncopation, Bass remains thin, mono, and stable, Tighten the stereo field and reduce ambience, Keep the overall mix dry, close, cold, and transparent with clean transients, Use only subtle room presence for natural clarity, Bring vocals slightly forward: whisper-clear, controlled breath, rhythmic phrasing, small steps, and thin harmonies only at key moments, Maintain a minimal, urban, winter-cold mood without adding new layers or effects, ‑Warm lo-fi, ‑retro soul warmth, ‑cinematic pads, ‑heavy reverb wash, ‑bright pop belting