Rebbekah Kocke

R&B with Southern hip-hop bounce at 102 BPM, Atlanta-influenced groove, swung drums and warm 808 under smooth synth chords; verse rides tight rap-sung phrasing, pre-chorus opens with airy ad-libs and stripped bass, chorus hits with stacked breathy hooks and handclap snaps, Female lead with doubled lines, whispered asides, delay throws on the hook word, filtered risers into each drop, velvet-clean yet gritty mix with glossy top end and thick low-end thump, breathy, r&b, uptempo, hip-hop, soulful, beats, rap, smooth, ‑rock guitars, ‑country, ‑crunk, ‑folk, ‑acoustic, ‑gospel choir, ‑jazz brass, ‑orchestral, ‑classical, ‑metal, ‑punk, ‑emo, ‑shoegaze, ‑lo-fi bedroom pop, ‑bossa nova, ‑reggae, ‑ska, ‑drum-and-bass, ‑dubstep wobble, ‑hardstyle, ‑happy hardcore, ‑bright bubblegum pop, ‑indie rock, ‑new age ambient, ‑heavy autotune melodic rap, ‑fast double-time hi-hat rolls (keep it snap-driven not hi-hat-driven)

Post-Krunk pop-rap, Southern Dirty rap, female rapper with aggressive delivery, Atlanta-influenced production, heavy 808 sub bass, female rapper with melodic hooks, bright synth stabs, rolling trap hi-hats, catchy female-sung chorus with rap verses, polished radio-ready production, 100 BPM, G major, confident braggadocious delivery, collaboration aesthetic, 2014 krunk+pop rap energy, ‑acoustic, ‑country, ‑folk, ‑jazz, ‑classical, ‑orchestral, ‑soft rock, ‑shoegaze, ‑lo-fi, ‑ambient, ‑new age, ‑gospel choir, ‑R&B ballad, ‑slow jam, ‑bossa nova, ‑reggae (unless specifically Mode 3), ‑indie rock, ‑metal, ‑punk, ‑emo