6:48
Cthullu Rises
v5.5
doom rock, funeral march groove, pounding, heavy walking base beat, deep base solo, base drum of doom solo
4:37
Spare cowboy ballad with ghostly western atmosphere, slow 6/8 pulse, fingerpicked acoustic guitar, mournful harmonica, brushed snare, upright bass, and distant pedal steel with long spring reverb, Hollow baritone vocal, room tone, sparse harmony drones, and a dusty outlaw-country feel with open space and fading echoes
4:12
Pikathullu
v5.5
Dark horror soundtrack with detuned piano clusters, bowed metal drones, sub-bass rumble, and eerie string harmonics, Sparse taiko hits, reversed cymbal hits, and granular synth whispers creep under a melody-first chorus carried by ghostly choirs, tape echo, and sudden silence for tension
3:02
The Grim Pika
v5.5
gothic hard rock, choral metal, 88 BPM, gregorian chant choir, baritone spoken lead, horror pipe organ, detuned electric guitar, tom-heavy march, upright bass ostinato, brushed snare, found-sound hits, tape hiss, cathedral reverb, analog saturation, halftime chorus, apocalyptic menace
5:30
Pinhead Pikachu
v5.5
dark alternative rock, melodic metal, detuned electric guitar chugs, fuzz octave riffing, brooding bass, tom-heavy drum fills, choral backing vocals, baritone lead vocal, tape hiss intro, analog saturation, plate reverb, wide stereo guitars, gated snare, halftime breakdown, ominous menace, midtempo pulse
4:24
Pika Vorhees
v5.5
dark horror rock, doom metal, industrial metal, base spoken lead, whispered Pi-pi-pi-ka-ka-ka, brushed snare, upright bass, distorted bass guitar, electric guitar chugs, detuned power chords, tape hiss intro, found sound hits, analog synth drones, hockey mask percussion, gated reverb snare, sidechain pumping, midtempo march, funeral groove, bleak menace, electric knife edge
2:32
2:51
4:12
Pika Meyers
v5.5
dark and brooding, building dread and anxiety, minimalist, electronic horror instrumental Soundtrack-Universe, it relies heavily on an eerie, repetitive synthesizer lead and staccato piano, Written in a rare and asymmetrical 5/4 time signature (felt as a 3+3+2+2 subdivision), Features a stark, three-note piano motif layered with sliding dissonant tones and wavering triangle wave synths, "simple and unsophisticated"