
Grey
Life is all just a grey area. A mix of styles from art pop to grunge to cosmic industrial noir. MOOD: ambivalence
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34 songs
2:40

Harem in a Shell
v5.5
gangsta rap, lo-fi hip hop, 84 BPM, sparse kick-snare loop, dusty drum samples, vinyl crackle, mono bassline, muted synth stabs, dry close-mic vocals, doubled ad-libs, tape saturation, 1990s rap mix, half-time head-nod, confrontational delivery, streetwise tension, minimalist arrangement
2:57

Chariot
v5.5
boom bap, stutter pop, folk noir, 99 BPM, spoken word hooks, breathy male vocal, fingerpicked acoustic guitar, accordion riffs, brushed snare, campfire percussion, walking bassline, syncopated kick snare, half time bounce, dusty drums, wide mono room, vinyl crackle, sparse verse build, roadside intimacy, late night reflection
3:30

Believe It Good
v5.5
experimental, swelling strings, microtonal synth chords, fuzz bass lead, angular guitar stabs, dry close-mic vocals, clipped drum machine, geometric percussion, wavy arpeggios, chant refrain, B minor pulse, short room ambience, analog saturation, vinyl crackle, shifting harmony, restrained groove, restless intimacy, sparse-to-full arrangement
2:53

YOW!
v5.5
surreal avant latin jazz, grunge hip hop, spoken word cadence, distorted baritone guitar, brushed snare kit, upright bass ostinato, muted trumpet lines, rotary organ swells, vinyl crackle, tape saturation, off-kilter breakbeats, syncopated hand percussion, unresolved melancholy, late-night unease, rubato intro, 92 BPM, sparse-to-dense build, open-room ambience
3:22

avant jazz grunge, Latin hip hop, bowed bass, distorted baritone sax, overdriven drums, clave percussion, scratchy guitar harmonics, analog synth stabs, free jazz piano clusters, lo fi room mics, tape saturation, abrupt dropouts, anxious defiance, bleak swagger, 94 BPM, half time groove
3:54

synth-pop, new wave, crisp lo-fi, microtonal, female lead vocal, chant harmonies, talk-sung delivery, pulsed synth bass, detuned synth pads, clean arpeggiated guitar, chorus-soaked electric piano, gated snare reverb, steady eighth-note hi-hats, tight kick snare, analog tape warble, crisp lo-fi, moderate tempo, verse chorus form, chorus lift, anxious longing, minor key
4:39

folktronica, microtonal, harmonies, psychedelic folk, 92 BPM, frame drums, baritone acoustic guitar, octave mandolin, hammered dulcimer, nyckelharpa drones, close-mic chant vocals, doubled harmony vocals, ritual repetition, syncopated pulse, industrial glitch accents, chiptune fragments, tape echo, spring reverb, analog saturation, vinyl crackle, dynamic shifts, bittersweet trance
1:33

3:22

beachy psychedelic phonk folk, hazy low-slung groove, swung phonk drum patterns with filtered 808-style kick, lo-fi vinyl hiss and distant city ambience, tremolo-soaked surf guitars and twangy spring reverb, woozy chorus-drenched electric mandolin, warped cassette acoustic strums, airy female-male doubled vocals, reverb-washed harmonies, subby sidechained bass under warm upright tones, lazy sunset tempo at 92 BPM, hypnotic tape delays on hooks, dreamy organ pads, slightly detuned leads for trippy seaside shimmer
4:11

Cheap Tricks
v5.5
dark industrial glam punk, post punk revival, industrial rock, distorted baritone guitar, angular lead guitar, synth stabs, analog bassline, live kick snare, metallic percussion, close mic vocals, gated reverb, tape saturation, lo fi room sound, sparse verse build, explosive chorus drop, stumbling groove, steady 4 4 pulse, 80s new wave grit, brooding defiance
3:16

Mixxed Up
v5.5
pop grunge, 148 BPM, distorted baritone guitar, fuzz bass, snare slapback, close mic drums, mono room crush, dry chorus guitar, synth stabs, broken eighth-note groove, halftime bridge, gritty female lead, shout harmonies, analog saturation, vinyl crackle, anxious defiance, singalong chorus
3:19

Dearly beloved
v5.5
70s progressive rock mixed with bossa nova, crisp production, wide male vocals, spring reverb, decorative clavinova, surf guitar, dreamy feel
3:40

You’re a Liar
v5.5
grunge, 90s alt rock, female shout vocals, half-volume climax, handpan ostinato, steel drum accents, distorted power chords, palm-muted verses, dry snare separation, punchy tom fills, room mic ambience, vinyl crackle, analog tape grit, dynamic quiet-loud arc, ironic bite, raw live take
3:39

4:04

4:48

Phantom Visions
v5.5
Experimental UK garage, earthy percussion, sampled bird noises, psychedelic shoegaze techno, English spoken word, 180 BPM, detuned synth drones, overdriven drum machine, hazy guitar walls, phase-shifted bass, spring reverb, tape saturation, vinyl crackle, lo-fi room mics, motorik kick pulse, hypnotic repetition, claustrophobic, acid dusk, analog delay, granular textures, stereo smear
4:24

industrial noir, brooding downtempo groove, distorted synth bass, mechanical percussion, metallic hits, reverb-soaked piano fragments, grainy tape textures, whispered spoken intro, smoky baritone vocals, dark cinematic ambience, pulsing sidechain, slow burn tension, shadowy atmosphere, 92 BPM, verse-chorus form
2:42

Mystery
v5.5
stochastic pop, electropop, future bass, dance pop, syncopated vocal phrasing, offbeat snare accents, chopped synth lead, pitch-bent bass drop, glitch percussion fills, sidechained pads, layered handclaps, tight kick drum, vinyl crackle, lo-fi room tone, compressed punch, chorus hook lift, restless groove, 128 BPM, call and response hooks
3:22

Winner
v5.5
chiptune abstract jazz IDM at 140bpm, syncopated broken-beat drum programming, bitcrushed 8-bit waveforms, detuned square leads and arpeggiated bleeps, polymetric glitch percussion, jazzy extended chords on lo-fi keys, elastic sub and sine bass accents, generative granular stutters, lush but pixelated pads, evolving odd-time motifs, playful yet cerebral arcade-club atmosphere
3:20

cosmic gangsta, deep bass, sampled sonar, textural, techno hybrid, close-mic vocals, angular guitars, synth stabs, sub-bass pulses, glitch percussion, dry drum machine, modular bleeps, filtered pads, call-and-response hooks, sparse breakdowns, dynamic drops, stereo widening, analog saturation, plate reverb
4:27

Friction
v5.5
IDM, 124 BPM, glitchy drum programming, intricate breakbeat edits, pulsating sub bass, detuned FM synth arpeggios, granular pads, textured noise swells, syncopated rhythmic stutters, evolving filter sweeps, spacious dub-style delays, metallic percussion layers, abstract yet emotive atmosphere, tense but introspective mood, dynamic builds and deconstructions
3:58

Time with you
v5.5
minimal techno, organic house, steel drum ostinato, prepared piano motifs, modular bass pulses, hand percussion grid, brushed snare accents, dub delay tails, analog saturation, vinyl crackle, 92 BPM, restrained groove, quiet-loud dynamics, sparse arrangement, nocturnal warmth, ritual repetition
2:45

Calibrated
v5.5
lo fi industrial singer songwriter, french minimal techno, cosmic chamber pop, close mic vocals, slight vocal fry, felt piano, prepared piano accents, brushed snare, upright bass, warm acoustic guitar, modular synth drones, tape crackle, plate reverb, room tone, quiet to explosive arc, intimate dread, cathartic release, midtempo pulse, sparse breakdowns
3:11

Don’t scratch it
v5.5
industrial rock, post-punk revival, decorative piano stabs, distorted bass guitar, angular rhythm guitar, tom-heavy drums, dry snare crack, tape warble, vinyl crackle, spring reverb, room mic grit, compressed drum bus, minor key, anxious resolve, 132 BPM, driving 16th notes, staccato synth stabs, dark catharsis
3:01

You Killed It
v5.5
IDM, techno rock, 146 BPM, banjo stabs, distorted baritone guitar, sampled crowd chant, analog synth drones, glitched drum edits, dusty snare hits, sub bass pulse, tape warble, vinyl crackle, gated reverb snare, stuttering vocal chops, brooding defiance, nocturnal urgency
3:12

industrial, gangsta, mexican dark pop, goth pop, goth, dia de los muertos, cathedral choir, baritone electric guitar, hollow-body tremolo, low tom march, organ drones, brass stabs, close-miked snaps, vinyl crackle, plate reverb, tape warble, minor key hook, sparse verses, explosive chorus, 78 BPM, funeral procession
4:05

IDM, glitchy post-punk, 132 BPM, motorik kick pattern, syncopated rim clicks, stuttering drum edits, angular guitar shards, detuned synth stabs, warm sub bass, black TV vocal sample, tape warble, vinyl crackle, plate reverb, parallel compression, intimate female vocal, breathy lead, melancholic defiance, nocturnal tension
3:03

A post-punk/art-rock hybrid locked in at 95–110 BPM, powered by staccato, muted electric guitar lines with jarring seconds and tritones, Dry, punchy kicks and rimshots anchor sparse, syncopated bass, Digital glitches (clicks, buffer stutters) cut in rhythmically, Vocals are coolly detached, with delayed doubled phrases creating a fragmented, lagging edge, Air and tension arise from negative space and abrupt shifts—no pads, no reverb, all energy stems from sharp edges and unsettling alignment
2:42

French techno, female vocals, minimal techno, 126 BPM, spoken chant vocals, call-and-response ad libs, repetitive hook phrasing, syncopated kick drum, dry rimshot percussion, metallic shaker loops, filtered bass pulse, detuned synth stabs, vinyl crackle texture, tape-saturated drum bus, spring reverb accents, sparse arrangement, breakdown drop, dark dance groove, 2000s warehouse edge
2:59

We all want it
v5.5
Jazz, French techno, 124 BPM, motorik pulse, syncopated kick, vibraphone ostinato, detuned synth bass, analog drum machine, muted hi hats, brushed snare ghost notes, baritone sax riffs, dry room ambience, tape saturation, vinyl crackle, minor key, late-night drift, deadpan groove, quirky minimalism
2:59

1:21

chamber
v5.5
art indie, abstract lofi, chamber pop, 92 BPM, motorik pulse, hypnotic repetition, spoken chant vocals, minor key hooks, angular guitars, upright bass ostinato, brushed snare, glockenspiel accents, tape saturation, vinyl crackle, room mic ambience, plate reverb, bittersweet nostalgia, late-night unease
2:48

IDM, abstract indie hip-hop, glitched drum edits, dusty breakbeats, syncopated sub bass, granular synth stabs, chopped room-tone samples, filtered pad swells, sidechain pumping, vinyl crackle, stereo delays, dynamic breakdowns, escalating build, anxious momentum, 132 BPM, minor key, sparse verses, dense chorus, left-field percussion
4:46

>>don't go
v5.5
post-punk revival, industrial rock, 94 BPM, motorik pulse, tape warble, fuzzy bass swell, low-pass arpeggio, harpsichord ostinato, submerged chant loop, metallic percussion, spring reverb, analog synth decay, lo-fi art rock, windy claustrophobia, confessional unease, circular refrain, vintage tape warmth
