Voltage - Leave or Die Tour (Wembley 85)
Voltage famous "Leave or Die Tour's Wembley 85"
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17 songs
2:38
On Top of the World
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
3:04
We Play For You
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
4:13
Hit Me Like Lightning
v4.5-all
early 80s rock, hard rock, slow dance, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush, the music start and end longly with the public sounds, songs and applause as in a stadium
5:11
End of the World (Rock’s Alive)
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush, the music start and end longly with the public sounds, songs and applause as in a stadium
3:24
No Pulse, No Problem
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush, the music start and end longly with the public sounds, songs and applause as in a stadium
3:25
Out of This Town
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush, the music start and end longly with the public sounds, songs and applause as in a stadium
4:35
We Burn the Night
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
3:07
(Instrumental)
v4.5-all
sologuitarist playing with the public, early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
3:14
I'll keep Lying (Feat Lady Soul)
v4.5-all
An energetic yet soft high-pitched female voice glides above a slow 80's hardrock foundation, Warm electric guitar riffs lead the verses, underpinned by solid bass and spacious drum grooves, Multiple slow dance electric guitar solos emerge, adding melancholic depth between verses and choruses
3:22
Loud Is Living
v4.5-all
early 80s rock, agressive hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
4:28
Burn Before We Fade
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
5:09
No Road Home
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush, the music start and end longly with the public sounds, songs and applause as in a stadium
3:45
Ride Across the Fire
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
4:35
Nitroglycerin
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
4:43
Light in You
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
4:51
Crossing the Line
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush
4:20
Player One in Disguise
v4.5-all
early 80s rock, hard rock, twin electric guitar leads, harmonized guitar solos, riff-forward verse blocks, stripped pre-chorus, stadium snare, bass guitar octave drive, tape saturation, plate reverb, slapback delay, live room ambience, halftime breakdown, double-time lift, anthemic swagger, highway rush