Crushed (Single)

Punk/garage-rock, 182 BPM, 4/4, key A minor, All vocals are female, One lead voice carries verses and most pre-choruses; the other two voices enter as backing vocals in key lift moments: light ooh/ah pads and short answer-phrases in pre-choruses, full tight 3-part harmony stack on every chorus, and the biggest stack on the final chorus, Harmony: lead centered, upper harmony +3rd/+4th, lower harmony -3rd/-6th; matched vowels, minimal vibrato; keep backing slightly tucked under lead except on final chorus where they bloom wider, Arrangement: clean guitar arps or muted electric piano, soft pad, warm bass, crisp rim/brush drums, subtle shimmer percussion; no heavy distortion, Keep verses intimate, choruses lift with wider stereo and slightly more drive, Ending: sustain final line briefly, then clean stop, ‑male vocals, ‑rap, ‑trap, ‑metal, ‑harsh distortion, ‑scream vocals, ‑explicit content, ‑muddy mix, ‑excessive reverb wash, ‑glitch artifacts, ‑pitchy harmonies, ‑talk-rap, ‑long spoken monologues

Dream-pop / folk-pop with a clean, warm, bright mix, 92 BPM, 4/4, key A minor, All vocals are female, One lead voice carries verses and most pre-choruses; the other two voices enter as backing vocals in key lift moments: light ooh/ah pads and short answer-phrases in pre-choruses, full tight 3-part harmony stack on every chorus, and the biggest stack on the final chorus, Harmony: lead centered, upper harmony +3rd/+4th, lower harmony -3rd/-6th; matched vowels, minimal vibrato; keep backing slightly tucked under lead except on final chorus where they bloom wider, Arrangement: clean guitar arps or muted electric piano, soft pad, warm bass, crisp rim/brush drums, subtle shimmer percussion; no heavy distortion, Keep verses intimate, choruses lift with wider stereo and slightly more drive, Ending: sustain final line briefly, then clean stop, ‑male vocals, ‑rap, ‑trap, ‑metal, ‑harsh distortion, ‑scream vocals, ‑explicit content, ‑muddy mix, ‑excessive reverb wash, ‑glitch artifacts, ‑pitchy harmonies, ‑talk-rap, ‑long spoken monologues

Punk/garage-rock, 182 BPM, 4/4, key A minor, All vocals are female, One lead voice carries verses and most pre-choruses; the other two voices enter as backing vocals in key lift moments: light ooh/ah pads and short answer-phrases in pre-choruses, full tight 3-part harmony stack on every chorus, and the biggest stack on the final chorus, Harmony: lead centered, upper harmony +3rd/+4th, lower harmony -3rd/-6th; matched vowels, minimal vibrato; keep backing slightly tucked under lead except on final chorus where they bloom wider, Arrangement: clean guitar arps or muted electric piano, soft pad, warm bass, crisp rim/brush drums, subtle shimmer percussion; no heavy distortion, Keep verses intimate, choruses lift with wider stereo and slightly more drive, Ending: sustain final line briefly, then clean stop, ‑male vocals, ‑rap, ‑trap, ‑metal, ‑harsh distortion, ‑scream vocals, ‑explicit content, ‑muddy mix, ‑excessive reverb wash, ‑glitch artifacts, ‑pitchy harmonies, ‑talk-rap, ‑long spoken monologues