学級閉鎖

Epic cinematic indie-pop with baroque pop and alt-rock vibes, around 140 BPM, Grand strings, church-bell accents, bold timpani, bright ringing guitars, pulsing piano and deep rolling bass create a royal, parade-like energy, Single female lead only — husky whisper tone, airy yet powerful on high notes, No duet, no second lead; just one voice with subtle self-harmonies and light reverb for cathedral space, Background echoes must be faint layers of the same singer, Verses: intimate piano and soft strings, Choruses: soaring orchestral swells and bell strikes, wide stereo, triumphant yet lonely, Mood: fallen empire, melancholic and heroic, like remembering a lost kingdom

cinematic postrock Post-rock, ambient style 140bpm marching snare drum deep bass rustic recorder innocent child soloist childrens choir chorus emotional buildup ambient outro nostalgic festival vibe

AI-generated digital hardcore punk rock band with raw human spirit, BPM200, Ultra aggressive digital hardcore with emotional poetic tension, Solid, tight, brutally distorted guitars (Explorer + Les Paul), fast tremolo picking and dissonant chord stabs, Overdriven, growling distorted bass (Freedom Custom Guitar Research style), punching through the mix with mechanical weight, Heavy, tight kick drum and explosive snare (TAMA kit, Zildjian cymbals), relentless 16th-note drive, occasional blast-beat intensity, Industrial noise layers and subtle glitch textures in the background, Hoarse, dirty, emotionally unstable distortion vocals, Half-screamed, half-spoken verses, Chorus explodes with raw melodic shouting, like a virus spreading through the crowd, Underground Japanese hardcore spirit, bass-driven songwriting, emotional but violent, hope buried inside distortion

Epic Dark Symphonic Rock mixed with Celtic War Metal, 140 Bpm, Massive Pipe Organ, Thunderous Timpani, Deep Sub-Bass, Distorted Rhythm Guitars, and Mournful War Bagpipes, Heavy, Overwhelming, and Majestic Wall Of Sound, Single Female Lead Only — Husky Whisper Tone, Airy Yet Powerful On High Notes, No Duet, Just One Voice With Cathedral Reverb, Verses: Solemn Pipe Organ and Low Strings, Choruses: Explosive Orchestral Swells, Church Bells, Bagpipe Accents, Mood: Fallen Empire, Heroic, Solemn, Heavy Pressure

90s Britpop/glam rock indie like Suede "Stay Together", Mid-tempo epic, swirling groovy bass/drums, Wall-of-sound guitars: deep reverb + distortion + clear melodic lines weeping melancholically, Female vocals: operatic, fragile with heavy vibrato and voice cracking/breaking, Toto Fukami deep-sea fish persona – delicate, unstable, emotionally raw, Guitars and vocals dueting/call-response, Long warm guitar solo outro full of wistful sorrow, Grandiose dramatic UK indie rock, no cyber elements

BPM 152, minor key, emotional alternative rock mixed with dark pop and subtle post-hardcore elements, Female vocal, slightly husky low tone with fragile high falsetto breaks, Theme: “Poetry as a contagious disease, ” A symbolic king representing pride and loneliness, Imagery of crowns, small hearts, infection, fever, quiet rebellion, Explosive but controlled chorus, layered gang vocals whispering “shi ni itaru yamai, ” Tight drums, distorted guitar with sharp attack, deep pulsing bass, atmospheric pads in the background, Bridge becomes minimal and cold, almost spoken-word with emotional restraint, Final chorus bigger, more anthemic, but not hopeful—beautifully tragic, Overall tone: poetic, infectious, cinematic, slightly rebellious yet introspective

Multi-National Musical Force [Instrumentation: French Pop Guitarist, Afro Beat Drummer, Indian Groove Bassist, American Rock Guitarist, Japanese Traditional Keyboardist], Heart Beat, Catchy Melody, military anthem, Chaotic modulations, Canon progression throughout, Mellow Melodious Dance Anthem, Cyber Techno Rock Opera Ballad, Deep, dark, minimal R&B pop, Ritualistic, unstable, decayed textures, Whisper breaths, glitch fragments, distorted bass, Madness escalating then collapsing, Minimal but emotional, Glitch, Choir, Vocal Unison, Distortion guiter, Piano, Every section modulates to a new key — constant upward or sideways key changes, with audible breaths and sighs, Psychedelic, Groovy Drumn Bass, Last Hopeful

[Genre:JapaneseGarageRock/GaragePunk][Mood:DirtyRawRebellious][Energy:ChaoticHigh][Tempo:Fast][Vocal:MaleHoarseShouted][Mix:LiveOverdrivenUnpolished] Fast, dirty, brutally raw Japanese garage rock / garage punk with zero polish and maximum attitude, Overdriven guitars with feedback squeals and primitive stabbing riffs barely under control crash into frantic drums that feel ready to collapse, forming a chaotic but honest wall of sound, The groove is aggressive, sweaty, reckless, like a band playing far too loud in a tiny room, Vocals are male, hoarse, raspy, half-shouted, yelling truth into a broken mic at 3 a, m, full of bitterness, irony, and pride, Lyrics mostly Japanese, blunt and cynical, questioning the idea of a masterpiece, rejecting charts and praise, insisting a song is real only when it hits blood and bones, Chorus is simple, punchy, built for live gang shouts

Instrumentation: acoustic piano (warm, lyrical), slap bass (melodic, restrained), drums (brushes, soft sticks), Mood: plaintive, emotional, cinematic with bittersweet hope, Tempo: 76 BPM, gentle swing with subtle Latin inflections, Harmony: extended jazz chords (m9, maj7, 11, 13), occasional altered dominants, minor tonal center with brief major-third modulation in bridge, Arrangement: intro (rubato piano 8 bars) → A (melody + bass motif 32) → B (modulate, dynamic lift 16) → solo (piano lead with bass interplay 16) → outro (return intro motif, fade), Performance: piano sings with inner voices and arpeggios; bass uses light slap accents, ghost notes and sustained tones; drums use brushes in A, switch to sticks in B, tasteful fills, Production: close-mic intimate room, mild plate reverb, gentle tape saturation, moderate stereo width, warm compression on bass, Desired result: sparse, player-forward, deeply emotional jazz piece

A dark, heavy female-vocal metalcore track with a dramatic, decadent atmosphere, bpm160, Vocal is female only, using high-range melodic singing, sharp shouts, female growl, female pig-squeal, and brief whistle-like high accents, No male timbre or baritone, Guitars are strict Drop-A, extremely heavy, wide, and metallic with deep chugs, Bass is distorted, dark, and punishing, Drums feature fast twin-kick, sharp snare, and aggressive fills, Synths use digital-noise textures, glitch arps, corrupted choirs, and dark pads to add an industrial edge, Style blends metalcore, loud rock, and digital industrial, keeping a melodic but violent tone, Chorus should feel emotional with soaring female vocals; verses more rhythmic and harsh, Mixing: female vocal forward, guitars thick, bass deep, kicks strong, synths adding tension without masking heaviness

Sorrow-Colored RPG Band Sound Project | Cinematic arena rock: sad verses, rising pre-chorus, huge hopeful modulated chorus, tearful C-melo, soaring guitar solo, final chorus, and an outro that feels like the story begins again, Studio-grade clarity, wide stereo guitars, tight punchy drums, locked bass, all-female vocal harmonies, subtle orchestral/choir lift

ambient, electronic, experimental, downtempo, minimal, cinematic

genre style japanese alternative rock posthardcore experimental rock mood theme cold tension vulnerability emotional contagion tempo key time signature 150165 bpm minor verse 54 prechorus 78 chorus 44 bridge 34 54 arrangement sound twin distorted guitars sharp riffs polyrhythms dynamic syncopated drums melodic bass quiet verses tense prechorus explosive chorus subtle ambient layers vocals female adostyle whisper cry controlled slight raspcrackle expressive swings lyrics emotion king as burden metaphor infection of poetry metaphor dynamics follow narrative production effects reverbdelay layered vocals wide stereo bridge minimal vocalfocused sharp cold texture output goals cold dynamic japanese rock female vocal vulnerability defiance sharp intensity polyrhythmic tension catharsisin the style of Alternative rock, Post-hardcore, Progressive rock, Math rock sharp cutting guitars polyrhythmic drums emotional female vocal

High-speed Experimental Pop, fusing Scandinavian pop with the frantic energy of a breakbeat, A fast, chopped-up breakbeat provides an urgent, driving rhythm, A deep, rapid-fire synth bassline propels the track forward, A dissonant acoustic guitar is strummed aggressively in a rhythmic, stuttering pattern, Over this chaotic foundation, shimmering dream pop pads create an ethereal atmosphere, The vocal is a consistent, calm female whisper, an eye in the storm

Boys and Girls Choir, A solemn and minimalist ancient religious piece featuring drones and choir, A simple ensemble consisting solely of voice and pipe organ and tubular bells, female soprano voice, Estonian Contemporary Music, Ancient Chant, Traditional Bulgarian Religious Chant, Gregorian choir, holy minimalism, pipe organ, Tubular Bell, A solemn and sacred atmosphere, dark drone, requiem, Performance at the Cathedral, Deep reverb, ‑Emotional vocal, ‑percussion, ‑Exciting developments, ‑Dramatic

Anthemic cinematic pop x symphonic pop-rock with neo-classical pop color, ~140 BPM straight 4/4, INTRO + INTERLUDE: new signature piano motif (4 bars) like a royal emblem, repeats; disappears in verses; returns before final chorus as a half-length tease, chorus 2: add heroic string lift and octave-doubled countermelody; final chorus: bigger countermelody + low string pedal tone piano-led verses with soft strings, minimal drums, wide open choruses with soaring string swells and a clear string countermelody (stronger in chorus 2 and final), bell strikes + timpani hits as accents (transitions only), bright ringing indie-rock guitars for forward motion, deep rolling bass, single female lead only (husky whisper verses, airy powerful highs), background vocals: faint self-harmonies of the same singer only, light cathedral room reverb (not washed), no handclaps, no crowd, no choir, no duet

1970s Japanese Folk melody, Techno-Folk, Electronic, Synth-pop, 90BPM, Drill-style synth bass, Repetitive rolling bassline, Lo-fi analog synth strings, Cold and mechanical string pads, Ethereal breathy female vocals, Soft whisper singing, Low energy, Calm, Minimalist arrangement, ‑humming

Shibuya-kei, 90s J-Pop, Pizzicato, Fast Breakbeat, Orchestral Hits, Big Band Brass, Chamber Pop, Chic, Kitsch, Upbeat, Retro-Futuristic, Kawaii Female Vocals

shoegaze ballad, dream pop, Melodic Dubstep, Future Bass, Electronic Pop, Emotional EDM, Melancholic, Atmospheric, Piano, Heavy bass drops, kawaii vocals, Progressive build, analog summing with Dangerous 2-Bus+ [Intro : Ethereal piano intro with atmospheric rain sounds, Shoegaze guitar feedback fading in]

energetic, emotional, pop-rock, female vocal, fast tempo, electric guitar driven, slap bass, slap bass, dynamic drums, bright keyboards, melodic, uplifting, youth anthem, hopeful, passionate performance, modern Japanese rock style, no other instruments, ‑humming, ‑hum

Post-Rock, Dream Pop

A minimal chill reggae cover featuring laid-back ukulele strumming, subtle offbeat guitar chops, deep basslines, and sparse percussion with tight hi-hats and rim clicks, Soft keys add gentle atmosphere, while effects like reverb create a laid-back, breezy reggae vibe throughout

A fast jungle-beat rock song with a female vocal in the style The lyrics are a mix of English and Japanese, inspired by distortion, glitch, and emotional overload, with a cute but chaotic The vocal should sound like "Candy Tears" – soft, youthful, edgy, and slightly Japanese-accented, Use aggressive drums, distorted guitars, and breakbeats, Keep the tone energetic, noisy, and pop-infused, heavy metal

Japanese post-punk / dark garage rock, BPM 115–120, Dry, tight, minimal, restrained but emotionally intense, Clean guitar arpeggio intro, bass enters early, tight dry drums, urban night mood, Verse: low-register female vocal, intimate and controlled, almost spoken but steady, Prominent melodic bass drives the groove, Guitar clean to light crunch, spacious arrangement, Pre-Chorus: tension rises through rhythm, slight lift in distortion, Chorus: emotional lift but not explosive, Keep drums dry, Subtle layered female backing vocals on “しにいたる病” to create a spreading, infectious feeling, not shouted, Bridge: strip down instruments, exposed vulnerable vocal, gradual rebuild, Final chorus slightly fuller but still raw, No glossy pop production, no heavy reverb, small live house energy, cool late-night atmosphere

Hip Hop, Trap, Pop, Glitch, Dreamtronica, Ambient Dub, Psychedelic, Shoegaze-Influenced